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Conceptual Prints and Multiples

CONCEPTUAL STYLE

In 1967, artist Sol LeWitt wrote that in “Conceptual art the idea or concept is the most important aspect of the work.” He was giving a name to an art movement that had emerged in the 1960s in which artists were less focused on their medium being something traditionally “artistic” and instead engaged in using any object, movement, form, action or place to express an idea.

LeWitt’s work was featured alongside an assemblage of notes, drawings and outlines by other artists in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” a groundbreaking show at New York City’s School of Visual Arts curated by Mel Bochner, another leading exponent of Conceptualism. Building on radical 20th-century statements, like Fountain (1917) by French artist Marcel Duchamp, Conceptual artists around Europe and North and South America were not interested in the commercial art scene and rather directly challenged its systems and values.

Stretching into the 1970s, this movement has also been called Post-Object art and Dematerialized art. Conceptual art reflected a larger era of social and political upheaval. Pieces associated with the style range from Roelof Louw’s Soul City (Pyramid of Oranges) (1967) — a work of installation art that sees fresh oranges stacked into a pyramid from which visitors are allowed to take one orange away — to On Kawara’s “Today” series, which saw the Japanese artist carefully painting a date in white acrylic on canvases consisting of a single color from 1966 to his death in 2014. Artists such as Ed Ruscha, who created the Twentysix Gasoline Stations book — a collection of photos of gas stations that is widely said to be the first modern artists’ book — made photography a major platform for Conceptual art, as did Bruce Nauman, who burned one of Ruscha's books and then photographed it for his own.

Conceptual art’s legacy of questioning artistic authorship, ownership and how to work with complex ideas of space and time had a significant influence on the decades of culture that followed, and it continues to inform art today.

The collection of Conceptual photography, paintings and sculptures on 1stDibs includes artworks by John Baldessari, Jenny Holzer, Lawrence Weiner, Joseph Kosuth and others.

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Style: Conceptual
Silver Lake Operations #15, Digital Chromogenic Color Print
Located in Toronto, Ontario
Edward Burtynsky is one of Canada’s most internationally acclaimed photographers. He is well-known for his captivating, and curiously beautiful, large-scale photographs documenting ...
Category

2010s Conceptual Prints and Multiples

Materials

Digital, C Print

Tondo Stars
Located in London, GB
Signed and numbered 6 colours each Paper: Somerset Satin, White, 300 grams Printers: Eisaku Sakane, assisted by Keigo Takahashhi & Chie Shimizu, Watanbe Studio, New York Completed 8th November 2002 Published by Bernard Jacobson Ltd., London, and Parasol Press...
Category

Early 2000s Conceptual Prints and Multiples

Materials

Linocut

Untitled
Located in Barcelona, ES
the painting is being offered with a work and authenticity certificate
Category

1970s Conceptual Prints and Multiples

Materials

Engraving

Abysmal, 2021 Contemporary digital print
Located in Palm Desert, CA
Style: Contemporary, Modern, Conceptual Small study for the series “Rare Earth"
Category

21st Century and Contemporary Conceptual Prints and Multiples

Materials

Metal

Mujer en sofá
Located in Barcelona, ES
the painting is being offered with a work and authenticity certificate
Category

1970s Conceptual Prints and Multiples

Materials

Engraving

Trace #5
Located in Kansas City, MO
Lauren Steinert Trace #5 Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2022 Size: 7 x 7 inches Unique Signed by hand, titled and numbered by hand COA provided Ref.: 924802-1035 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C...
Category

2010s Conceptual Prints and Multiples

Materials

Handmade Paper, Mulberry Paper, Drypoint, Etching

[Wittgenstein Untitled] -- Screen Print, Glass, Text Art by Joseph Kosuth
Located in London, GB
[Wittgenstein Untitled], 1991 Joseph Kosuth Screenprint on glass in the artist's designated frame Signed and numbered from the edition of 75 on a paper label affixed to the reverse Overall: 29.2 × 54.6 × 4.1 cm (11.5 × 21.5 × 1.6 in) Provenance: The Estate of Ileana Sonnabend...
Category

1990s Conceptual Prints and Multiples

Materials

Glass, Screen

Nach einem Irrtum von Petit
Located in Kansas City, MO
Peter Paul "Nach einem Irrtum von Petit" From Portfolio "Portrait #14 - Peter Paul" with Karin Szekessy Year: 1973 Medium: Color Lithograph on Arches Edition: 80 Size: 25.59 x 19.88 ...
Category

1970s Conceptual Prints and Multiples

Materials

Lithograph

USE WHAT IS DOMINANT IN A CULTURE TO CHANGE IT
Located in New York, NY
Jenny Holzer USE WHAT IS DOMINANT IN A CULTURE TO CHANGE IT, 2003 Hand Blown Glass Bowl 4 × 10 × 10 inches Edition 68/200 Signed and numbered 68/200 on the underside with Holzer's incised signature: also bears the manufacturers signature Published by the Whitney Museum of American Art Produced by Simon...
Category

Early 2000s Conceptual Prints and Multiples

Materials

Blown Glass

Twilight's 034, Danse Macabre - A skeletal Oak tree - Landscpae
Located in London, GB
A skeletal oak, starved of light by the surrounding fir trees still holds its twisted limbs up towards the light as if frozen in its death throes. "I want to bring a sense of unfamiliarity into the images; to present commonplace nature in a peculiar way. This is, in part, a reaction against our over sanitised and conditioned lives. The night forest is devoid of people. It is an undomesticated wilderness right on our doorstep." - Jasper Goodall...
Category

2010s Conceptual Prints and Multiples

Materials

Photographic Paper, Archival Pigment

Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim)
Located in New York, NY
Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...
Category

1960s Conceptual Prints and Multiples

Materials

Offset

Singapore Stamp Collection, 30c Singapore Orchid Blue - Floral color photo
Located in Cambridge, GB
30 Cents Singapore Orchid Blue, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards from Afar' have been given a twenty-first century pop art lease of life. The fine detailed tapestry of the original small postage stamp has been brought to life, made unique by the franking stamp and Heidler & Heeps specialist darkroom process. This artwork is a limited edition of 25 gloss photographic c-print, accompanied by a signed and numbered certificate of authenticity. The print is fragile and it is recommended it is handled and framed professionally. This artwork is available in other sizes. Be sure to look at Heidler & Heeps other artworks listed on 1stDibs as they are great paired for interior design projects. Following on from the hugely successful ‘Vinyl Collection’, Natasha Heidler & Richard Heeps have collaborated again, drawing from the childhood past time of stamp collecting...
Category

2010s Conceptual Prints and Multiples

Materials

Silver Gelatin, Photographic Paper, C Print, Color

Grass - Salt Factory, Northwich - Blue British Square Photograph
Located in Cambridge, GB
Grass, blue abstract photography from the Richard Heeps series Ordinary Places, photographing Britain on the brink of change. It was Richard's first colour collection and was shot be...
Category

1980s Conceptual Prints and Multiples

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Imaginary Realities
Located in Toronto, Ontario
Lawrence Weiner (1942-2021) is one of the most-distinctive American conceptual artists. His philosophy and aesthetic developed concurrently to artists such as Sol LeWitt. Weiner we...
Category

1990s Conceptual Prints and Multiples

Materials

Lithograph, Offset

Inmate Work Project: Perpetual Construction and Dismantling of the Labyrinth
Located in Long Island City, NY
Artist: Robert Morris, American (1931 - ) Title: Inmate Work Project: Perpetual Construction and Dismantling of the Labyrinth from In the Realm of the Carceral Year: 1978 Medium: Etc...
Category

1970s Conceptual Prints and Multiples

Materials

Etching, Aquatint

Sheep 1, by Menashe Kadishman
Located in Long Island City, NY
Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Sheep Portfolio 1 Year: 1981 Medium: Serigraph and Etching, signed in pencil Edition: 65, AP 5 Size: 33.5 x 31 in. (85.09 x 7...
Category

1980s Conceptual Prints and Multiples

Materials

Screen

Hubcap, Manea - Monochrome Vintage British Square Photograph
Located in Cambridge, GB
Hubcap, subtle interior photography from the Richard Heeps series Ordinary Places, photographing Britain on the brink of change. It was Richard's first colour collection and was shot...
Category

1980s Conceptual Prints and Multiples

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Ina Abuschenko-Matwejewa - "Berlin Buttons" - limited edition fine art prints
Located in Winterswijk, NL
Ina Abuschenko-Matwejewa - "Berlin Buttons". Berlin Buttons series, 6 pieces, price per artwork: Based on the video of the same name produced by Ina Abuschenko-Matwejewa. The occasi...
Category

21st Century and Contemporary Conceptual Prints and Multiples

Materials

Paper

Mona
Located in BARCELONA, ES
"In addition to the formal harmony of the painting, I particularly pay attention to its ambiguity" -Paul Pretzer Signed and numbered: 9 / 50
Category

21st Century and Contemporary Conceptual Prints and Multiples

Materials

Lithograph

Radios in Lounge, Giclée print, Photography, Documentary, BBC Radio Lounge
Located in Deddington, GB
"This abandoned manor must have been occupied by a creative and curious mind, as it contained 3 pianos, all sorts of recording equipment and old radios, sculptures, paintings and int...
Category

2010s Conceptual Prints and Multiples

Materials

Giclée, Photographic Paper, Paper

Flora and Fauna Silkscreen
Located in Surfside, FL
Shipping will be a bit longer as this piece is located in Israel Michail Grobman, Israeli, born in Soviet Union, 1939. Michail Grobman was born in Moscow. He grew up writing poetry, essays and literary prose. In the 1960s, he was active in the Second Russian Avant-garde movement in the Soviet Union. In 1971, he immigrated to Israel. In 1975, he established the Leviathan school together with Avraham Ofek and Shmuel Ackerman, seeking to combine symbolism, metaphysics and Judaism in an all-inclusive “national style.” Grobman’s work employs images and symbols from Jewish mysticism and Kabbalah. His paintings incorporate texts in Russian and Hebrew. In addition to his artistic endeavors, he writes about art and aesthetics. The group combined conceptual art and "land art" with Jewish symbolism. Of the three of them Avraham Ofek had the deepest interest in sculpture and its relationship to religious symbolism and images. In one series of his works Ofek used mirrors to project Hebrew letters, words with religious or cabbalistic significance, and other images onto soil or man-made structures. In his work "Letters of Light" (1979), for example, the letters were projected onto people and fabrics and the soil of the Judean Desert. In another work Ofek screened the words "America", "Africa", and "Green card" on the walls of the Tel Hai courtyard during a symposium on sculpture Date of Birth: 1939, Moscow 1960s Active member of The Second Russian Avantgarde 1967 Member of the Moscow Painters Association 1971 Immigrated to Israel and settled in Jerusalem 1975 Founded the Leviathan group and art periodical (in Russian) Since 1983 Lives and works in Tel Aviv . Selected Solo Exhibitions: 2002 Pavilion Zveta Zuzovich, "The Last Sky", Belgrad (cat: Irena Subotitch) 1999 The State Russian Museum, ST. Petersburg 1998 "Picture = Symbol + Concept", Herzliya Museum of Art, Herzliya 1995 "Password and Image", University Gallery, Haifa University 1990 Tova Osman Gallery, Tel Aviv 1989 "The Beautiful Sixties in Moscow", The Genia Schreiber University Art Gallery, Tel Aviv University (with llya Kabakov; cat. text: Mordechai Omer] Spertus Museum, Chicago Beit Rami and Uri Nechushtan, Ashdot Yaacov (leaflet) 1972 Nora Gallery, Jerusalem 1973 - Negev Museum, Beer Sheva 1971 Tel Aviv Museum of Art (cat. text: Haim Gamzu) 1966 Mos-lng-Projekt, Moscow 1965 Artist's House, Moscow Energy Institute, Moscow History Institute, Moscow Usti-nad-Orlicy Theatre,Czechoslovakia (leaflet text: Dushan Konetchni) 1959 Mukhina Art Institute, Leningrad . Selected Group Exhibitions: 2003 "Yes do yourself...", Regeneration of Judaism in Israeli art, Zman Omanut Tel Aviv (cat: Gideon Ofrat) 1999 "Russian post-war avantgarde", The Trajsman Collection in the State Russian Museum, St. Petersburg Tretjakov National Gallery, Moscow (cat. text: Yevgenij Barabanov, John Bolt...
Category

1980s Conceptual Prints and Multiples

Materials

Lithograph

Juan Genoves - EXODUS Sale donated to CEAR Help Refugees NGO Spanish Art
Located in Madrid, Madrid
ALL THE FUNDS RECEIVED FROM THE SALE OF THIS WORK WILL BE DONATED TO CEAR NGO. Juan Genovés - ÉXODO (EXODUS) Date of creation: 2006 Medium: Giclée on BFK Rives paper Edition: 150 Si...
Category

Early 2000s Conceptual Prints and Multiples

Materials

Paper, Giclée

Les Femmes de la Revolution, After Anselm Kiefer
Located in Houston, TX
Ian Hamilton Finlay and Gary Hincks Les Femmes de la Revolution, After Anselm Kiefer, 1992 Offset Lithograph 27 1/2 x 32 in (69.9 x 81.3 cm) Edition of 250
Category

20th Century Conceptual Prints and Multiples

Materials

Offset

Hot Property!
Located in Toronto, Ontario
General Idea was formed in 1967 as a collective of three Canadian artists in Toronto, Felix Partz, Jorge Zontal and AA Bronson. Over the next 30 years, the ...
Category

1970s Conceptual Prints and Multiples

Materials

Paper, Screen

City 57, Geometric Serigraph by Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 57 Year: 1969 Medium: Silkscreen, signed in pencil Edition: 6/75 Size: 25 x 19 in. (63.5 x 48.26 cm)
Category

1960s Conceptual Prints and Multiples

Materials

Screen

Allied Chemical Tower, Packed, Project for 1 Times Square
Located in Long Island City, NY
Artist: Christo, Bulgarian (1935 - ) Title: Allied Chemical Tower, Packed, Project for Number 1 Times Square from "(Some) Not Realized Projects" portfolio Year: 1971 Medium: Lithogra...
Category

1980s Conceptual Prints and Multiples

Materials

Lithograph

Mixed Media Conceptual Portrait, "Diptych"
Located in San Diego, CA
This is an original one of a kind conceptual oil on printed canvas by local San Diego artist, Perry Vàsquez. Its dimensions are 36"x48"x2". It is unframe...
Category

2010s Conceptual Prints and Multiples

Materials

Oil

Esculturas- Noviembre - Diciembre 1974
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category

1970s Conceptual Prints and Multiples

Materials

Lithograph

Normal Desires
Located in Irvine, CA
Signed, dated and numbered in pencil, 1973 Edition 40 of 50 Framed Publisher: Cirrus Editions, Los Angeles Excellent condition
Category

1970s Conceptual Prints and Multiples

Materials

Lithograph

Large Conceptual "Last Book of Life" Photo Etching 1970s Pop Art Photograph
Located in Surfside, FL
Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stone...
Category

1970s Conceptual Prints and Multiples

Materials

Etching, Photogravure

Untitled
Located in Barcelona, ES
The painting is being offered with a work and an authenticity certificate
Category

1980s Conceptual Prints and Multiples

Materials

Paper, Screen

Untitled from "Kinderstern" - Dmitri Alexandrowitsch Prigow, Screenprint, Moscow
Located in Köln, DE
Screen print by Dmitri Alexandrowitsch Prigow from the portfolio "Kinderstern". "No Title", 1989 76 x 58 cm Copy 61/100 Edition of 100 (approx.)
Category

1980s Conceptual Prints and Multiples

Materials

Screen

Untitled
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category

1970s Conceptual Prints and Multiples

Materials

C Print, Ink, Mixed Media

Untitled
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category

Early 2000s Conceptual Prints and Multiples

Materials

Lithograph

Untitled
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category

Early 2000s Conceptual Prints and Multiples

Materials

Lithograph

Untitled
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category

Early 2000s Conceptual Prints and Multiples

Materials

Ink

Untitled
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category

Early 2000s Conceptual Prints and Multiples

Materials

Ink

Kick Against the Pricks
Located in New York, NY
MEL BOCHNER Kick Against the Pricks (Blah..Blah...Blah...), 2018 Two color silkscreen on boutique silk fair paper with blue-colored back, 350 gsm paper Signed, dated, and numbered lo...
Category

2010s Conceptual Prints and Multiples

Materials

Screen, Graphite

Billboard - large scale monochromatic photograph of iconic Americana road sign
Located in San Francisco, CA
a monochromatic photographic homage to artist Ed Ruscha from a series of iconic Americana roadside billboard signs and conceptual signage BILLBOARD by Frank Schott 48 x 76 inches...
Category

21st Century and Contemporary Conceptual Prints and Multiples

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Untitled
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category

Early 2000s Conceptual Prints and Multiples

Materials

Ink

Untitled
Located in Barcelona, ES
the painting is being offered with a work and authenticity certificate
Category

1980s Conceptual Prints and Multiples

Materials

Ink, Mixed Media

Untitled
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category

Early 2000s Conceptual Prints and Multiples

Materials

Ink

Untitled
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category

Early 2000s Conceptual Prints and Multiples

Materials

Ink

Untitled
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category

Early 2000s Conceptual Prints and Multiples

Materials

Ink

Untitled
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category

Early 2000s Conceptual Prints and Multiples

Materials

Ink

City 37, Silkscreen by Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 37 Year: 1968 Medium: Silkscreen, signed in pencil Edition: AP Image: 27.75 x 20 inches Size: 28.5 x 22.5 in. (72.39 x 57.15 cm)
Category

1960s Conceptual Prints and Multiples

Materials

Screen

The Far Shore
Located in Toronto, Ontario
Joyce Wieland (1931-1998) was one of the most accomplished and versatile Canadian artists of the 20th century. Emerging on the Toronto art scene in the early 1960s, throughout her career Wieland would explore the role of women, the body, nationalism, and intimacy using a variety of mediums. During much of the 1970s, Wieland was consumed by the creation (and recovery) of making her single feature film "The Far Shore". Her all-encompassing approach included writing the script, directing, co-producing, and trying to finance the project, a task that she notoriously despised. The film was loosely inspired by the life and death of the Canadian painter, Tom Thompson...
Category

1970s Conceptual Prints and Multiples

Materials

Lithograph, Offset

Four Hands and a Baseball Bat, 2015 Print by John Baldessari
Located in New York, NY
This is a black and white archival inkjet print on Canson Infinity paper. Hand signed and numbered by the artist, John Baldessari. To commemorate the 40th anniversary of Lincoln Cent...
Category

2010s Conceptual Prints and Multiples

Materials

Archival Pigment

Singapore Stamp Collection, 30c Singapore Orchid Pink - Floral color photo
Located in Cambridge, GB
30 Cents Singapore Orchid Pink, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards...
Category

2010s Conceptual Prints and Multiples

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Stonehenge, Spiral from Wessex, Conceptual Etching by Joe Tilson
Located in Long Island City, NY
Artist: Joe Tilson, British (1928 - ) Title: Stonehenge, Spiral from Wessex Portfolio Year: 1977 Medium: Etching, signed, and numbered in pencil Edition: XXV Size: 19.5 x 13.75 in. (...
Category

1970s Conceptual Prints and Multiples

Materials

Etching

Singapore Stamp Collection, 30c Singapore Orchid Purple - Floral color photo
Located in Cambridge, GB
30 Cents Singapore Orchid Purple, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards from Afar' have been given a twenty-first century pop art lease of life. The fine detailed tapestry of the original small postage stamp has been brought to life, made unique by the franking stamp and Heidler & Heeps specialist darkroom process. This artwork is a limited edition of 25 gloss photographic c-print, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a certificate of authenticity. This artwork is available in other sizes. Be sure to look at Heidler & Heeps other artworks listed on 1stDibs as they are great paired for interior design projects. Following on from the hugely successful ‘Vinyl Collection’, Natasha Heidler & Richard Heeps have collaborated again, drawing from the childhood past time of stamp collecting...
Category

2010s Conceptual Prints and Multiples

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Singapore Stamp Collection, 30c Singapore Orchid Yellow - Floral color photo
Located in Cambridge, GB
30 Cents Singapore Orchid Yellow, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcar...
Category

2010s Conceptual Prints and Multiples

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Singapore Stamp Collection, 30c Singapore Orchid Blue - Floral color photo
Located in Cambridge, GB
30 Cents Singapore Orchid Blue, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards...
Category

2010s Conceptual Prints and Multiples

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Singapore Stamp Collection, 30c Singapore Orchid Green - Floral color photo
Located in Cambridge, GB
30 Cents Singapore Orchid Green, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards from Afar' have been given a twenty-first century pop art lease of life. The fine detailed tapestry of the original small postage stamp has been brought to life, made unique by the franking stamp and Heidler & Heeps specialist darkroom process. This artwork is a limited edition of 25 gloss photographic c-print, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a certificate of authenticity. This artwork is available in other sizes. Be sure to look at Heidler & Heeps other artworks listed on 1stDibs as they are great paired for interior design projects. Following on from the hugely successful ‘Vinyl Collection’, Natasha Heidler & Richard Heeps have collaborated again, drawing from the childhood past time of stamp collecting...
Category

2010s Conceptual Prints and Multiples

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Nudo Azzurro - Etching by Lucio Fontana - 1967
Located in Roma, IT
Etching with aquatint and embossing on Fabriano Rosaspina paper. Hand signed and numbered Edition of 8/170 prints aside from 15 artist's proofs Printed by Stamperia 2RC – Rome. Publ...
Category

1960s Conceptual Prints and Multiples

Materials

Etching

Body Language, Nude Digital Print by Jane Hammond
Located in Long Island City, NY
Artist: Jane Hammond Title: Body Language from the Doctor's of the World Portfolio Year: 2001 Medium: Pigmented Digital Print, signed and numbered in pencil Edition: 100 Image Size: ...
Category

Early 2000s Conceptual Prints and Multiples

Materials

Digital Pigment

Sheep 5, by Menashe Kadishman
Located in Long Island City, NY
Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Sheep Portfolio 5 Year: 1981 Medium: Serigraph and Etching, signed in pencil Edition: 65, AP 5 Size: 33.5 x 31 in. (85.09 x 7...
Category

1980s Conceptual Prints and Multiples

Materials

Screen

Move VI, Lithograph by Helene Guetary
Located in Long Island City, NY
Artist: Helene Guetary, French/American (1957 - ) Title: Move VI Year: circa 1979 Medium: Lithograph on Arches, Signed and Numbered in Pencil Edition: 200 Size: 38 in. x 25.5 in. (96...
Category

1970s Conceptual Prints and Multiples

Materials

Lithograph

Conceptual prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Conceptual prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, pink and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Risaburo Kimura, Dennis A. Oppenheim, Heidler & Heeps, and Chryssa Vardea-Mavromichali. Frequently made by artists working with Screen Print, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Conceptual prints and multiples, so small editions measuring 2.56 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $128 and tops out at $97,750, while the average work sells for $985.

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