Mark Beattie, Antique Bronze I, Original Sculpture
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Mark BeattieMark Beattie, Antique Bronze I, Original Sculpture 2020
2020
About the Item
- Creator:
- Creation Year:2020
- Dimensions:Height: 4.34 in (11 cm)Width: 3.94 in (10 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:1stDibs: LU63236810712
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2014
1stDibs seller since 2017
920 sales on 1stDibs
Typical response time: 3 hours
More From This SellerView All
- A Clipping of Wings 2 of 12 BY ADAM WARWICK HALL, Aviation Art, Sculpture ArtBy Adam Warwick HallLocated in Deddington, GBAdam Warwick Hall – ” A Clipping of Wings” No.2 in a limited edition of 12 Aerorganic Bronze Sculptures, each with a different patina, a melange of Aerodynamic, animal and plant refe...Category
21st Century and Contemporary Abstract Sculptures
MaterialsBronze
- 3 Clays VII, Framed Abstract Sculptures, Contemporary Ceramic ArtworkBy Emma BellLocated in Deddington, GBEmma Bell says: “This piece is inspired by my glaze test vessels. As a potter, I am always staggered by how different the same/similar glaze turns out on different clay bodies when i...Category
2010s Contemporary Abstract Sculptures
MaterialsClay, Wood
- 3 Clays XII, Original Ceramic 3D Art, Contemporary Sculptural Wall ArtBy Emma BellLocated in Deddington, GBEmma Bell’s ceramic and porcelain Pot Frame – Installation Piece. Emma Bell says: “This piece is inspired by my glaze test vessels. As a potter, I am always...Category
21st Century and Contemporary Contemporary Abstract Sculptures
MaterialsCeramic, Porcelain, Glass, Wood
- Hot Oak, Emma Levine, floral print, original work, colourful, landscape,By Emma LevineLocated in Deddington, GBOriginal work by Emma Levine, ‘Hot Oak.’ A bright, colourful hot pink silk background with a laser cut paper oak tree attached with pins. 53cm x 53cm – Framed Silk, paper, entomology...Category
21st Century and Contemporary Contemporary Abstract Sculptures
MaterialsPaper, Silk, Pins
- Melange II, art deco, abstract, butterflies, feathers, Contemporary, natureBy Michael OlsenLocated in Deddington, GBMelange II is an original work by Michael Olsen. The bright and bold colours of the butterflies make this a joyful piece. Olsen’s use of perspex allows for work to fit sleekly into a...Category
2010s Contemporary Mixed Media
MaterialsMixed Media, Acrylic
- Emma Bell, Three Clays XI, Contemporary Ceramic Art, Calm Art, Installation ArtBy Emma BellLocated in Deddington, GBEmma Bell Three Clays V Ceramic 3D Art Raku, Porcelain and Stoneware Artwork Size: H 20cm x W 70cm Framed Size: H 25.5cm x W 75cm x D 7cm Sold Framed in a Hand Painted Box Frame with...Category
21st Century and Contemporary Abstract Sculptures
MaterialsCeramic, Porcelain, Wood
You May Also Like
- Widows and Maidens #6By Sherry OwensLocated in New Orleans, LASherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...Category
2010s Contemporary Abstract Sculptures
MaterialsBronze
Price Upon Request - Widows and Maidens #5By Sherry OwensLocated in New Orleans, LASherry Owens Windows and Maidens #5, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 9 1/4 x 14 1/4 x 9 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...Category
2010s Contemporary Abstract Sculptures
MaterialsBronze
Price Upon Request - Grandfather's LandBy Sherry OwensLocated in New Orleans, LASherry Owens Grandfather's Land, 2021 Bronze, patina, crepe myrtle, paint, wax 30 x 46 x 18 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...Category
2010s Contemporary Abstract Sculptures
MaterialsBronze
Price Upon Request - Clancy and Bertha BelleBy Craig CampbellLocated in Loveland, CO'Clancy and Bertha Belle' by Craig Campbell Expressionistic Figurative Sculpture 18" x 30” x 15” Bronze edition of 10, number 2 is currently available - pictured on wood base. The f...Category
2010s Contemporary Figurative Sculptures
MaterialsBronze
- The MessengerBy Craig CampbellLocated in Loveland, COThe Messenger by Craig Campbell Expressionistic Raven Sculpture 18 x 5 x 10" Bronze 1/1 ABOUT THE ARTIST: Craig Campbell began sculpting more than 25 years ago and received his BFA ...Category
2010s Contemporary Figurative Sculptures
MaterialsBronze
- Wildlife Passenger– SittingBy Brandon VickerdLocated in Montreal, QuebecWhat would a perfect future look like and how would it be represented for future generations to examine and question? What would we choose to preserve from high art and mainstream culture? How will our successes be depicted and will we account for our failures? Perhaps our contemporary mythologies will replace the ancient Greek and Roman gods and goddesses of yore with superheroes, extra-terrestrials and science fiction characters devastated by technological advancement. Brandon Vickerd works in a realm of unreality where the perfect future is chimeral, where there are more questions asked than answers presented. In his recent pieces currently displayed at Art Mûr, we find skeletons of humans and primates. They are dressed in spacesuits, as seen in Monument to the First American in Space, or trailing tentacles and zebra mussels in The Sub-Mariner. The pieces are evocative, and somehow manage to come across as realistic; incongruous bodies and objects have been integrated into fluid forms. Generally, there is either a lot of movement (literal as well as implied) in Vickerd’s work, or a stasis, as seen with these beings frozen in action. They are unabashed in their theatricality. The polished, vibrant sculptures in these galleries represent a kind of death and memorialization. The forms are stripped of flesh and dressed in protective suits (potentially after the implied catastrophes), which appear either manufactured or suggestive of the organic. Ghost Rider...Category
2010s Contemporary Abstract Sculptures
MaterialsBronze