Milton Goldin

Seated Figure of a Women Stone Abstract Sculpture

1989

Figurative sculpture of a thinking women seated. Women appears to be in a long dress. The stone has natural tones that come out with the carvings of the sculpture.

Naturalistic figure of a women with long hair and a long dress. The stone is a darker blue toned with natural veins and speckling. The figure is signed on the bottom of the dress.

A lovely Native New Mexico sculpture of a corn man delicately sculpted in a beautiful translucent pink alabaster. Attached to a dark wooden base which compliments the beautiful pink ...

Peach Tones sculpture of two figures in an embrace. The stone has natural tones and speckles. The artist signed and dated the work on the bottom of the figu...

Cool grey figurative sculpture of a female figure. Sculpture has concave areas where the limbs would extend from the body. The sculpture sits on a base that appears to be a leg. Jose...

Sculpture of a seated women with her hands on her knees. Sculpture has various natural colors that branch through the stone. Artist signed the sculpture on the back right thigh. Luiz...

ITALIAN MARBLE FIGURE OF A GRIFFIN Italy, early 19th Century marble 87 x 54 x 20 cm 34 1/4 x 21 1/4 x 7 3/4 in

Szymon Oltarzewski was born in 1977 in Poland. Graduated in Environmental Engineering from the University of Opole, in 2003 he moved to Pietrasanta where he enrolled at the Academy o...

A black marble “liaison” with 3 links. Hand carved from a single block of marble. 78 x 30 x 23 cm signed Cedric Koukjian 2019 Switzerland Cedric Ko...

Inspired by various facets of his own life story, Salvadoran-American artist J Oscar Molina creates work that seamlessly bridges cultures, industries, a...

Inspired by various facets of his own life story, Salvadoran-American artist J Oscar Molina creates work that seamlessly bridges cultures, industries, and feelings. With a commitment...

Claude-Lévy, 1895 – 1942 Alice Nikitina in the role of Flora, from the Dukelsky/Braque production of the ballet Zephyr & Flore at the Ballets Russes, 1925 Cast Stone Signed and dated: Claude-Levy 1925 on rear face of self-base. The present sculpture is as rare as it is delightful. Mademoiselle Claude-Levy, as the catalogues of the period list her, was one of the truly original talents of the Art Deco period. Painter, architect, decorator, and sculptor, she was a friend of the Parisian, Modernist sculptors, Chana Orloff, Henri Laurens and the Martel brothers, to whom her work was often compared. The ingenuity of her models brought her great critical acclaim, but she seems to have stopped producing in the early 1930s. Her output, although fine, is rare. Claude-Levy’s gentle Cubism might be better described as Purism in sculpture. It is characterized by simplified surfaces, rounded (as opposed to angular) forms, and smooth, lustrous surfaces. The Purist movement included the painters Léger, Ozenfant and Le Corbusier in its ranks. Claude-Lévy, along with other artists of the avant- garde living in the Gallic capital (Czaky, Zadkine, Archipenko, Lipchitz, Lambert Rucki Miklos, Nadelman, Vörös, Orloff) helped to develop a collective twentieth century figurative sculptural idiom that exploited the daring and rich possibilities of geometric abstraction. The present work is Claude-Lévy’s Commedia dell’Arte figures inspired by the Stravinsky/Picasso Ballet...