Manuel David Reyes Ramirez

12'' La Mano de Yanhuitlan / Ceramics Mexican Folk Art Clay

2017

FREE SHIPPING WORLDWIDE! Carlomagno Pedro Martinez MASTERPIECE PRESENTED IN THE BOOK "C4ATRO MANOS DO2 OFICIOS UNA 1CONOGRAFIA” Made with Black Clay, hand-modeled technique, polish...

Artisan: Enedina Vaszquez Cruz MASTERPIECE Made with natural clay. Hand-modeled technique and cooked in a wood-fired oven.  - Dimensions: 19" x 19" x 13" in or 47 x 49 x 34 cm - ...

FREE SHIPPING TO WORLDWIDE! Artisan: Nicolas Ortiz Ortega MASTERPIECE Carved polychrome shape decorated with a sgraffito technique.  - Dimensions: 12" x 9" x 14" in or 30 x 23 x 35...

FREE SHIPPING TO WORLDWIDE! Artisan: Fidel Martinez Martinez Made with Black Clay, hand-modeled technique and cooked in a wood-fired oven. - Dimensions: 4" x 3" in or 10 x 8 cm -...

FREE SHIPPING TO WORLDWIDE! Artisan: Omar Fabian Canseco MASTERPIECE Made with Black Clay, hand-modeled technique, mate finished with white craft thread a...

FREE SHIPPING TO WORLDWIDE! Artisan: Fidel Martinez Martinez Made with Black Clay, hand-modeled technique and cooked in a wood-fired oven. - Dimensions: 4" x 3" in or 10 x 8 cm -...

Untitled Figure with X on Chest by Charlie Willeto, Navajo Folk Art, wood, paint Vintage

Unknown/ Unidentified Artist, "Red Devil", Wooden Figurative Folk Art Sculpture, 30 H x 10 W x 6 D, 20th Century, ca. 1989 Colors: Red, Brown, Black Proven...

An extraordinarily moving piece by an outsider artist who must have spent many a day conceiving, cutting, hammering, soldering and welding this stunning metal group made of tin and iron. The result is something completely individualistic, which at the same time recalls early medieval...

Guillaume Couffignal (French b. 1964) Theatre, 2014. Bronze. 19 7/8 x 13 1/2 x 7 1/4 inches. Signed on the base: Couffignal. Beautiful texture and patina. Guillaume Couffignal is a French Postwar & Contemporary self taught, outsider artist who was born in 1964. He works in bronze casting complex, fantastic, architecture models, abstract theater and boat models that look like relics from the past. He learned the art of lost wax casting with a traditional African foundry in Koudougou, Burkina Faso in Africa when he was 23, blessed to find his way so young. He felt the deep alchemy of the process combining the elements of Nature to produce a concept that did not previously exist in our world. He saw the potential of this earth magic. It forces chance and pushes the limits of bronze because each sculpture can never be exactly reproduced. Like the use of clay, this art has a deep connection with the primitive elements of Nature. There is the wind and the sky and the earth and the fire. There are ashes and dust. Here exists a collaboration with the spirit of the Illusionist, an artist in all his unpredictability. But it is not an art of chance. The Illusionist / artist masters the elements of accident and surprise. He is a magician who controls the secrets of his process. In the case of Couffignal, this has to do with the three-dimensional collage of carefully chosen fragments and shapes and with its earth-like textures, carefully perfected over many years of experimentation. Its textures make the materials lie. They have an irregular patina of wear and bad weather. They make bronze itself secondary with this creamy pigmentation of the earth burnt by the sun. The texture then becomes a painting. Couffignal sets the scene for the pure drama of the void. He fills it with memories and voices. This decor is visually minimal, but this very minimalism points to the importance of his other intentions. Its boats are "soul boats" caught between two universes. Its architectural pieces evoke ruins and nevertheless attest to their own existence. Although this process is ancient, and in this case learned from the African tradition, the true testimony of the power of Guillaume Couffignal is that not a single element of his work derives from something existing. As a true iconoclast, he has taken up a traditional language, learned this language, and starting from this language has created a poetry completely unique and unique to him. Randal Morris, 2013. His work is from the tradition of outsider art, art brut, folk art, naïve art, visionary art and intuitive art with a sophisticated subject matter. A kind of symbiosis of jean Dubuffet and Daniel Arsham. Sculptures as forgotten images of a world where the trace always precedes presence. As in the art of raku, ancestral Japanese pottery where the cooking accident and the patina of use - wabi and sabi - testify to an intimate cosmogonic geography. Omnipresent memory of the color and the smell of the earth - mud, noble material which in Africa is used to erect huts, houses, palaces and mosques. Historically and up to the margins of the caravan route, on the borders of the great Arabic Muslim...

"Drover" is an original yellow & green opal serpentine stone sculpture by Aaron Perkins Chikumbirike, a contemporary Shona stone sculptor. The artist signed the piece. It depicts an ...

Figurative anthropomorphic animal sculpture of an owl with human figure made with saw blade, metal wire body, and wood mallet legs "Saw Blade with Owl" by Lee Musselman...