Betty McGeehan

Wood minimal sculpture: 'Repunzel'

2015-18

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – that...

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – that...

Klim’s mixed media work juxtaposes several materials on one picture plane highlighting their inherent qualities to create surface tension. A physical presence is apparent in her pie...

Klim’s mixed media work juxtaposes several materials on one picture plane highlighting their inherent qualities to create surface tension. A physical presence is apparent in her pie...

Klim’s mixed media work juxtaposes several materials on one picture plane highlighting their inherent qualities to create surface tension. A physical presence is apparent in her pie...

By sculpting both material and space around it, I want my sculptures to appear to move, to assert themselves; to change and grow, to move within, affect and break free from the solid...

Evocative Brutalist modern figurative abstract bronze cast and solid walnut sculpture by an unknown artist (20th Century). Two small abstracted figures, a man and a woman, stand toge...

Walnut, brass, Black Osmo finish

Walnut wood and brass, linseed oil

Solid and veneered walnut, brass. Asher Israelow was born in New York City and graduated from the Rhode Island School of Design with degrees in fine arts and architecture. Back in New York, he currently works at the Brooklyn Navy Yard, designing buildings and building furniture. Drawing on his training as an architect and a love of lore, Asher designs work for the modern explorer. All the materials are ethically and locally sourced, building upon the importance of origins. Each piece narrates the story of its materials, with an honest approach to joinery and a touch of conceit. The studio produces all original and small batch pieces designed to last for generations. The work emphasizes a handcrafted and emergent vision of contemporary culture. This piece exemplifies the new age of brown furniture.

Volatility Screen Acrylic and oil on walnut veneered plywood in 4 parts, with aluminum and steel fittings. 4 panels each 16.25 x 72", overall 65 x 72" 2019 This substantial work b...

Sherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...