Philip Hearsey

British Contemporary Sculpture by Phiip Hearsey - Strada III

2015

Bronze on an oak base Unique variation in a series Stamped with monogram signature and uniquely numbered 577A The recessed lines are finished with 24carat gold leaf. Weight: 3.9 kg

40 high x 23 x 8 cm Bronze with ferrite inclusion on an oak base Stamped with monogram signature and uniquely numbered 501C Series of unique inclusion variations. The face side with a textured surface has a circular indent incorporating an ancient Pyrite sun...

Bronze on oak base Edition of 9 variations Stamped with monogram signature and uniquely numbered 416, 7/9 The raised bronze patterns are finely rubbed and lacquered which will preven...

Series of individual variations Bronze freely rotating on a spalted beech base Stamped with monogram signature and uniquely numbered 579A Rotation allows...

Bronze on a Forest of Dean stone base Unique variation in a series. Stamped with monogram signature and uniquely numbered 821A The three natural bronze squares are finely rubbed befo...

Bronze Edition of 9 variations Stamped with monogram signature and uniquely numbered 527, 5/9 The natural bronze edges are finely rubbed before lacquering for protection and to preve...

Variation on a Theme II: Avoidance is a unique bronze, steel and oak wood sculpture by contemporary artist Peter Brooke-Ball, dimensions are 23 cm × 24 cm × 24 cm (9.1 × 9.4 × 9.4 in...

Sculpture by Jacques Jarrige formed by 2 stems of brass shaped hand hammered . The piece is set in an oak base. Unique piece.

Here you will find an extraordinary and high quality lamp, which conjures a beautiful shadow pattern on the wall or ceiling. This ball lamp is delivered in lacquered rust optic, wit...

Abstract pedestal sculpture in carved, burned and stained oak wood and stainless steel rods on a concrete base. Jeff Glode Wise makes wildly exuberant scul...

Jim Miller-Melberg (1929 - 2017) was a mid-century industrial designer and sculptor known for his ubiquitous playground sculptures. Jim studied at the University of Michigan, Cranbrook Academy of Art in Bloomfield Hills...

Sherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...