Rebecca Laws

From 'A Romance Set At Sea' #13

2018

This is a limited edition Photograph which was originally a vintage Chevy Truck. Howie Ronay finds the beauty through everything and uses saturation amon...

This is a limited edition Photograph which was originally a photograph of a Boat in a loading dock Marina Del Rey, CA. Howie Ronay finds the beauty thro...

This is a limited edition Photograph which was originally a Trash Can. Howie Ronay finds the beauty through everything and uses saturation among other techniques to turn pictures int...

Time lapse photograph

Photography aluminum print includes both panels. Each panel is 24" x 36".

2 C-Print face mounted on acrylic. Each penal is 48" x 31"

Katie Hallam Blue Haze Limited Edition Digital Photograph on a metal backing and does not need framing. It is mounted securely and ready to hang on a wall. ...

ATO>MIC #8, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: Custom made frame with antireflective UV protective art glass 23 x 18 cm approx. image size 38 x 35.5 cm (Framed) Unique Series: ATO>MIC Signed on verso Provided with the Certificate of Authenticity “The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions. That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike Jackson The images may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.” The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down. Or maybe the thin line is just the horizon, where the enormous atomic blast took place…? Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works. It’s up to the viewer to decide what they prefer to see and take with them. As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.” About the Artist: Michael G Jackson...

In Between the Shadows 6 Giclee Print on Hahnemuhle Pearl Fine Art Paper, Mounted 65 x 70cm, Edition of 5 + 2 Artist’s Proofs, Custom Framed with antireflective art glass Signed, comes with Certificate of Authenticity The series ‘In Between the Shadows’ consists of structural and geometric photographs that take their inspiration from the cubist movement. The works aim to challenge the conventional perception of depth within the medium of photography by showing different viewpoints at the same time and within the same space. The chiaroscuro lighting embraces shadows and light as juxta- positional tools to deconstruct familiar objects and transform them into surreal compositions. Sander Vos...

The series ‘In Between the Shadows’ consists of structural and geometric photographs that take their inspiration from the cubist movement. The works aim to challenge the conventional perception of depth within the medium of photography by showing different viewpoints at the same time and within the same space. The chiaroscuro lighting embraces shadows and light as juxta- positional tools to deconstruct familiar objects and transform them into surreal compositions. Sander Vos...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity t...

Roslyn Meyer’s lens plays on the surface of soft undulating ripples; reflecting sky, flora and fauna, as well as the man-made world. These abstract images...