Brad Rude

Wild Curiosity

2020

Artist Brad Rude was born in Montana and has lived in Walla Walla, Washington most of his life. His journeys through his grandfather's folk art studio left...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

You could make a case that Rude's work is somewhere between western realism, abstract openness, and the notebook of an anthropologist in The Twilight Zone...

Working in a range of materials— wood, epoxy, metal, and found materials— Walter Robinson hand-fabricates and assembles objects, signage and tableaux that investigate the mechanics o...

Wendy Klemperer was born in 1958 in Boston, MA. Raised in Cambridge and Watertown, she was most able to explore her passion for animals and nature during summers spent at her grandmo...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Ernest Tino Trova "Black Falling Man with Form" 1996 Bronze Ed. 1/3 Signed, Dated and Numbered Verso approx. 16 x 8.5 x 16 inches Known for his Falling Man series in abstract figura...

Abstract bronze sculpture mounted on granite base by Edward (Eduardo) Arcenio Chavez (1917-1995). Measures 7 ½ x 6 x 2 inches, including stand. Sculpture is in very good to excellent condition - please contact us for a detailed condition report. About the Artist: Born 1917 Died 1995 Born in Wagonmound, New Mexico, Eduardo Chavez...

Bronze sculpture by Betty Jacob depicts a smooth and curvaceous gilt bronze figure posing on her knees. Signed high on the left thigh and mounted on a blac...

TEMPIO BRETTON: from the catalogue MONUMENTA, 19th International Sculpture Biennale, Antwerp, Belgium. Tempio Bretton was created in homage to the celebrated English landscapist Capability Brown for the occasion of an exhibition at Bretton Hall in the Yorkshire Sculpture Park , a park in the style of the great master of English garden design. The inclusion in the English garden of a temple ruin, or "eye-catcher," (architectural folly) was used to draw the eye and mind to a focus in time and space, present the beholder with an immediate relationship to an historic past made new within his or her own surroundings, and create a depth of space never before seen in garden design. I took the idea of the temple ruin eye-catcher and reduced it to a scale at the point where architecture and sculpture merged. Tempio Bretton is not capacious enough to walk into, yet it is considerably larger than a man. One view of it presents a knot of golden columns clustered together, topped by a dome shape. The only clue from this side to the temple's non-conformity to historic principle is a sharp notch cut into the square base. Viewed from the opposite side, the cluster of columns capped by an angular top opens up as if to welcome someone in, yet the mysterious core is still impenetrable. These contradictions articulate a confrontation between past and present, and an exciting truth. The past is always at the heart of our constructions in the present. Walter Dusenbery...

A remarkable and unique format bronze of unique cast that could be great for a mantle or console table. In Robert Cook's book entitled “Waxing and Waning” he discusses three castings...

This unique cast bronze is the perfect work to silhouette in front of a plain wall area. It acts as a line drawing in space. Robert Cook explored the limits of the lost was casting ...