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Minimalist Prints and Multiples

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Item Ships From: USA
Style: Minimalist
Passing Through 1A (Abstract Photography)
Located in London, GB
Passing Through 1A (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides...
Category

2010s Minimalist Prints and Multiples

Materials

Inkjet

Circulation (Abstract Photography)
Located in London, GB
Circulation (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7....
Category

2010s Minimalist Prints and Multiples

Materials

Inkjet

Passing Through 2A (Abstract Photography)
Located in London, GB
Passing Through 2A (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides...
Category

2010s Minimalist Prints and Multiples

Materials

Inkjet

Passing Through 1B (Abstract Photography)
Located in London, GB
Passing Through 1B (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the side...
Category

2010s Minimalist Prints and Multiples

Materials

Inkjet

Junction 1 (Abstract Photography)
Located in London, GB
Junction 1 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7.6...
Category

2010s Minimalist Prints and Multiples

Materials

Inkjet

Passing Through 1A (Abstract Photography)
Located in London, GB
Passing Through 1A (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides...
Category

2010s Minimalist Prints and Multiples

Materials

Inkjet

Passing Through 3 (Abstract Photography)
Located in London, GB
Passing Through 3 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides ...
Category

2010s Minimalist Prints and Multiples

Materials

Inkjet

Systems 2 (Abstract Photography)
Located in London, GB
Systems 2 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7.6 ...
Category

2010s Minimalist Prints and Multiples

Materials

Inkjet

Junction 2 (Abstract Photography)
Located in London, GB
Junction 2 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7.6...
Category

2010s Minimalist Prints and Multiples

Materials

Inkjet

Waving Flower
Located in Bloomington, IL
"Waving Flower" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper. Though Lieberman's pr...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Handmade Paper

Starfleet
Located in Bloomington, IL
"Starfleet" is a relief print printed in black ink on handmade Korean paper. This unique paper has natural fiber inclusions which were placed into the pulp during the forming of the ...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Linocut

Array 350/Gray-Green
Located in Bloomington, IL
"Array 350/Gray-Green" is an original woodcut print by Rupert Deese. It is printed in a limited edition of 20 on Arches Cover paper from a woodblock hand-cut by the artist. The paper size is 19" x 19" and the diameter of the image is 350 mm, whence the title. This print is one of a larger group of...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Woodcut

Array 350/Blue
Located in Bloomington, IL
"Array 350/Blue" is an original woodcut print by Rupert Deese. It is printed in a limited edition of 20 on Arches Cover paper from a woodblock hand-cut by the artist. The paper size is 19" x 19" and the diameter of the image is 350 mm, whence the title. This print is one of a larger group of prints...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Woodcut

Array 350/Blue-Green
Located in Bloomington, IL
"Array 350/Blue-Green" is an original woodcut print by Rupert Deese. It is printed in a limited edition of 20 on Arches Cover paper from a woodblock hand-cut by the artist. The paper size is 19" x 19" and the diameter of the image is 350 mm, whence the title. This print is one of a larger group of...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Woodcut

Array 350/Red
Located in Bloomington, IL
"Array 350/Red" is an original woodcut print by Rupert Deese. It is printed in a limited edition of 20 on Arches Cover paper from a woodblock hand-cut by the artist. The paper size is 19" x 19" and the diameter of the image is 350 mm, whence the title. This print is one of a larger group of prints...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Woodcut

Array 350/Yellow
Located in Bloomington, IL
"Array 350/Yellow" is an original woodcut print by Rupert Deese. It is printed in a limited edition of 20 on Arches Cover paper from a woodblock hand-cut by the artist. The paper size is 19" x 19" and the diameter of the image is 350 mm, whence the title. This print is one of a larger group of prints...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Woodcut

Oasis
Located in Saugatuck, MI
Paul Pedulla hand-signed and numbered limited edition archival pigment print framed using all acid free materials. Framed in simple and clean white or bla...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Archival Pigment

Pink Cottage
Located in Saugatuck, MI
Hand-signed and numbered limited edition archival pigment print framed using all acid free materials. Framed in simple and clean white or black wood frame with 6 ply matting under UV...
Category

2010s Minimalist Prints and Multiples

Materials

Archival Pigment

Sinoptico, Geometric Abstract Screenprint by Arturo Bourasseau
By Arturo Bourasseau
Located in Long Island City, NY
Artist: Arturo Bourasseau, Chilean/Puerto Rican (1946 - ) Title: Sinoptico Year: 1967 Medium: Silkscreen on Acrylic, signed and titled in pencil Size: 22 x 30 in. (55.88 x 76.2 cm)
Category

1960s Minimalist Prints and Multiples

Materials

Screen

Minimalist Etching from the A.I.R. Women's Portfolio 1975
Located in Long Island City, NY
Produced for an A.I.R. portfolio in 1975, the portfolio was funded by the National Endowment for the Arts. Artist: Laurace James, American (1936 - ) Title: Untitled from the A.I.R...
Category

1970s Minimalist Prints and Multiples

Materials

Etching

Collage Elements III, Minimalist Screenprint by Georgette Batlle
Located in Long Island City, NY
Artist: Georgette Batlle Title: Collage Elements III Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 125 Size: 44 x 30 in. (111.76 x 76.2 cm)
Category

1980s Minimalist Prints and Multiples

Materials

Screen

Collage Elements II, Minimalist Screenprint by Georgette Battle
Located in Long Island City, NY
Artist: Georgette Batlle Title: Collage Elements II Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 125 Size: 44 x 30 in. (111.76 x 76.2 cm)
Category

1980s Minimalist Prints and Multiples

Materials

Screen

Variations on II
Located in Long Island City, NY
Artist: Marc Koller, American Title: Variations On II Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: AP Image Size: 16 x 24 inches Size: 23 x 35 in. (58....
Category

1970s Minimalist Prints and Multiples

Materials

Screen

David Borawski, Untitled_Single Point, 2016, aluminum, print, Minimalist
Located in Darien, CT
David Borawski's works are responses to specific spaces, virtual, found, and political. Disturbances on a television screen became a minimal poem to the artist. These series of dig...
Category

2010s Minimalist Prints and Multiples

Materials

Metal

David Borawski, Untitled_Triple Horizontal, 2016, aluminum, print, Minimalist
Located in Darien, CT
David Borawski's works are responses to specific spaces, virtual, found, and political. Disturbances on a television screen became a minimal poem to the artist. These series of dig...
Category

2010s Minimalist Prints and Multiples

Materials

Metal

David Borawski, Untitled_Double Line, 2016, aluminum, pigment print, Minimalist
Located in Darien, CT
David Borawski's works are responses to specific spaces, virtual, found, and political. Disturbances on a television screen became a minimal poem to the artist. These series of dig...
Category

2010s Minimalist Prints and Multiples

Materials

Metal

Little Queen, Minimalist Etching by Loretta Dunkelman
Located in Long Island City, NY
Artist: Loretta Dunkelman (1937 - ) Title: Little Queen from the Delphi Stadium Series from the A.I.R. Women's Portfolio Year: 1974 Medium: Etching, signe...
Category

1970s Minimalist Prints and Multiples

Materials

Etching, Aquatint

Ribbons, Geometric Abstract Serigraph by Lennart Nystrom
Located in Long Island City, NY
Artist: Lennart Nyström, Swedish (1944 - ) Title: Grey (Two Ribbons) Year: circa 1975 Medium: Serigraph, signed and numbered in pencil Edition: 95/95 S...
Category

1970s Minimalist Prints and Multiples

Materials

Screen

Jupiter 1950 - 1974, Minimalist Etching by Charles Ross
Located in Long Island City, NY
Artist: Charles Ross, American (1937 - ) Title: Jupiter 1950 - 1974 Year: 1979 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 100, AP XX Size: 41 in. x 29 in. (104....
Category

1970s Minimalist Prints and Multiples

Materials

Etching, Aquatint

David Borawski, Untitled (single horizontal), 2018, digital print on aluminum
Located in Darien, CT
David Borawski's works are responses to specific spaces, virtual, found, and political. Disturbances on a television screen became a minimal poem to the artist. These series of d...
Category

2010s Minimalist Prints and Multiples

Materials

Metal

David Borawski, Untitled (analog 13, 2016, Digital Image on aluminum
Located in Darien, CT
David Borawski's works are responses to specific spaces, virtual, found, and political. Disturbances on a television screen became a minimal poem to the artist. These series of...
Category

2010s Minimalist Prints and Multiples

Materials

Metal

Untitled - Eye, Abstract Etching by Daria Dorosh
By Daria Dorosh
Located in Long Island City, NY
Artist: Daria Dorosh Title: Untitled - Eye from A.I.R. Women's Portfolio Year: 1976 Medium: Etching, signed and numbered in pencil Edition: 8/30 Paper Size: 22 x 30 inches
Category

1970s Minimalist Prints and Multiples

Materials

Etching

David Borawski, Untitled (Analog 22), 2016, Digital image on aluminum
Located in Darien, CT
David Borawski's works are responses to specific spaces, virtual, found, and political. Disturbances on a television screen became a minimal poem to the artist. These series of dig...
Category

2010s Minimalist Prints and Multiples

Materials

Aluminum

David Borawski, Untitled (analog 45), 2016, Digital image on aluminum
Located in Darien, CT
David Borawski's works are responses to specific spaces, virtual, found, and political. Disturbances on a television screen became a minimal poem to the artist. These series of d...
Category

2010s Minimalist Prints and Multiples

Materials

Metal

Derrière Le Miroir No. 149 (page 8, 9) /// Abstract Geometric Ellsworth Kelly
Located in Saint Augustine, FL
Artist: Ellsworth Kelly (American, 1923-2015) Title: "Untitled (page 8, 9)" Portfolio: Derrière Le Miroir (No. 149) *Issued unsigned Year: 1964 Medium: Origina...
Category

1960s Minimalist Prints and Multiples

Materials

Lithograph

Galerie Maeght /// Abstract Geometric Ellsworth Kelly Minimalism Modern Paris
Located in Saint Augustine, FL
Artist: Ellsworth Kelly (American, 1923-2015) Title: "Galerie Maeght" Year: 1958 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer: ...
Category

1950s Minimalist Prints and Multiples

Materials

Lithograph

Lotus /// Botanical Botany Flower Minimalism Ellsworth Kelly Modern Contemporary
Located in Saint Augustine, FL
Artist: Ellsworth Kelly (American, 1923-2015) Title: "Lotus" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Issued unsigned Year: 1982 Medium: Original...
Category

1980s Minimalist Prints and Multiples

Materials

Lithograph

"Poles" Minimalist Abstract Lithograph on Paper
By Arnold Mesches
Located in Soquel, CA
"Poles" Minimalist Abstract Lithograph on Paper Bold abstracted lithograph by Arnold Mesches (American, 1923-2016). Negative space is filled in wi...
Category

1960s Minimalist Prints and Multiples

Materials

Paper, Ink, Lithograph

Torqued Spirals, Toruses and Spheres poster 2001, Hand Signed by Richard Serra
Located in New York, NY
Richard Serra Torqued Spirals, Toruses and Spheres, 2001 Offset lithograph poster (Hand signed by Richard Serra) Boldly signed in black marker on the front 28 × 20 inches Unframed Th...
Category

Early 2000s Minimalist Prints and Multiples

Materials

Permanent Marker, Lithograph, Offset

Praise (Framed)
Located in New York, NY
Agnes Martin Praise (Framed), 1976 Limited edition lithograph on Dalton Natural Bond paper with gold rubber stamp signature, accompanied by the original sleeve Agnes Martin's signatu...
Category

1970s Minimalist Prints and Multiples

Materials

Lithograph, Paper

Praise
Located in New York, NY
AGNES MARTIN Praise, 1976 Lithograph on Dalton Natural Bond paper. Gold stamped signature on the front Numbered 593 in pencil on the front, from the limited edition of 1000 Accompani...
Category

1970s Minimalist Prints and Multiples

Materials

Lithograph, Paper, Mixed Media

Historic invitation poster for 1970 ACE Gallery exhibition Minimalist light art
Located in New York, NY
Dan Flavin Rare invitation poster for 1970 ACE Gallery exhibition, 1970 Letterpress and stencil on colored paper Not signed Frame included Floated in the original ACE gallery vintage wood frame. Measurements: Framed: 17.75" x 17.75" x 1.6 inches Poster: 16 inches x 16 inches Extremely uncommon letterpress and stencil poster designed by Dan Flavin on the occasion of his 1970 exhibition “Two Cornered Installations in Colored Fluorescent Light from Dan Flavin” at the legendary Ace Gallery in Los Angeles. The poster, like most exhibition invitations of that era (including those from the Leo Castelli gallery in New York) was undated, as these works were so much of the moment. This work was acquired directly from the collection of the ACE Gallery. Other than the present work, we've never seen another example of this collectors item anywhere in the world, on or off the market (If anyone is aware of others, we'd love to see!) More about the legendary ACE gallery, and the sale of some of its art collection from the bankruptcy estate, from where the present work was acquired: ACE Gallery founder Douglas Chrismas opened his own frame shop and gallery in Vancouver at the age of 17. His gallery became known as a venue where Vancouver artists could show alongside major New Yorkers, and get the feeling of belonging to a bigger scene. In the 60s and early 70s he brought artists such as Robert Rauschenberg, Carl Andre, Sol LeWitt, Bruce Nauman, and Donald Judd to Vancouver, Canada. The gallery expanded to Los Angeles in 1967 at the former Virginia Dwan Gallery space in Westwood, and then further expanded to New York in 1994. The galleries were noted for doing museum-level exhibitions by up and coming and internationally renowned artists. While in New York the gallery’s presence was amplified by doing exhibitions in conjunction with cultural institutions such as the Guggenheim Museum and the Cartier Foundation (Paris). Under Chrismas' directorship, ACE Gallery has had either offices or galleries in art centers outside of the United States, such as Mexico City, Paris, Berlin. and Beijing. In 1972, Chrismas mounted Robert Irwin’s installation Room Angle Light Volume at the first ACE/Venice, which opened at 72 Market Street in 1971. In 1977, ACE mounted exhibitions of work by Frank Stella and Robert Motherwell, along with Michael Heizer’s Displaced/Replaced Mass. Installed at ACE/Venice, the Heizer piece required that huge chunks be gouged out of the gallery floor to create recessed areas able to accommodate boulders. In April 2016, ACE Gallery emerged from a three-year bankruptcy proceeding under the leadership of Sam S. Leslie. In May 2016, founder Douglas Chrismas was terminated from all roles at the gallery. In July 2021, Douglas Chrismas was arrested by the FBI and charged with embezzlement. In May 2022, Douglas Chrismas was ordered to repay 14.2 million in ACE art sale profits, which were diverted to personal accounts. Chrismas is awaiting criminal trial in January, 2023. He faces up to 15 years in prison if convicted. Controversies In a 1983 lawsuit in Los Angeles federal court, Rauschenberg sought $500,000 from Chrismas' Flow ACE Gallery; the artist won a $140,000 judgment in the suit in 1984. Eventually the two reconciled their differences and in 1997 Robert Rauschenberg insisted that ACE Gallery New York (in conjunction with the Guggenheim Museum) host his Retrospective. In 1986, Chrismas pleaded no contest after Canadian real estate developer C. Frederick Stimpson alleged that he had improperly sold work belonging to the collector, among them pieces by Andy Warhol and Rauschenberg. Under the terms of the settlement, Chrismas agreed to pay Stimpson $650,000 over a period of five years. He continues to work with the Stimpson family in handling their art interests. In 1989, ACE Gallery wanted to borrow a work by Judd along with Carl Andre's 1968 Fall, both owned by Count Giuseppe Panza, for an exhibition devoted to minimal art called The Innovators Entering into the Sculpture. Rather than shipping the two large scale works from Italy, Panza authorized ACE Gallery to refabricate the pieces in Los Angeles. In Panza's collection archives, there is a series of signed certificates signed by Judd that granted Panza broad authority over the works by Judd in his collection. These certificates "authorized Panza and followers to reconstruct work for a variety of reasons," as long as instructions and documentation provided by Judd were followed and either he or his estate was notified. This even included the right to make "temporary exhibition copies, as long as the temporary copy was destroyed after the exhibition; and the right to recreate the work to save expense and difficulty in transportation as long as the original was then destroyed." Miwon Kwon, in her account of site specificity: "One Place After Another," presents the account of ACE Gallery recreating artworks by Donald Judd and Carl Andre without the artist's permission. Andre and Judd both publicly denounced these recreations as "a gross falsification" and a "forgery," in letters to Art in America, however, the fabrication of the pieces were permitted by Panza Collection in Italy, the owner of the works. Despite the confusion surrounding the Panza refabrications, both Carl Andre and Donald Judd maintained a professional relationship with Douglas Chrismas and ACE Gallery. Andre showcased works at ACE Gallery in 1997, 2002, 2007, 2011 and present day. In 2007, Carl Andre's show entitled "Zinc" was exhibited at ACE Gallery in Beverly Hills. Donald Judd paid a visit to The Innovators Entering into the Sculpture exhibition at ACE Gallery and agreed to keep his sculpture in the exhibition. After the exhibition was over, Chrismas planned to sell the metal used for the re-fabrication of Judd's work for scrap metal but Judd wanted to own the re-fabrication for himself. ACE Gallery then sold the re-fabrication of Donald Judd's work to Donald Judd. After having consigned more than $4 million worth of art to ACE Gallery to sell in 1997 and 1998, the sculptor Jannis Kounellis filed a lawsuit in Los Angeles Superior Court in 2006, accusing Chrismas of keeping most of the profits of artworks and refusing to return the pieces that did not sell. According to the lawsuit, the primary agreement between Kounellis and Chrismas was oral. Chrismas returned all of Kouenllis' artwork, and did a full accounting of the proceeds from Kounellis' work—minus the expense of exhibiting it. The matter was resolved between the two of them and ACE Gallery still sells and exhibits Kounellis' work today. By 2006, Chrismas had filed for Chapter 11 bankruptcy protection at least six times since 1982, barring most of his creditors from collecting the money immediately owed to them. Chrismas filed for Chapter 11 bankruptcy to protect the gallery's extensive real estate holdings from the problematic landlord. The landlord of the Wilshire Boulevard space, Wilshire Dunsmuir Company, claimed that ACE owed back rent and penalties however, the claim was disputed by Douglas Chrismas. In court papers, Chrismas Fine Art claimed that it would cure "the pre-petition" debt by Feb. 1, 2000, and was asking the court to protect its right to remain in the property. A declaration filed by Douglas Chrismas characterized this leasehold as the business' primary asset. -Courtesy Wikipedia About Dan Flavin Dan Flavin (1933–1996) was a pioneer of Minimal Art. He rose to fame in the 1960s with his work with industrially manufactured fluorescent tubes, inventing a new art form and securing his place in art history. The exhibition at the Kunstmuseum Basel focuses on his works that are dedicated to other artists or make reference to certain events. Back in 1963 Dan Flavin mounted a single, industrial fluorescent light tube at a 45-degree angle to the wall of his studio declaring it art; the act was radical, and it still is. Indeed, it was owing to this action that standard commercial products would be introduced into art: The nascent Minimal Art of the era emphasised seriality, reduction and matter-of-factness. Somewhat ironically, while the autodidact Flavin never himself sought membership to this movement in art, he would, and quite literally, go on to become one of its most illustrious exponents. Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called ‘situations’, he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated color from the two-dimensionality of painting. The prevalent perception of his light works has, to date, largely centred on their minimalist, industrial aspect, and thus on the inherent simplicity of their beauty. The exhibition at Kunstmuseum Basel, by contrast, places emphasis on looking at Flavin’s oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists—as in the work untitled (in memory of Urs Graf...
Category

1970s Minimalist Prints and Multiples

Materials

Etching, Stencil

Poster of Brice Marden's studio (hand signed by Brice Marden) Nan Goldin photo
Located in New York, NY
Brice Marden's Studio Offset lithograph poster (hand signed by Brice Marden in 2015) This print was published on the occasion of Brice Marden's 1996 exhibition at the Matthew Marks Gallery in Chelsea, New York City. The image is based on Nan Goldin's 1995 photograph of Marden working in his studio. The print was signed by Brice Marden for the present owner. A collectors item when hand signed! About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings...
Category

2010s Minimalist Prints and Multiples

Materials

Pencil, Lithograph, Offset

Galerie Maeght /// Abstract Geometric Minimalist Ellsworth Kelly Colorfield Art
Located in Saint Augustine, FL
Artist: Ellsworth Kelly (American, 1923-2015) Title: "Galerie Maeght" Year: 1964 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer...
Category

1960s Minimalist Prints and Multiples

Materials

Lithograph

1998 After Barnett Newman 'Canto XIV'
Located in Brooklyn, NY
Paper Size: 23.5 x 19.5 inches ( 59.69 x 49.53 cm ) Image Size: 21.25 x 18 inches ( 53.975 x 45.72 cm ) Framed: No Condition: A: Mint Additional Details: Not signed and not num...
Category

1990s Minimalist Prints and Multiples

Materials

Offset

Sonata, Minimalist Stripe Lithograph by Gene Davis
Located in Long Island City, NY
Artist: Gene Davis, American (1920 - 1985) Title: Sonata Year: 1980 Medium: Lithograph on Arches paper, signed and numbered in pencil, verso Edition: 250 Paper Size: 20.75 x 28.5 inc...
Category

1980s Minimalist Prints and Multiples

Materials

Lithograph

1998 After Barnett Newman 'Canto VII'
Located in Brooklyn, NY
Paper Size: 23.5 x 19.5 inches ( 59.69 x 49.53 cm ) Image Size: 19.25 x 16.25 inches ( 48.895 x 41.275 cm ) Framed: No Condition: A: Mint Additional Details: Not signed and not...
Category

1990s Minimalist Prints and Multiples

Materials

Offset

1998 After Barnett Newman 'Canto VIII'
Located in Brooklyn, NY
Paper Size: 23.5 x 19.5 inches ( 59.69 x 49.53 cm ) Image Size: 19.25 x 16.25 inches ( 48.895 x 41.275 cm ) Framed: No Condition: A: Mint Additional Details: Not signed and not...
Category

1990s Minimalist Prints and Multiples

Materials

Offset

Early Work (Hand Signed by Richard Serra) Zwirner Gallery poster Minimalist art
Located in New York, NY
Richard Serra Early Work (Hand Signed), 2013 Offset lithograph (Hand Signed by Richard Serra) Boldly signed by Richard Serra on the front 18 × 24 inches Unframed This print was published on the occasion of the eponymous exhibition at David Zwirner in 2013. It depicts Richard Serra in his studio in 1968. The print was hand signed by the artist on the occasion of his opening at Zwirner Richard Serra Biography Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965). In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...
Category

2010s Minimalist Prints and Multiples

Materials

Permanent Marker, Lithograph, Offset

Peter Halley Small Paintings Rare European poster Minimalist Neo Geo Hand Signed
Located in New York, NY
Alpha 137 Gallery is honored to offer this historic offset lithograph of legendary American artist Peter Halley's 1998 exhibition of small paintings at Galerie Bruno Bischofberger in...
Category

1990s Minimalist Prints and Multiples

Materials

Offset, Felt Pen

Dan Flavin: A Retrospective Poster /// Contemporary Abstract Light Sculpture Art
Located in Saint Augustine, FL
Artist: (after) Dan Flavin (American, 1933-1996) Title: "Dan Flavin: A Retrospective" Year: 2004 Medium: Original Offset-Lithograph, Exhibition Poster on heavy smooth wove paper Limi...
Category

Early 2000s Minimalist Prints and Multiples

Materials

Lithograph, Offset

Vertical Not Straight Lines Not Touching On Color, Plate 2
Located in New York, NY
Medium: Etching with aquatint Framed dimensions: 52 1/2h x 38 1/2w inches
Category

1990s Minimalist Prints and Multiples

Materials

Etching, Aquatint

Fondation Maeght (Red, Yellow, Blue) /// Abstract Geometric Ellsworth Kelly
Located in Saint Augustine, FL
Artist: (after) Ellsworth Kelly (American, 1923-2015) Title: "Fondation Maeght (Red, Yellow, Blue)" *Issued unsigned Year: 2005 Medium: Original Litho...
Category

Early 2000s Minimalist Prints and Multiples

Materials

Lithograph

"The hen that lays is the hen that pays" Screenprint on Paper
Located in Soquel, CA
"The hen that lays in the hen that pays" Screenprint on Paper Bold screenprint by Toni Carner (American, b. 1957). A large, patterned hen is sitting on th...
Category

1970s Minimalist Prints and Multiples

Materials

Ink, Screen, Paper

Historic, Original Betty Parsons Gallery Poster (Minimalism, Constructivism)
Located in New York, NY
Lyman Kipp Kipp, at Betty Parsons Gallery, 1968 Rare Minimalist silkscreen announcement poster 24 × 13 1/4 inches Unframed Extremely rare. If you're reading this listing, you know wh...
Category

1960s Minimalist Prints and Multiples

Materials

Offset

Equal, Hand signed Richard Serra poster, published by David Zwirner Gallery
Located in New York, NY
Richard Serra, Equal, 2015 (Hand Signed) Offset lithograph poster (hand signed by Richard Serra) Boldly signed in black marker on the front Published by David Zwirner; Designed by McCall Associates 24 × 36 inches Unframed Acquired from David Zwirner Gallery Very good condition other than gentle handling near the edges Richard Serra Biography: Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965). In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...
Category

2010s Minimalist Prints and Multiples

Materials

Lithograph, Offset

Gagosian Gallery hardback monograph (hand signed by Christopher Wool)
Located in New York, NY
Christopher Wool (hand signed by Christopher Wool), 2006 Cloth hardback monograph (hand signed by Christopher Wool) Hand signed and dated 2017 by Christopher Wool on the half title p...
Category

Early 2000s Minimalist Prints and Multiples

Materials

Paper, Ink, Mixed Media, Lithograph, Offset

Untitled (Diptych)
Located in New York, NY
Fred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...
Category

1990s Minimalist Prints and Multiples

Materials

Lithograph

Minimalist prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Minimalist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, yellow, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Ellsworth Kelly, Michael Kenna, Sol LeWitt, and Osvaldo Mariscotti. Frequently made by artists working with Screen Print, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Minimalist prints and multiples, so small editions measuring 1.58 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $75 and tops out at $114,750, while the average work sells for $1,500.

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