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George Aarons
Plaster Sculpture Relief Art Deco Plaque WPA Artist Lovers Embrace, Rose

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  • Plaster Sculpture Relief Art Deco Plaque WPA Artist Peace Swords to Ploughshares
    By George Aarons
    Located in Surfside, FL
    Size includes wood mounting. George Aarons (born Gregory Podubisky, in St. Petersburg, Russia, 1896 - died in Gloucester, Massachusetts 1980) was a distinguished sculptor who lived and taught in Gloucester, Massachusetts, for many years until his death in 1980. He had, many students in the area and he designed Gloucester's 350th Anniversary Commemorative Medal. Aarons moved from Russia to the United States when he was ten. His father was a merchant. He began taking drawing classes during evenings at Dearborn Public School in Boston as a teenager and went on to study at the Boston Museum of Fine Arts in 1916. Aarons later moved to New York City to study with Jo Davidson, and other Paris-trained masters at the Beaux-Arts Institute. He eventually returned to the Boston area and established studios in Brookline and Gloucester, Massachusetts. During his lifetime, he was recognized internationally and won several prestigious awards. Aarons had studios in Brookline, Massachusetts and Gloucester, Massachusetts where he produced large bronze and marble figures and wood carvings. He produced several projects for the Works Progress Administration including a group of three figures for the Public Garden (Boston), a longshoreman, fisherman and foundry worker, as well as a large relief (1938) for the South Boston Housing Project and façade of the Baltimore Hebrew Congregational Building (1956). His works are at the Museum of Art in Ein Harod, Israel; Fitchburg Art Museum in Massachusetts, Musée de St. Denis in France; Hilles Library at Radcliffe College in Cambridge, Massachusetts; and Hillel House at Boston University in Massachusetts. He did reliefs for Siefer Hall at Brandeis University in Waltham, Massachusetts (1950); Edward Filene (the founder of Filene's Department Store and a philanthropist) on the Boston Common; Fireman's Memorial in Beverly, Massachusetts; a memorial to Mitchell Frieman in Boston; the U.S. Post Office in Ripley, Mississippi; and at the Cincinnati Telephone Building; the Combined Jewish Philanthropies building in Boston (1965); and a commemorative medal for the 350th Anniversary of the City of Gloucester, Massachusetts (1972). Characteristic of his era, George Aarons was among the foreign-born American sculptors of the early 20th century who started their careers as academicians and evolved into modernists and increasingly abstract artists. Over thirty pieces spanning the length of this sculptor's career were featured in this exhibition, including work in various medium bronze, wood and original plasters. Like his contemporaries, Aarons experimented with direct carving in wood, and he was one of the few academically trained sculptors who consistently cut his own works in marble. His early work was classically inspired figurative work, along with sensitive portraits. Some of his most powerful sculpture comes from his middle period, when he worked through his emotional pain following the global realization of the Jewish Holocaust. He depicted humanity deep anxiety over this tragedy with figures that are at once symbolically charged and movingly beautiful. Aarons late work consists of radically simplified forms that continue to reference the human form and often are carved directly in wood and stone. Aarons summered and taught classes on Cape Ann for many years before moving to Gloucester full-time with his wife about 1950. While Aarons is best known locally for his domestic-scale works, he also executed numerous monumental, public commissions that can be found throughout the United States in cities such as Washington, D.C.; Baltimore, Maryland; and Cincinnati, Ohio; as well as in France and Israel. As noted in a Gloucester Daily Times Article, Aarons wanted his sculptures to honor the struggles and nobility of people and rail against the evil done against them. And that was why, even as his work grew more and more abstract, stylized and simplified, he never left behind the form of the human figure that had been his focus from his earliest works. Aarons told the Gloucester Daily Times in September 1954 that he found it hard to remember at just what age he started studying art, but he recalled that the nude model had to partially dress when he was in class because he was so young. He initially studied painting and drawing at the museum school, but he once said he became fascinated by sculpture when he met an established sculptor at the Copley Society in Boston who invited Aarons to his studio and offered him some clay to "play around" with. After he graduated, he apprenticed under sculptors Richard Brooks, Robert Baker and Solon Borglum. He worked as a carpenter, shipbuilder, dishwasher and chimney sweep. He fashioned architectural decorations, including figures for fountains and now and then a few commissioned portraits. He returned to Boston by the early 1920s and began to exhibit his own works and get commissions for portraits, fountains and reliefs. His sculptures from this time are dreamy and romantic in the realistic, academic style of the time. A painted portrait of the young Aarons that is included in the North Shore Arts Association exhibit shows a determined fellow with dark brown hair, a suit and bow tie. However, in 1922, this determined young artist was living with his parents on Calder Street in Dorchester. In the 1930s, Aarons adopted the streamlined, monumental style of the socialist works of the time. Aarons made money, as he would all his life, from commissions, selling his personal work and teaching sculpture, but the Depression of the 1930s was tough for everyone. So Aarons found work though the federal Works Progress Administration, one of Franklin Roosevelt's New Deal programs. He received his first major commission when he was asked to create a public sculpture for the South Boston Harbor Village public housing project around 1937. He was elevated to the position of supervisor for the project and received a corresponding $5 pay increase to make his weekly salary $32. The raise convinced him he was fit to marry and he proposed to Gertrude Band, an attractive brunette dancer whom he had been dating for more than a year. They were married before the Harbor Village project was dedicated on Labor Day 1938. Aarons' design featured a brawny, larger-than-lifesize fisherman, longshoreman and a laborer flanked by a boy and girl at either end to portray the children who would live in the apartments. Aarons elected to do the piece in cast stone to employ carpenters and laborers as well as craftsman for a total of 10 men. In his sculpture, Aarons focused more and more on the theme of oppressed people as he worried about the spread of fascism and Nazism during the 1930s, World War II and after. He had done pieces during the mid-1930s about the oppression of African-Americans, including "Negro Head," which is in the North Shore Art Association retrospective. After the war, he also delved into Jewish themes and became increasingly known as an important Jewish artist, leading to commissions from Jewish organizations across the country and abroad. "He gets into raw emotion. Some people describe him as an expressionist because of the emotion (in his work)," Reynolds says. But Aarons, also sculpted sensual sexual nudes...
    Category

    20th Century Art Deco Figurative Sculptures

    Materials

    Plaster, Wood

  • Texas Artist David Pryor Adickes John F Kennedy Bas Relief Painted Sculpture
    Located in Surfside, FL
    David Pryor Adickes American (b. 1927) John F. Kennedy bas-relief plaster relief sculpture in artists frame incised signature lower center. with gold stars...
    Category

    20th Century American Modern Figurative Sculptures

    Materials

    Plaster, Wood, Paint

  • French Painted Maquette for Sculpture Judaica Klezmer Musician
    By Mane Katz
    Located in Surfside, FL
    Mane-Katz (1894-1962) maquette plaster relief for bronze sculpture. (it is made from sort of composite material and then painted or colored from the casting. there is no foundry mar...
    Category

    20th Century Modern Figurative Sculptures

    Materials

    Plaster, Paint

  • Czech Art Deco Carved Natural Resin Cubist Owl Bird Sculpture Joseph Martinek
    Located in Surfside, FL
    American sculptor Joseph Martinek was born in Chicago in 1915. He was a second generation apprentice to Auguste Rodin. He studied sculpture at the State Industrial School of Art, Pra...
    Category

    20th Century Art Deco Figurative Sculptures

    Materials

    Resin, Wood

  • Czech Art Deco Carved Natural Resin Cubist Dove Bird Sculpture Joseph Martinek
    Located in Surfside, FL
    American sculptor Joseph Martinek was born in Chicago in 1915. He was a second generation apprentice to Auguste Rodin. He studied sculpture at the State Industrial School of Art, Pra...
    Category

    20th Century Art Deco Figurative Sculptures

    Materials

    Resin, Wood

  • Large George Aarons Terracotta Sculpture Relief Art Deco Plaque WPA Artist
    By George Aarons
    Located in Surfside, FL
    Two Figures (Mother and son) 9" x 17" terracotta sculpture, signed lower left mounted to wood panel, 15 1/2" x 23 1/2" George Aarons (born Gregory Podubisky, in St. Petersburg, Russ...
    Category

    20th Century Art Deco Figurative Sculptures

    Materials

    Wood, Terracotta

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    By Chester Beach
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    1,000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair is available for sale. This sculpture, "Riders of the Elements," is the original 7' plaster maquette from the NYC 1939 World's Fair by Chester Beach...
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  • The Falconer, Art Deco British Plaster Sculpture by Richard Garbe RA
    By Richard Garbe
    Located in London, GB
    RICHARD GARBE, RA (1876-1957) The Falconer Signed and dated on the reverse: Richard Garbe, ARA / 1932 Patinated plaster 49.5 cm., 19 ½ in. high Proven...
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    Located in Southampton, NY
    Very rare Art Deco three dimensional terracotta sculpture of Adam and Eve by the Austrian artist, Virgil Rainer. Hand painted by the artist. Signed bott...
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  • Sculptured polychromed Male modelled Bust from artist workshop.
    Located in brussel, BE
    Gustave Fontaine (Etterbeek 1877-1952 Brussels) was a sculptor–painter. He took courses in Saint-Josse-ten-Noode and continued his training at the Academy of Brussels and with the sculptor Julien...
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  • Richard Garbe - Helios - Early 20th Century British patinated plaster sculpture
    By Richard Garbe
    Located in London, GB
    RICHARD LOUIS GARBE, RA (1876-1957) Helios Signed and dated 1929 Plaster with patinated surface 86 cm., 33 ¾ in. high Garbe was born in Dalston, London, the son of Gustave Garbe,...
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  • Sculptured polychromed Female modelled Head from artist workshop.
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    Gustave Fontaine (Etterbeek 1877-1952 Brussels) was a sculptor–painter. He took courses in Saint-Josse-ten-Noode and continued his training at the Aca...
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