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Unknown
'Sleeping Cherub' Small Beaux Arts gilt-bronze sculpture on Portoro Marble Base

Circa 1900

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  • 'Woman Standing', Modernist Sculpture, San Francisco Bay Area, de Young Museum
    By Wedo Georgetti
    Located in Santa Cruz, CA
    Inscribed on base, 'W.G.' for Wedo Georgetti (American, 1911-2005) and created circa 1950. Acquired directly from the artist and accompanied by certificate of authenticity. Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young Museum...
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  • 'Seated Nude', Woman Artist, Paris Salon, Jeu de Paume, World's Fair, GGIE LACMA
    By Caroline Lloyd
    Located in Santa Cruz, CA
    Signed 'Lloyd' for Caroline Lloyd (American, 1875-1945) and created circa 1935. Base impressed with foundry stamp, 'C. Valsuani Cire Perdue', for Claude Valsuani Fonderie, Paris. Born in Indiana, Caroline Lloyd first studied at the Convent of Notre Dame in Milwaukee. After raising a family, she moved to Paris where she studied under Robert Wierick at the Ecole des Arts Appliqué à l’Industrie and, subsequently, at the Académie de la Grande Chaumière in Montparnasse. In France, Lloyd quickly achieved both commercial and critical success and was made welcome in Modernist artistic circles. She exhibited widely, including at the Salon D'Automne, the Salon des Tuileries and the Salon des Beaux Arts among other Ateliers and galleries. At the Paris International Exposition of 1937, Lloyd was awarded a medal and her exhibited work was purchased by the French government for the permanent collection of the Jeu de Paume...
    Category

    1930s Modern Nude Sculptures

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  • 'The Fisher Boy', Large Bronze, Medal of Honor, Paris Universal Exposition, 1900
    Located in Santa Cruz, CA
    A substantial lost wax bronze, cast after the original model by Eugène-Nicolas-Clément, Comte d''Astanière (French, 1841-1918). One of the larger-size castings in overall good condition and showing excellent patination. (N.B. Without fishing rod) Eugene, the Comte d'Astaniere, was primarily known in his youth as a courageous and highly-decorated cavalry officer who distinguished himself repeatedly in combat, including against the Germans in the Franco-Prussian war of 1870, in which campaign he was severely wounded and almost died. During his prolonged recuperation, he turned his attention to art and, in particular, to sculpting. He studied intensively with Jean Alexandre Joseph Falguière (1831-1900) , the preeminent French sculptor of the day who would become his life-long friend and artistic mentor. D'Astaniere quickly mastered the art of sculpture and was recognized by the Salon of 1882 with a Gold Medal for his first exhibited work. From that time forward, he accumulated numerous diplomas, medals and juried awards for his work. At the Salon, he received frequent medals and was soon elected to membership of the Jury. Count d'Astaniere exhibited 'The Juggler,' a large marble, at the Salon of 1887, then sent a bronze entitled 'Acrobat' to the Salon of 1889. At the Universal Exhibition in Paris in 1889, he received a bronze medal for the presentation of 'The Angler'. He exhibited in Moscow in 1891, at the 1893 Universal Exposition in Chicago receiving awards at both. He exhibited a marble entitled 'The White Monk' at the Salon of 1898 and obtained a medal of honor...
    Category

    1880s Figurative Sculptures

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  • 'The Kiss', Two Young Lovers Embracing, French Lost Wax Bronze Figural Group
    Located in Santa Cruz, CA
    Signed 'G. Flamand' for Georges Flamand (French, 1895-1925) and created circa 1920. Standing on a later striated, jade-green marble base. Base dimensions: 1.25 H x 4.25 D x 7.5 W Inc...
    Category

    1920s Rococo Figurative Sculptures

    Materials

    Bronze

  • Art Deco Carved Alabaster Figure of a Horse
    Located in Santa Cruz, CA
    A substantial and dramatic Art Deco figure of a horse, hand-carved in rose-ochre alabaster. Unsigned, American School circa 1930.
    Category

    1930s Art Deco Figurative Sculptures

    Materials

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  • 'A Young Parisienne', Royal Academy of Arts, Academie Colarossi, Jeu-de-Paume
    Located in Santa Cruz, CA
    Signed center left, 'Christine Sundberg' (Swedish, 1837-1892) and dated 1888. Displayed in a period golden maple frame; Framed dimensions: 25.5 x 1...
    Category

    1880s Realist Portrait Paintings

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    Canvas, Oil

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  • Large Fine Bronze Sculpture of Mercury and Original Marble Pedestal
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  • Warrior and Wounded Youth. Helmeted mustachioed man holding Wounded - Lion Face
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    Signed and titled at the base, Sloan's Auctioneers, 1998 The work shows a peak moment of drama and is meticulously carved in the neo-classical style. Lion garment in the back with ...
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  • Marble Sculpture 19th Century White Carrara Marble Nude Man Wounded Nude
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  • Bronze Figurative Ballerina 'Dancer Seated Resting en Barre' Brown & Green
    By Benson Landes
    Located in Shrewsbury, Shropshire
    'Dancer Resting on Barre' is an elegant yet sensual sculpture. Landes' skill at conveying a sense of ease and confidence of the dancers is impeccable - this piece would be a fantastic addition to any collection. For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing workroom and factory was given rather reluctantly, as he always harbored desires to become an artist. The young boy’s sense of responsibility was clearly equal to his creativity, though, as Benson knuckled down and learned the family trade. At the age of 18, however, a 2 year conscription to the RAF provided one of the few opportunities for Benson to experience artistic freedom. The possibilities of otherwise unobtainable materials such as pastels, paper, perspex and plaster of paris fuelled his ingenuity at the base’s well-stocked workshop. On completion of his RAF service, Benson briefly returned to the clothing factory now owned by his father. After his marriage to Ruth at 21, in an effort to provide for his new wife, Benson decided to set up his own business. Starting with a single sewing machine and tailoress, Benson and Ruth soon expanded the business. By the 1970s they employed over 50 staff and supplied to prestigious stores such as Dickens & Jones and Harrods. As the decade progressed, however, fashion turned towards less structured, more casual garments; a trend that prompted Benson to retire and spend time with his first love, sculpture. Buoyed by the liberty he enjoyed in his studio, Benson succeeded in selling some of his first pieces of sculpture, a collection of sporting trophies shown at the 1981 Open Golf Championship, to Garrards, the Crown Jewellers. This success quickly brought important contacts and new commissions. Benson always maintained that being able to work as a sculptor is a unique privilege. Usually in the company of a model, he often worked in the studio against the soothing background of classical music. Indeed, now eminently collectable, Benson’s work provided much comfort after the death of Ruth. Benson said that the things that mattered in life are those of beauty; he truly believed that romance and elegance are necessary shields to what he saw as the sometimes too hurried manner of life today. Benson sadly passed away in the autumn of 2013. Solid Bronze Figurative Ballet Sculpture...
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