Skip to main content

Academic Prints and Multiples

ACADEMIC STYLE

During the Renaissance, the first European fine art academies were established in Italy and would guide the style and standards of visual culture in the following centuries. Academic art became dominant across the continent in the 17th century, with artists coming together to offer instruction in this style of painting and sculpture

The academic art period represented a significant change from the previous era when painters, sculptors and other artists were part of guilds and seen more as artisans than purveyors of culture. While patronage from the elite and the church remained pivotal, young artists were able to support themselves for the first time through academic exhibitions and an independent marketplace. The leading academies included the French Académie Royale de Peinture et de Sculpture founded in Paris in 1648 (which became the Académie des Beaux-Arts after the French Revolution) and the London Royal Academy of Arts formed in 1768 under the inaugural leadership of painter Joshua Reynolds

Academy students sketched drawings based on prints, sculptures and, finally, live models. Movements including neoclassicism and romanticism were particularly popular in these art schools and institutions where the influence of Raphael and Nicolas Poussin was prominent. Beaux Arts architecture and furniture design drew on these movements, too, and, as they also originated at the Académie des Beaux-Arts, the disciplines share common ground with academic painting and sculpture.

Although academic art was a major shift for artistic status when it began, by the middle of the 19th century it was viewed as stodgy and resistant to new ideas, with the subject matter of artists such as William-Adolphe Bouguereau and Jean-Léon Gérôme generally limited to allegorical or mythological themes. Impressionism, realism and the other movements that engaged with contemporary issues that followed were direct reactions to the academic tradition, although it continued to inform the avant-garde as artists like Gustav Klimt and Pablo Picasso started their practices as academic realists.  

Find a collection of academic paintings, sculptures, prints and more art on 1stDibs. 

to
7
209
10
22
1
139
100
67
55
92
15
10
Overall Height
to
Overall Width
to
4,207
450
139
62
55
35
17
10
9
1
1
76
63
60
33
28
22
16
15
15
11
11
11
11
11
10
7
7
7
7
7
126
125
10
42
5
11
4
7
1
2
33
5
8
40
23
17
10
10
9
145
62
62
49
26
Style: Academic
Period: 19th Century
Dendrobium x Ainsworth (Orchid Botanical Flower)
Located in Florham Park, NJ
Iconographie des Orchidees Jean Linden (1817-1898) Brussels, 1885-1894 Chromolithographs “Orchid Fever” was not just a 19th century phenomenon. To this day the orchid has remained...
Category

Late 19th Century Academic Prints and Multiples

Materials

Lithograph

Vicinity of Flemington
Located in Florham Park, NJ
JULIUS BIEN (1826-1909) Bien Atlas of New Jersey. Geological Survey of New Jersey. Chromolithography. New York, 1883 - 1889 17 maps. 34” x 25” Paper Size. A lithographer and map engraver, Bien arrived in the United States in 1849. Born in Naumburg, Germany, he was schooled at the Academy of Fine Arts in Kassel and at the Stadel Art Institute in Frankfurt am Main. He participated in the political upheavals of 1848 and was forced to leave his country after the movement was crushed becoming one of the many talented German "forty-eighters" to begin life anew in America. From a tiny print shop in New York City, Bien built a hugely successful business. He received numerous awards for the maps he engraved for the Pacific Railroad surveys, for several decennial census reports and for many US Geological Survey atlases and military field maps. He was also the first president of the National Lithographers' Association. Geological atlases were elemental in the development of states in both population and commerce. Here is where Bien shines with comprehensive understanding of science and his unparelled technique in printing. Among the most collectible of historic maps, these surveys provided landmark research in building a nation. Bien's second magnum opus was his chromolithographic edition of John James Audubon's The Birds of America. Through the new medium of chromolithography Bien was commissioned both to reproduce the quality of Havell's aquatints and to capture the subtlety of Audubon's colors. The ambitious project was never completed. Some historians blame the Civil War while other suggest financial cheating, but probably it was the death of Audubon that terminated Bien's work. For more than forty years following the Audubon folio...
Category

Late 19th Century Academic Prints and Multiples

Materials

Lithograph

Salade de Homards -- Mayonaisse de Fillets de Sole
Located in Florham Park, NJ
Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...
Category

Mid-19th Century Academic Prints and Multiples

Materials

Lithograph

Salmon
Located in Florham Park, NJ
Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...
Category

Mid-19th Century Academic Prints and Multiples

Materials

Lithograph

Supreme de Volaille -- Cotelettes d' Agneau
Located in Florham Park, NJ
Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...
Category

Mid-19th Century Academic Prints and Multiples

Materials

Lithograph

Tete de Veau Naturel
Located in Florham Park, NJ
Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...
Category

Mid-19th Century Academic Prints and Multiples

Materials

Lithograph

Anemones
Located in Florham Park, NJ
FLORA’S FEAST A Masque of Flowers Walter Crane, Illustrator Cassell & Co., Publisher Color Lithograph London, 1889 Born in Liverpool, 15 August 1845, Walter Crane first studied art in his father Thomas’ studio. After both moving to London and losing his father, Crane obtained an apprenticeship as William Linton’s engraving shop. This position exposed the young Crane to political reform which would become a major influence on his future work. As in illustrator, Crane became part of an influential group of political and religious radical movements. A supporter of the Liberal Party, Crane was outspoken in his support of the Communard’s attempt to overthrow the French government in 1871. It is seemingly ironic that at this time that Crane’s reputation as an illustrator of children’s books began to blossom. Within a decade Crane would join his life-long friend William Morris’s Arts and Crafts...
Category

Late 19th Century Academic Prints and Multiples

Materials

Lithograph

Triptych of Pears
Located in Florham Park, NJ
RUDOLF GOETHE HERMAN DENGENKOLB, REINHARD MERTENS Aepfel und Birnen Walter Muller, Illustrator Berlin, 1849 Chromolithograph Fascination with fruits, vegetables and spices ...
Category

Mid-19th Century Academic Prints and Multiples

Materials

Lithograph

Solen. Plate 33. (Shells)
Located in Florham Park, NJ
WILLIAM WOOD General Conchology; or, a Description of Shells, arranged according to the Linnean System John Booth. London, 1835. Engravings with Original Hand-Color Tall Oc...
Category

Early 19th Century Academic Prints and Multiples

Materials

Engraving, Watercolor

Tellina Plate 37 (Shells)
Located in Florham Park, NJ
WILLIAM WOOD General Conchology; or, a Description of Shells, arranged according to the Linnean System John Booth. London, 1815. Engravings with Original Hand-Color Tall Oc...
Category

Early 19th Century Academic Prints and Multiples

Materials

Engraving, Watercolor

Cardium. Plate 53 (Shells)
Located in Florham Park, NJ
WILLIAM WOOD General Conchology; or, a Description of Shells, arranged according to the Linnean System John Booth. London, 1815. Engravings with Original Hand-Color Tall Oc...
Category

Early 19th Century Academic Prints and Multiples

Materials

Engraving, Watercolor

Cardium Plate 56 (Shells)
Located in Florham Park, NJ
WILLIAM WOOD General Conchology; or, a Description of Shells, arranged according to the Linnean System John Booth. London, 1815. Engravings with Original Hand-Color Tall Oc...
Category

Early 19th Century Academic Prints and Multiples

Materials

Engraving, Watercolor

Anthemion Hals
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed. A fine German work, the illustrations a...
Category

Late 19th Century Academic Prints and Multiples

Materials

Lithograph

Marmor
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed. A fine German work, the illustrations a...
Category

Late 19th Century Academic Prints and Multiples

Materials

Lithograph, Watercolor

Relief von Gerb Thon
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed. A fine German work, the illustrations are of classical and neo-classical decorative designs. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate. Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum in Vienna (Plate 35) and the carved stone pedestal supports for a Roman table...
Category

Late 19th Century Academic Prints and Multiples

Materials

Lithograph, Watercolor

Romisches Marmor
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed. A fine German work, the illustrations a...
Category

Late 19th Century Academic Prints and Multiples

Materials

Lithograph, Watercolor

Vanda Sanderiana
Located in Florham Park, NJ
Iconographie des Orchidees Jean Linden (1817-1898) Brussels, 1885-1894 Chromolithographs “Orchid Fever” was not just a 19th century phenomenon. To this day the orchid has rem...
Category

Late 19th Century Academic Prints and Multiples

Materials

Lithograph

Trotting Away
Located in Florham Park, NJ
The Book of the Horse Samuel Sidney (1813 – 1883) London, 1873 Cassell Petter & Galpin Chromolithography 10.75” x 8.25” Man’s fascination with the horse has spanned many ce...
Category

Late 19th Century Academic Prints and Multiples

Materials

Lithograph

Egg Harbor and Vicinity (New Jersey)
Located in Florham Park, NJ
JULIUS BIEN (1826-1909) Bien Atlas of New Jersey. Geological Survey of New Jersey. Chromolithography. New York, 1883 - 1889 17 maps. 34” x 25” Paper Size. A lithographer and map engraver, Bien arrived in the United States in 1849. Born in Naumburg, Germany, he was schooled at the Academy of Fine Arts in Kassel and at the Stadel Art Institute in Frankfurt am Main. He participated in the political upheavals of 1848 and was forced to leave his country after the movement was crushed becoming one of the many talented German "forty-eighters" to begin life anew in America. From a tiny print shop in New York City, Bien built a hugely successful business. He received numerous awards for the maps he engraved for the Pacific Railroad surveys, for several decennial census reports and for many US Geological Survey atlases and military field maps. He was also the first president of the National Lithographers' Association. Geological atlases were elemental in the development of states in both population and commerce. Here is where Bien shines with comprehensive understanding of science and his unparelled technique in printing. Among the most collectible of historic maps, these surveys provided landmark research in building a nation. Bien's second magnum opus was his chromolithographic edition of John James Audubon's The Birds of America. Through the new medium of chromolithography Bien was commissioned both to reproduce the quality of Havell's aquatints and to capture the subtlety of Audubon's colors. The ambitious project was never completed. Some historians blame the Civil War while other suggest financial cheating, but probably it was the death of Audubon that terminated Bien's work. For more than forty years following the Audubon folio...
Category

Late 19th Century Academic Prints and Multiples

Materials

Lithograph

Chaud Froid de Poulet a la Celee
Located in Florham Park, NJ
Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...
Category

Mid-19th Century Academic Prints and Multiples

Materials

Lithograph

Attlets de Racines
Located in Florham Park, NJ
Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of ...
Category

Mid-19th Century Academic Prints and Multiples

Materials

Lithograph

Casserole de Puree de Giber
Located in Florham Park, NJ
Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...
Category

Mid-19th Century Academic Prints and Multiples

Materials

Lithograph

Dept. De La Seine (Paris)
Located in Florham Park, NJ
VICTOR LEVASSEUR (1800-1870) Atlas national Illustre des 86 Departements et des Possessions de La France. Paris, 1847. Lemercier. Laguillermie et Rainaud, Schmitt, A Piat, et al...
Category

Mid-19th Century Academic Prints and Multiples

Materials

Lithograph

A Pupil of La Haute Ecole
Located in Florham Park, NJ
The Book of the Horse Samuel Sidney London, 1873 Cassell Petter & Galpin Chromolithography 10.75” x 8.25” Man’s fascination with the horse has spanned many centuries. Admir...
Category

Late 19th Century Academic Prints and Multiples

Materials

Lithograph

Thye Countess Montijo
Located in Florham Park, NJ
The Book of the Horse Samuel Sidney London, 1873 Cassell Petter & Galpin Chromolithography 10.75” x 8.25” Man’s fascination with the horse has spanned many centuries. Admir...
Category

Late 19th Century Academic Prints and Multiples

Materials

Lithograph

Cattelya Maxima
Located in Florham Park, NJ
Iconographie des Orchidees Jean Linden (1817-1898) Brussels, 1885-1894 Chromolithographs “Orchid Fever” was not just a 19th century phenomenon. To this day the orchid has rem...
Category

Late 19th Century Academic Prints and Multiples

Materials

Lithograph

Hors d'Oeuvre
Located in Florham Park, NJ
Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...
Category

Mid-19th Century Academic Prints and Multiples

Materials

Lithograph

Black-Faced Heath Breed
Located in Florham Park, NJ
David Low (1786-1859) The Breeds of the Domestic Animals of the British Isles William Nicholson, RSA, Illustrator Brown, Green, & Longman’s, Publisher London, 1842 Lithographs with Original Hand-Color Page Size, 12.5 x 17 “Professor Low...
Category

Mid-19th Century Academic Prints and Multiples

Materials

Lithograph

Ondontoglossum Phalaenopsis
Located in Florham Park, NJ
L'Illistration Horticole Jean Linden (1817-1898) Belgium, 1887 Chromolithographs “Orchid Fever” was not just a 19th century phenomenon. To this day the orchid has remained on...
Category

Late 19th Century Academic Prints and Multiples

Materials

Lithograph

Sukotyro Sus (Warthog)
Located in Florham Park, NJ
JOHN WILKES (1750-1810) Encyclopedia Londinensis London, 1801-1828 Copper Plate Engraving Original Hand-Color 9” x11” Unframed At its best, the zoological art of the early n...
Category

Early 19th Century Academic Prints and Multiples

Materials

Engraving

Simia (Monkies)
Located in Florham Park, NJ
JOHN WILKES (1750-1810) Encyclopedia Londoninensis London, 1801-1828 Copper Plate Engraving Original Hand-Color 9” x11” Unframed At its best, the zoological art of the early...
Category

Early 19th Century Academic Prints and Multiples

Materials

Engraving

Cateleya Maximum Lindl. var. Hruryanna (Orchid)
Located in Florham Park, NJ
Iconographie des Orchidees Jean Linden (1817-1898) Brussels, 1885-1894 Chromolithographs “Orchid Fever” was not just a 19th century phenomenon. To this day the orchid has rem...
Category

Late 19th Century Academic Prints and Multiples

Materials

Archival Paper, Archival Tape, Plexiglass, Rag Paper, Silk

Henry Robert Robertson, Ave Maria, Etching
By Henry Robert Robertson
Located in Cheltenham, GB
This fine late 19th-century etching by British artist Henry Robert Robertson (1839-1921) depicts a couple worshipping a shrine to the Virgin Mary at sea. The original painting was ex...
Category

19th Century Academic Prints and Multiples

Materials

Paper, Etching

“Scene in Union Square, New York on a March Day
Located in Southampton, NY
Original wood engraving on paper. Taken from Harper’s Weekly, April 7, 1860. Signed “Homer” in the plate. Condition is good. Slight staining lower left. Very slight tear to the l...
Category

1860s Academic Prints and Multiples

Materials

Archival Paper, Engraving

Dante & Virgilus - Etching, (Ed. Goupil, 1897)
Located in Paris, FR
ARTISTE: after Auguste RODIN TITLE : Dante & Virgilus MEDIUM : Etching/photogravure after the original drawing SIGNATURE : Unsigned YEAR : 1897 PAPER : Vellum SIZE : 13 x 10" INFOR...
Category

1890s Academic Prints and Multiples

Materials

Etching

"The Temptation of Saint Anthony " Etching, Signed
Located in Milwaukee, WI
"The Temptation of Saint Anthony" is an original etching by Fernand Cormon. This piece has the artist's stamp. The piece is signed in pencil by the artis...
Category

1890s Academic Prints and Multiples

Materials

Etching, Paper, Ink, Laid Paper

Leopard-cat
Located in BALMAIN, NSW
19th Century chromolithograph of a leopard-cat
Category

19th Century Academic Prints and Multiples

Materials

Lithograph

Hunting Leopard
Located in BALMAIN, NSW
19th Century chromolithograph of a Hunting Leopard
Category

19th Century Academic Prints and Multiples

Materials

Lithograph

The Birth of Venus
By (After) Sandro Botticelli
Located in BALMAIN, NSW
19th Century coloured engraving of The Birth of Venus by
Category

19th Century Academic Prints and Multiples

Materials

Lithograph

The Catacombs
Located in BALMAIN, NSW
19th Century chromolithograph, 1822 Paris Catacombs
Category

19th Century Academic Prints and Multiples

Materials

Lithograph

Adirondac Grape
Located in BALMAIN, NSW
19th Century coloured engraving, Adirondac Grape
Category

19th Century Academic Prints and Multiples

Materials

Lithograph

Lion
Located in BALMAIN, NSW
19th Century chromolithograph of a lion
Category

19th Century Academic Prints and Multiples

Materials

Lithograph

leopard
Located in BALMAIN, NSW
19th Century chromolithograph of a Leopard
Category

19th Century Academic Prints and Multiples

Materials

Lithograph

John II, Count of Hainaut Holland & Zeeland (1247-1304)
Located in BALMAIN, NSW
18th Century (c1740) etching/engraving , John II, Count of Hainaut Holland & Zeeland (1247-1304)
Category

19th Century Academic Prints and Multiples

Materials

Engraving, Etching

Clouded Leopard
Located in BALMAIN, NSW
19th Century chromolithograph of a Clouded leopard
Category

19th Century Academic Prints and Multiples

Materials

Lithograph

May Day
Located in BALMAIN, NSW
19th Century hand coloured engraving
Category

19th Century Academic Prints and Multiples

Materials

Lithograph

La Morgue
Located in BALMAIN, NSW
19th Century chromolithograph, 1822 Paris, La Morgue
Category

19th Century Academic Prints and Multiples

Materials

Lithograph

Reptiles
Located in BALMAIN, NSW
19th Century chromolithograph of reptiles
Category

19th Century Academic Prints and Multiples

Materials

Lithograph

Talpa Comune
Located in BALMAIN, NSW
19th Century chromolithograph, Talpa Comune
Category

19th Century Academic Prints and Multiples

Materials

Lithograph

A Thames Barbell
Located in BALMAIN, NSW
19th Century chromolithograph, 1885 A Thames Barbell
Category

19th Century Academic Prints and Multiples

Materials

Lithograph

The United States
Located in BALMAIN, NSW
19th Century chromolithograph, The United States (Vanity Fair), under the pseudonym of Ape
Category

19th Century Academic Prints and Multiples

Materials

Lithograph

George Kellaway After Thomas Stewardson, Lady In Costume Playing The Mandolin
Located in Cheltenham, GB
This early 19th-century stipple engraving by George Kellaway (fl. 1821-1828) is after a painting by Thomas Stewardson (1781-1859). She turns and looks towards the heavens with hair ...
Category

1820s Academic Prints and Multiples

Materials

Engraving, Paper

“Returning Home”
By Hermanus Jan Hendrik Rijkelijkhuysen
Located in Southampton, NY
Original etching on Ingres laid paper (watermarked, see last photograph) attributed to the hand of the well known Dutch artist, Hermanus Jan Hendrik Rijkelijkhuysen. No visible signature. Sheet size 9.25 by 12 inches. Sight size 7 by 9 inches. Under glass. Circa 1875. Condition is excellent. Professionally matted and framed in a walnut colored frame with gold leaf edge. Overall framed measurements are 12.75 by 14.5 inches. Gallery label verso. Provenance: A Sarasota, Florida collector. Biography: Hermanus Jan Hendrik Rijkelijkhuysen (1813-1883) was a landscape painter and etcher. Rijkelijkhuysen spent most of his life working in the vicinity of his birthplace Utrecht. Inspired by the polders on the one hand and the Utrechtse Heuvelrug on the other, he mainly painted and etched water...
Category

1870s Academic Prints and Multiples

Materials

Laid Paper, Etching

George Sidney Hunt After Edwin Long RA, In the Wilderness, Engraving
Located in Cheltenham, GB
This late 19th-century mixed-method engraving by George Sidney Hunt (1856-1917) after Edwin Long RA (1829-1891) is one in a series of three depicting the Old Testament story of Jepht...
Category

19th Century Academic Prints and Multiples

Materials

Paper, Engraving

Chrysanthemum Yellow A
Located in Florham Park, NJ
100 Chrysanthemums Keika Hasegawa Kyoto, Japan Meji Era (ca. 1895) Japanese Woodblock Printed in Color with some Touching by Hand Keika Hasegawa was active from 1893-1905. His most famous work is 100 Chrysanthemums, a glorious celebration of Japan’s most famous flower. As the Imperial Seal...
Category

Late 19th Century Academic Prints and Multiples

Materials

Woodcut

Asiatic Lion, Lioness, Bengal Tiger, Leopard, Jaguar Antique Print
Located in BALMAIN, NSW
Antique Steel Engraving Published 1866 by Blackie & Son, London for "A History of the Earth and Animated Nature" by Oliver Goldsmith. Matt siz...
Category

Mid-19th Century Academic Prints and Multiples

Materials

Engraving

Initial Letters "M" (Alphabet)
Located in Florham Park, NJ
ONE THOUSAND AND ONE INITIAL LETTERS Owen Jones (1806-1889) Day & Sons London, 1864 Chromolithographs One Thousand and One Initial Letters playfully describes an artistic endeavor by Owen Jones. Teaching Applied Arts at the South Kensington School of Design, Jones honed his skills at transforming historical design into contemporary brilliance. Never imitating or duplicating, he remained true to the times and the materials available. Like his fellow artists, architects, painters, and poets, he was on the cusp of change. In Jones’ lifetime a new aesthetic would develop. By the centuries’ end, it would become an era with a heightened sense of nature coupled with design. The phrase ‘Art...
Category

Mid-19th Century Academic Prints and Multiples

Materials

Lithograph

The Wolverene Antique Print
By Edward Lear
Located in BALMAIN, NSW
Wolverine or Gulo gulo.. . Hand-colored copperplate engraving from a drawing by George Edwards from Ebenezer Sibly's "Universal System of Natural History" 1797. . . The prolific Sibly published his Universal System of Natural History in 1794 1797 in five volumes covering the three natural worlds of fauna, flora and geology. The series included illustrations of mythical beasts such as the sukotyro and the mermaid, and depicted sloths sitting on the ground (instead of hanging from trees) and a domesticated female orang utan...
Category

Mid-19th Century Academic Prints and Multiples

Materials

Engraving

Academic prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Academic prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of purple, blue, orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Owen Jones, Paul Jones b.1921, John James Audubon, and Basilius Besler. Frequently made by artists working with Lithograph, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Academic prints and multiples, so small editions measuring 1.5 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $26,100, while the average work sells for $650.

Recently Viewed

View All