Val Bertoia

"Tube Shape Array with Steel Spokes"

Val Bertoia was born in Santa Monica, California in 1949. In the 1950s, his family moved from California to Pennsylvania where he has lived and worked here ever since. In the1960s, V...

Val Bertoia was born in Santa Monica, California in 1949. In the 1950s, his family moved from California to Pennsylvania where he has lived and worked here ever since. In the1960s, V...

A sculptor of kinetic objects, many of them with mazes of thin rods that appear brush like, Harry Bertoia was born in San Lorenzo, Italy, and came to America in 1930. In 1936, he stu...

Signed Lower Right Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Signed and Dated Lower Right Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the ...

Signed Lower Right Titled Lower Left Numbered Lower Center Josef Zenk (1904-2000) Josef Zenk was born in New York City in 1904. After graduating from high school he studied ...

"Regeneration of a City", crafted from OSB board and vibrant vinyl, beautifully encapsulates the transformative narrative of cities in the United States experiencing rebirth after th...

Bertoia's "wheat" pieces are rare and a joy. These works do not make sound when one touches the tines and is meant less to be touched than to convey an organic feel of sunlight rippling through stalks of golden wheat. This is a great size for a table. An unusual composition for Bertoia, Untitled (Wheat) combines elements with the artist’s more familiar Tonals with those of the Sprays. Typical of the artist’s œuvre however is the pleasant sensation of touch when stroking the ends of the wires. Bertoia’s spray sculptures...

The modern Sculpture " Common Ground ” is an Outdoor or Indoor Sculpture, Metal Garden Art, made from a burnout mold and Steel structure by David Marshall in 2024, cast in our foundr...

The modern Wall Sculpture " Shades of Gold ” is a unique metal Mural made from a burnout mold by David Marshall in 2021, sand cast in brass and steel in our foundry, handcrafted by ...

The modern Wall Sculpture " Lignite ” is a unique metal Mural made from a burnout mold by David Marshall in 2021, sand cast in aluminium and steel in our foundry, handcrafted by the...

Copper burnished in fire, solid brass, piano wires, nylon, aluminum blasted with glass beads and stones—these are the elements used to create Alice Vander Vennen’s elegant new sculpt...