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Tony Fitzpatrick
Trinity Flower

1997

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  • Fruit Juice Bottles II, State II
    By Tony Cragg
    Located in Saint Louis, MO
    Tony Cragg Fruit Juice Bottles II, State 2, 1990 Color aquatint with spit bite aquatint 13 x 15 inches (33 x 38.1 cm) Edition of 25
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    1990s Contemporary Still-life Prints

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    Archival Paper, Aquatint

  • Variation I (B)
    By El Anatsui
    Located in Saint Louis, MO
    El Anatsui Variation I (B), 2014 Pigment print with hand collage and copper wire 23 x 30.2 inches (58.4 x 76.8 cm) Edition of 16
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  • My Snakebit Heart
    By Tony Fitzpatrick
    Located in Saint Louis, MO
    My Snakebit Heart, 1993 Etching 18 x 15 inches (45.7 x 38.1 cm) Edition 38/50
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    1990s Contemporary Animal Prints

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    Etching

  • Untitled from BROOKLYN ACADEMY OF MUSIC 1986-87
    By Julian Schnabel
    Located in Saint Louis, MO
    Rising to prominence in the late 1970s and early 1980s, American artist Julian Schnabel is known for a multidisciplinary practice that spans painting, sculpture and film. During his ...
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    1980s Abstract Prints

    Materials

    Archival Paper, Aquatint

  • Weight IV
    By Richard Serra
    Located in Saint Louis, MO
    Richard Serra is a prominent American sculptor, painter, and printmaker whose raw steel sculptures and monumental prints explore the relationship between art object, site, space and ...
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    Early 2000s Abstract Prints

    Materials

    Etching

  • Black Flag CR 304
    By Robert Motherwell
    Located in Saint Louis, MO
    Robert Motherwell Black Flag CR 304 , 1983 Etching 18 1/4 x 22 inches 31 x 34 1/2 x 2 1/8 inches Edition of 42
    Category

    1980s Minimalist Abstract Prints

    Materials

    Archival Paper, Etching

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  • Izzy with her Ball, Dog Art, Affordable Art, Contemporary Animal Art Print
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    Izzy, a charming characterful terrier stands alert, holding her ball in her mouth. Colour etching hand made and printed by the artist. Helen Fay's art for sale online and in our gallery at Wychwood Art. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert. I have long been a fan of Munch for his direct mark-making, colour and intensity and at the other end of the spectrum, Hammershoi for his limited palette, sense of space and calm. I am interested in black and white photography and film and have recently discovered and been amazed by the films of Yasujiro Ozu...
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  • White on White (Four Sections of Wedding Cake)
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