William Anastasi

A Painting of a Soup Can Used to Hang Here

1991

silkscreen, unframed, edition 229 of 250 In 1968 Andy Warhol exhibited at the Philadelphia Museum of Fine Arts. Since Warhol's show was seminal in the development of Pop Art, there was a lingering presence that could not be denied, even after the work was no longer in the space. Anastasi went to a sign maker and had a plaque made that read, "A Painting of a Soup Can Used to Hang Here". The reference to the soup can and the fact the sign was not made by the artist was the development of Warhol’s subject matter as well as a Duchamp reference. It was pure genius. An edition of this work was produced years later. William Anastasi is one of the founders of both Conceptual and Minimal Art. A “classmate” of Andy Warhol, Sol LeWitt, and Hans Haacke...

monoprint with drypoint and chine colle; unframed image size: 10 x 7 inches

acrylic, LED lamps, transformer, aluminum edition 1 of 3 For over thirty years Dominique Blain has examined and addressed the links between relationships of domination, such as ra...

Copper etching with aquatint The power of memory and how it recalls individuality begins in such basic experiences as the ability to link internal ideas to external manifestations of those ideas. Memories as simple as an old toy or a street can set off a chain reaction of thoughts that snowball into issues as broad as nationalism, identity politics or a body politic to name a few. Hector Ruiz’s works encompass the broad, complex and often painful world particular to the Arizona and neighboring Mexican landscape. United States and Mexican border...

copper etching with aquatint The power of memory and how it recalls individuality begins in such basic experiences as the ability to link internal ideas to external manifestations of those ideas. Memories as simple as an old toy or a street can set off a chain reaction of thoughts that snowball into issues as broad as nationalism, identity politics or a body politic to name a few. Hector Ruiz’s works encompass the broad, complex and often painful world particular to the Arizona and neighboring Mexican landscape. United States and Mexican border...

etching; unframed available editions: 1, 2 and 3 of 20

1973-1976 Screenprint in colors, on wove paper 16 3/4 x 13 5/8 in. (42.5 x 34.6 cm) Edition of 90 Signed, dated, and numbered in pencil, lower margin

1965 Screenprint in colors, on wove paper 37 5/8 x 27 5/8 in. (95.6 x 70.2 cm) Edition of 200 Signed and numbered in pencil, lower margin Framed, excellent condition

2013 The complete set of 10 screenprints in colors, on Saunders Waterford High White paper 35 x 23 inches, each Edition of 100 + 20AP All signed, dated and numbered in pencil

1990 Screenprint in colors, on Izumi paper Sheet: 63 x 53 cm Edition of 150 Signed, titled, dated, and numbered in pencil, lower margin Framed, excellent condition

1988 Screenprint in colors, on wove paper, with full margins 12 x 15 in. (30.5 x 38.1 cm) Edition of 200, HC Signed, dated, and numbered in pencil, recto Framed

1985 Screenprint in colors, on Izumi paper Sheet: 61 x 53.3 cm Edition of 100 Signed, titled, dated, and numbered in pencil, lower margin Framed, excellent condition