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Conceptual Prints and Multiples

CONCEPTUAL STYLE

In 1967, artist Sol LeWitt wrote that in “Conceptual art the idea or concept is the most important aspect of the work.” He was giving a name to an art movement that had emerged in the 1960s in which artists were less focused on their medium being something traditionally “artistic” and instead engaged in using any object, movement, form, action or place to express an idea.

LeWitt’s work was featured alongside an assemblage of notes, drawings and outlines by other artists in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” a groundbreaking show at New York City’s School of Visual Arts curated by Mel Bochner, another leading exponent of Conceptualism. Building on radical 20th-century statements, like Fountain (1917) by French artist Marcel Duchamp, Conceptual artists around Europe and North and South America were not interested in the commercial art scene and rather directly challenged its systems and values.

Stretching into the 1970s, this movement has also been called Post-Object art and Dematerialized art. Conceptual art reflected a larger era of social and political upheaval. Pieces associated with the style range from Roelof Louw’s Soul City (Pyramid of Oranges) (1967) — a work of installation art that sees fresh oranges stacked into a pyramid from which visitors are allowed to take one orange away — to On Kawara’s “Today” series, which saw the Japanese artist carefully painting a date in white acrylic on canvases consisting of a single color from 1966 to his death in 2014. Artists such as Ed Ruscha, who created the Twentysix Gasoline Stations book — a collection of photos of gas stations that is widely said to be the first modern artists’ book — made photography a major platform for Conceptual art, as did Bruce Nauman, who burned one of Ruscha's books and then photographed it for his own.

Conceptual art’s legacy of questioning artistic authorship, ownership and how to work with complex ideas of space and time had a significant influence on the decades of culture that followed, and it continues to inform art today.

The collection of Conceptual photography, paintings and sculptures on 1stDibs includes artworks by John Baldessari, Jenny Holzer, Lawrence Weiner, Joseph Kosuth and others.

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Style: Conceptual
Period: 1960s
Christo, Monuments: Portfolio with Ten Prints and One Sculpture, Signed Original
Located in Hamburg, DE
Christo's portfolio of 10 prints and a scale model sculpture of the ‘5,600 Cubic Meter Package’ for Documenta 4 in Kassel, 1968 (height 68 cm). Sold in white vinyl portfolio box. The...
Category

1960s Conceptual Prints and Multiples

Materials

Metal

Ja Ja Ja Ja Nee Nee Nee, 1969, Sound Art, Conceptual Art, Disco
Located in Milano, IT
Una performance di Joseph Beuys, registrata alla Staatliche Kunstakademie di Düsseldorf nel 1968. Interpreti: J. Beuys in collaborazione con H. Christiansen e J. Stüttgen. Questa è...
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1960s Conceptual Prints and Multiples

Materials

Cardboard

Construction Drawing III (Conceptual Art, Mechanical, Engineer, Machine)
Located in Kansas City, MO
Signed by the artist, Edition 16/75 COA provided Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculpto...
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1960s Conceptual Prints and Multiples

Materials

Lithograph

Eddie (Sylvie's Brother) in the Desert (celebrated 1960s silkscreen)
Located in New York, NY
Öyvind Fahlström Eddie (Sylvie's Brother) in the Desert (from New York International Portfolio), 1966 Silkscreen on wove paper Pencil signed and numbered from the limited edition of ...
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1960s Conceptual Prints and Multiples

Materials

Screen

City 6, Framed Silkscreen by Kimura 1968
Located in Long Island City, NY
"City 6" is an original 1968 hand-signed and numbered (9/45) screenprint by Risaburo Kimura, Japanese (1924 - 2014), nicely framed. Image measures 15 x 22 inches. The artist has sp...
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1960s Conceptual Prints and Multiples

Materials

Screen

City 50
Located in Long Island City, NY
Artist: Risaburo Kimura (1924 - ) Title: City 50 Year: 1969 Medium: Silkscreen, signed in pencil Edition: AP Size: 25 x 19 inches
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1960s Conceptual Prints and Multiples

Materials

Screen

Construction Drawing III
Located in Kansas City, MO
Signed by the artist, Edition 16/75 Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculptor and photogr...
Category

1960s Conceptual Prints and Multiples

City 57, Geometric Serigraph by Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 57 Year: 1969 Medium: Silkscreen, signed in pencil Edition: 6/75 Size: 25 x 19 in. (63.5 x 48.26 cm)
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1960s Conceptual Prints and Multiples

Materials

Screen

City 0, Geometric Serigraph by Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 0 Year: 1968 Medium: Silkscreen, signed in pencil Edition: AP Size: 12.5 x 19 in. (31.75 x 48.26 cm)
Category

1960s Conceptual Prints and Multiples

Materials

Screen

Jose Luis Cuevas, "Denizens of the Underworld", Lithograph. 1968
Located in Long Island City, NY
This lithograph was created by Mexican artist Jose Luis Cuevas. Known for his aggressive attitude and strong beliefs, Cuevas has said that his drawing represents the solitude and iso...
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1960s Conceptual Prints and Multiples

Materials

Lithograph

Construction Drawing V
Located in Kansas City, MO
Signed by the artist, Edition 16/75 Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculptor and photogr...
Category

1960s Conceptual Prints and Multiples

Materials

Lithograph

Construction Drawing
Located in Kansas City, MO
“Construction Drawing I”, 1973 Dimensions : 19″ x 23.5″ Signed by the artist, Edition 16/75 Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist...
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1960s Conceptual Prints and Multiples

Materials

Lithograph

City 84, Geometric Serigraph by Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 84 Year: 1968 Medium: Silkscreen, signed in pencil Edition: AP Size: 25 x 19 in. (63.5 x 48.26 cm)
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1960s Conceptual Prints and Multiples

Materials

Screen

City 88, Geometric Serigraph by Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 88 Year: 1969 Medium: Silkscreen, signed in pencil Edition: AP Size: 25 x 18.75 in. (63.5 x 47.63 cm)
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1960s Conceptual Prints and Multiples

Materials

Screen

Construction Drawing
Located in Kansas City, MO
“Construction Drawing II”, 1973 Dimensions : 18.75″ x 23.5″ Signed by the artist, Edition 16/75 Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual ar...
Category

1960s Conceptual Prints and Multiples

Materials

Lithograph

Construction Drawing
Located in Kansas City, MO
“Construction Drawing II”, 1973 Dimensions : 18.75″ x 23.5″ Signed by the artist, Edition 16/75 Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual ar...
Category

1960s Conceptual Prints and Multiples

Materials

Lithograph

City 86, Geometric Serigraph by Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 86 Year: 1969 Medium: Silkscreen, signed in pencil Edition: AP Size: 25 x 19 in. (63.5 x 48.26 cm)
Category

1960s Conceptual Prints and Multiples

Materials

Screen

Construction Drawing
Located in Kansas City, MO
“Construction Drawing I”, 1973 Dimensions : 19″ x 23.5″ Signed by the artist, Edition 16/75 Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist...
Category

1960s Conceptual Prints and Multiples

Materials

Lithograph

"Landscape with Radiations" Intaglio by Ben Sakoguchi
Located in Pasadena, CA
"Landscape with radiations signs and lots of little tiny figures" This is the title of this black and white etching numbered 12/20 and signed by the artist. Ben Sakoguchi...
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1960s Conceptual Prints and Multiples

Materials

Intaglio

Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim)
Located in New York, NY
Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...
Category

1960s Conceptual Prints and Multiples

Materials

Offset

Nudo Azzurro - Etching by Lucio Fontana - 1967
Located in Roma, IT
Etching with aquatint and embossing on Fabriano Rosaspina paper. Hand signed and numbered Edition of 8/170 prints aside from 15 artist's proofs Printed by Stamperia 2RC – Rome. Publ...
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1960s Conceptual Prints and Multiples

Materials

Etching

City 37, Silkscreen by Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 37 Year: 1968 Medium: Silkscreen, signed in pencil Edition: AP Image: 27.75 x 20 inches Size: 28.5 x 22.5 in. (72.39 x 57.15 cm)
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1960s Conceptual Prints and Multiples

Materials

Screen

Certificate, from The International Anthology of Contemporary Engraving
Located in London, GB
Etching on paper, 1962/64, signed and numbered E.A. from the edition of 60, printed by Atelier Georges Leblanc, Paris, published by Galleria Schwarz, Milan, 25.2 x 19.2 cm. (9.9 x 7.6 in.) Various Artists with George Brecht...
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1960s Conceptual Prints and Multiples

Materials

Etching

Facades 1, Sculptural Graphic by Louise Nevelson
Located in Long Island City, NY
A silkscreen print by Louise Nevelson from 1966. An abstract composition of black and white photographic imagery. Artist: Louise Nevelson Title: Facades 1 Year: 1966 Medium: Silkscr...
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1960s Conceptual Prints and Multiples

Materials

Screen

City 87, Geometric Serigraph by Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 87 Year: 1969 Medium: Silkscreen, signed in pencil Edition: AP Size: 25 x 18.75 in. (63.5 x 47.63 cm)
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1960s Conceptual Prints and Multiples

Materials

Screen

City 85, Geometric Serigraph by Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 85 Year: 1969 Medium: Serigraph, signed and numbered in pencil Edition: AP Image Size: 25 x 20 inches Size: 25 in. x 19 in. (6...
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1960s Conceptual Prints and Multiples

Materials

Screen

City 36, Geometric Landscape Serigraph by Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 36 Year: 1968 Medium: Silkscreen, signed in pencil Edition: AP Size: 30 x 22 in. (76.2 x 55.88 cm)
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1960s Conceptual Prints and Multiples

Materials

Screen

Jose Luis Cuevas, "Jack the Ripper, " Lithograph, 1968
Located in Long Island City, NY
This lithograph was created by Mexican artist Jose Luis Cuevas. Known for his aggressive attitude and strong beliefs, Cuevas' work is characterized by distorted human forms. Cuevas h...
Category

1960s Conceptual Prints and Multiples

Materials

Lithograph

Jose Luis Cuevas, "El Siniestro, " Etching, 1968
Located in Long Island City, NY
This lithograph was created by Mexican artist Jose Luis Cuevas. Known for his aggressive attitude and strong beliefs, Cuevas' work is characterized by...
Category

1960s Conceptual Prints and Multiples

Materials

Lithograph

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Conceptual prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Conceptual prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, pink and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Risaburo Kimura, Dennis A. Oppenheim, Heidler & Heeps, and Chryssa Vardea-Mavromichali. Frequently made by artists working with Screen Print, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Conceptual prints and multiples, so small editions measuring 2.56 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $128 and tops out at $97,750, while the average work sells for $985.

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