Surrealist Prints and Multiples

Prouvost's work is as whimsical as it is penetrating: it addresses miscommunication and ideas becoming lost in translation. The Bum Glass(es) were created on the occasion of her marr...

Etching and aquatint in colours (colour variation) by Max Ernst. "Terre des nébuleuses", 1965 38 x 27,5 cm Copy essai 1/1

Prouvost's work is as whimsical as it is penetrating: it addresses miscommunication and ideas becoming lost in translation. The Bum Glass(es) were created on the occasion of her marr...

JOAN MIRÓ 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: Bougrelas and his Mother II, from: Series for King Ubu Bougrelas et sa Mère II, from: Suites pour Ubu Roi, 1966 Technique: Original Hand Numbered Lithograph in Colours on Arches Wove Paper Paper size: 54 x 75 cm. / 21.3 x 29.5 in. Image size: 41 x 63 cm. / 16.1 x 24.8 in. Additional Information: This original lithograph in colours is hand numbered in pencil from the edition of 75, at the lower left corner. There were also 25 hors commerce [out of trade] impressions. This composition was published unsigned and exists only in this form. The work was part of a portfolio entitled "Roi Ubu" [King Ubu] realised by the artist in 1966. It was printed by Atelier Mourlot, Paris and published by Tériade Éditeur, Paris. The paper bears the Arches watermark along the lower margin. Note: Ubu Roi (Ubu the King) is a play by Alfred Jarry...

Salvador Dali L'Ange du 7e ciel (1960) Heliogravure reworked with drypoint Printed signature in the plate On BFK Rives Vellum paper Size 32.8 x 26.4 cm (c. 13 x 10") References: - ...

Codex d'un visage is a b/w original etching realized by Romanian Surrealist artist Victor Brauner (1903-1966) in 1962. Signed, dated in pencil on lower margin. Numbered in Arabic nu...

Hand Signed. Etching and aquatint. Artist's Proof. Edition of 90 prints. Image Dimensions : 48 x 62 cm

The Creation of Earthly and Sea Animals is an artwork realized by Salvador Dalí in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 an...

Salvador Dali - Original Handsigned Etching From La Quête du Graal Dimensions: 45 x 33 cm Handsigned Edition: 38/100 (from the rare deluxe suite aside from the standard edition) Cat...

Numbered: 138/275 Color lithograph after the 1967 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 275. The lithograph features the dry...

Signed on plate. Edition of 335 prints. Plate n. 67 from the series : “Les Ames Mortes”. Cat. Matignon n.77 p.59 Image Dimensions : 27.6 x 21.3 cm This artwork is shipped from Italy...

Salvador Dali Dante purifié (1960) Heliogravure reworked with drypoint Signature printed in the plate On BFK Rives Vellum paper Size 32.8 x 26.4 cm (c. 13 x 10") References: - Fie...

Iesus a Satana tentatur ("Jesus tempted by Satan") is an artwork realized by Salvador Dalí in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani betwe...

Salvador Dali - Nude at the Window - Original Handsigned Lithograph Dimensions: 76.5 x 57 cm 1970 Signed in pencil and numbered Edition : /CXX References : Field 70-8 Salvador Dali Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...

Hand signed and numbered. Edition of 100 prints. Slightly discolored with foxing on sheet. Catalogo: Brusberg N.158 .P Image Dimensions : 34 x 20 cm

Beati pauperes...beati mites...beati is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithog...

Joan Ponç - SIN TÍTULO 1 Date of creation: 1975 Medium: Etching on paper Edition number: 70/75 Size: 56 x 76 cm Condition: In perfect conditions and never framed Observations: Etchin...

hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) si...

Silkscreen print. Produced in 2016, pressed on heavy quality stock paper. This series is limited to 50 pieces. Hand signed and numbered by Mehdi.

René Magritte - DÉCALCOMANIE, 1966 (DECALCOMANIA) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition number: 141/275 Size: 60 x 45 cm Condition: In mint conditions...

René Magritte - LE BEAU MONDE, 1962 (THE BEAUTIFUL WORLD) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition number: 154/275 Size: 60 x 45 cm Condition: In very goo...

Silkscreen in colours on Somerset Tub Sized Radiant White 410gsm paper. Edition of 35.

Ernst Fuchs (Austrian, 1930 - 2015) The Sphinx Mystagogo Sheet Nr. 6 from the Folio “Die Sieben Bilder und Sprüche der Sphinx”, published in Autumn of 1967 by Galerie Sydow in Frankfurt, Germany. • Aquatint Etching • Ed. 79/99 • Sheet ca. 59 x 41.5 cm • Plate signed • Signed & numbered by the artist in pencil Worldwide shipping is complimentary - There are no additional charges for handling & delivery. Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. I discovered him through H.R. Giger ‘s work, who himself was greatly inspired by the creations of Fuchs and on several occasions exhibited his friend ‘s art in his museum, the Château St-Germain, Gruyères, Switzerland. I actually own the original folio box...

René Magritte - LE CHEF D'OEUVRE OU LES MYSTÈRES DE L'HORIZON, 1965 Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition number: 131/275 Size: 60 x 45 cm Condition: N...

Salvador Dali - Head of Veal - Original Etching Embossed signature From the edition of 731 Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1 / Michler & Lopsinger 305

The Candlestick, from Jean Leymarie, Vitraux pour Jérusalem (Jerusalem Windows), André Sauret, Monte Carlo, 1962 (see M. 366-72; see C. books ...

Salvador Dali (1904-1989) Hell 33 - The Betrayers of their Hosts woodcut Printed signature in the plate 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10") R...

Salvador Dali Time Sleeping, 1975 Original etching Signed in pencil Limited to 100 copies (Here numbered 52) On Arches vellum 32.5 x 25 cm (c. 12.7 x 9.8 in) REFERENCES : - Cata...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Untitled  is an artwork realized by Dorothea Tanning  in 1974. Colored lithograph. Good conditions. Printed by  Atelier Pierre Chave in Vence, France. This lithograph was realized...

Salvador Dali The giantess with a bag, 1975 Original etching Signed in pencil Limited to 100 copies (Here numbered 52) On Arches vellum 32.5 x 25 cm (c. 12.7 x 9.8 in) REFERENCE...

Salvador Dali Napoleonic troops passing through, 1975 Original etching Signed in pencil Limited to 100 copies (Here numbered 52) On Arches vellum 32.5 x 25 cm (c. 12.7 x 9.8 in) ...

This original etching and aquatint is hand signed in pencil by the artist "Max Ernst" at the lower right margin. It is hand numbered in pencil from the edition of 99, at the lower le...

Salvador Dali - Lithograph Title: Flordali I Dimensions: 76 x 106 cm Printed signature Edition of 4880 Reference: Field page 233 / Michler & Lopsinger 1586 The artwork is shipped wit...

Pink Composition is an artwork realized by Max Ernst in 1974. Original colored lithograph. Good conditions. Printed by  Atelier Pierre Chave in Vence, France. This lithograph was ...

Salvador Dali (1904-1989) Rhinoceros, Tribute to Albrecht DURER, 1971 Original lithograph Signed in pencil Numbered / 300 On Guarro vellum 76 x 56.5 cm (c. 30 x 22 in) REFERENCE : ...

Marino Marini - Knight - Original Lithograph 1968 Dimensions: 32 x 48 cm From the art review XXe siècle Unsigned and unumbered as issued

René Magritte - LE DOMAINE D'ARNHEIM, 1962 (THE DOMAIN OF ARNHEIM) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition number: 155/275 Size: 60 x 45 cm Condition: Ne...

Untitled is an artwork realized by Jacques Hérold in 1974. Original colored lithograph. Good conditions. Printed by Mourlot , France. This lithograph was realized  by the artist i...

After PABLO PICASSO (1881-1973) Flute Player Dimensions: 56 x 38 cm Signed and dated in the plate Posthumous edition by Edition Succession Picasso, Paris. Editions de la Paix Picas...

Salvador Dalí (1904-1989) (after) Abraham Lincoln: Gala Gazing at the Mediterranean Sea, 1996 Printografie (photolithography) in limited edition authorized by the Dali Foundation Si...

Salvador Dali - Erotic Grapefruit - Original Hand-Signed Lithograph 1969 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Condition Reference...

T'ou't  se tient is an Artwork realized in 1975, by Roberto Sebastián Antonio Matta Echaurren (Santiago, Chile, 1911 - Civitavecchia, Italy, 2002). Colored Lithograph on paper. The ...

For Alberti, For Spain!  it's an artwork realized by Joan Mirò in 1975. Etching,  90 x 66 cm.  Hand signed. Edition 45/90. Reference: Dupin 926 Printed on Fabriano paper, Printed...

Untitled  is a lithograph realized by the Cuban Surrealist artist Wifredo Lam (1902-1982). This is a color lithograph on wove paper, properly edited...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Joan Ponç - SIN TÍTULO 1 Date of creation: 1975 Medium: Etching on paper Edition number: 70/75 Size: 56 x 76 cm Condition: In perfect conditions and never framed Observations: Etchin...

Original Etching from the series ‘The Song of the Songs of King Solomon’ in colours with stencil on Arches wove paper. signed and numbered by the artist Paper size: 57.1 x 38 cm Edi...

Marino Marini - Horses - Original Lithograph 1951 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Appareil et Main  is an artwork by the Surrealist Catalan artist Salvador Dalí  (Figueres, 1904-1989). This is a color lithograph on wove paper, properly edited by the French magazi...

Untitled  is an artwork realized by the Cuban Surrealist artist Wifredo Lam (1902-1982). This is a color lithograph on wove paper, properly edited b...

Marc Chagall Original Lithograph Title: The Green Horse 1973 Dimensions: 33 x 50 cm Reference: This lithograph was created for the portfolio "Chagall Monu...

Salvador Dalí (Spanish, 1904-1989) Capricorn from The Zodiac II, 1975 Lithograph Signed and numbered `68/250 Dali’ (lower edge) 12.3/4 x 9.1/2 in. (32.4 x 24.2 cm.) Reference: Field ...

Salvador Dalí (Spanish, 1904-1989) La Chimère d'Horace (Field 72-6H; M&L 1270a), 1970/2 Lithograph printed in colours Signed and numbered in pencil`189/250 Dali’ (lower edge) 24 x 1...

Jorge Castillo - COMPOSICIÓN ERÓTICA (Erotic Composition) Date of creation: 1977 Medium: Etching on paper Edition: 75 + 20 E.A. Size: 50 x 65,5 cm Condition: In perfect conditions an...

Marc Chagall Original Lithograph 1969 From the revue XXe Siecle, edition of 12,000 Unsigned, as issued Dimensions: 32 x 24 Condition : Excellent Reference: Mourlot 572 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Rubus in combustus is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 196...

After PABLO PICASSO (1881-1973) Carnaval Dimensions: 50 x 40 cm Signed and dated in the plate Color lithograph on Velin D'Arches realized from a drawing Edition Succession Picasso, P...