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Medium: Engraving
Ikebana 1
Located in Dallas, TX
For this work, the artist made a printing plate by tracing Ikebana images from Kōyō Ikebana Hyakuheizu, a book of illustrations dating to the late 1700s...
Category
2010s Contemporary Engraving Still-life Prints
Materials
Ink, Archival Paper, Drypoint
Izzy with her Ball, Dog Art, Affordable Art, Contemporary Animal Art Print
Located in Deddington, GB
Izzy, a charming characterful terrier stands alert, holding her ball in her mouth. Colour etching hand made and printed by the artist.
Helen Fay's art for sale online and in our gallery at Wychwood Art. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert. I have long been a fan of Munch for his direct mark-making, colour and intensity and at the other end of the spectrum, Hammershoi for his limited palette, sense of space and calm. I am interested in black and white photography and film and have recently discovered and been amazed by the films of Yasujiro Ozu...
Category
2010s Contemporary Engraving Still-life Prints
Materials
Paper, Drypoint, Etching
Jim Dine 'Shoe (Second State)' Signed, Limited Edition Etching Print
By Jim Dine
Located in San Rafael, CA
Jim Dine (American, born 1935)
Shoe (second state of 3) (WC.104), 1973
Color etching on Japanese laid paper
Signed in pencil
Dated and annotated 'B.A.T.' (bon a tirer), aside from th...
Category
1970s Engraving Still-life Prints
Materials
Engraving
Set of Four Gourds
Located in London, GB
Set of 4 double-page mezzotint engravings, printed in colour and finished by hand.
[Published: H. Lentz and H.G. Neubauer, Regensburg, 1737].
An attractive collection of fine plates...
Category
1730s Naturalistic Engraving Still-life Prints
Materials
Handmade Paper, Engraving, Mezzotint
Asparagus: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled a. Thyrsus asparagi. b. Asparagus, Asperge. c. Aspa...
Category
Mid-18th Century Naturalistic Engraving Still-life Prints
Materials
Engraving, Mezzotint
Cotton Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This striking hand-colored botanical mezzotint and line engraving is entitled "Gnaphalium, Gossypium (Cotton Plant)". It is plate 551 in Johann Weinmann's monumental publication "Phy...
Category
Mid-18th Century Naturalistic Engraving Still-life Prints
Materials
Engraving, Mezzotint
Apple: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This striking hand-colored botanical mezzotint and line engraving is entitled Malus domestica, Pomier, Apfelbaunt (Apple)". It is plate 704 in Johann Weinmann's monumental publicatio...
Category
Mid-18th Century Naturalistic Engraving Still-life Prints
Materials
Engraving, Mezzotint
Black Circle III, by Guntars Sietins
Located in Palm Springs, CA
Medium: mezzotint and aquatint
Year: 2014
Edition: 30, signed in pencil.
Image Size: 12 x 15.75 inches
Signed, titled and numbered by the artist.
The illusions and reflections in Si...
Category
2010s Contemporary Engraving Still-life Prints
Materials
Mezzotint, Aquatint
Maldoror : Making dinner - Original etching, HANDSIGNED, 1975
Located in Paris, FR
Salvador Dali
Making Dinner, 1975
Original etching
Signed in pencil
Limited to 100 copies (Here numbered 52)
On Arches vellum 32.5 x 25 cm (c. 12.7 x 9.8 in)
REFERENCES :
- Cata...
Category
1970s Surrealist Engraving Still-life Prints
Materials
Engraving
Flight of the Elephant Garlic
Located in Palm Springs, CA
Signed, titled and numbered from the edition of 50. Most of his mezzotints are tiny, and his subjects are the simplest of everyday objects: an egg, seashell, carrot, potatoes. Simil...
Category
Early 2000s Contemporary Engraving Still-life Prints
Materials
Mezzotint
"La Mer VE 2/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 2/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Engraving Still-life Prints
Materials
Archival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
"The Fern Gatherers" 18th Century Antique Mezzotint Engraving by John R. Smith
Located in Carmel, CA
"The Fern Gatherers" After a painting by George Morland. 1763-1804. - Mezzotint engraving by John Raphael Smith. 1752-1812.
Print: 20.75" x 26" - With Frame: 28" x 33.5"
Published:...
Category
Late 18th Century Realist Engraving Still-life Prints
Materials
Mezzotint, Engraving
"The Country Stable" 18th Century Antique Mezzotint Engraving by William Ward
Located in Carmel, CA
"The Country Stable" After a painting by George Morland. 1763-1804. - Mezzotint engraving by William Ward. 1766-1826.
Print: 20.75" x 26" - With Frame: 28.5" x 34"
Published: March...
Category
Late 18th Century Realist Engraving Still-life Prints
Materials
Mezzotint, Engraving
"La Mer VE 5/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 5/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Engraving Still-life Prints
Materials
Archival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
"La Mer VE 1/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 1/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Engraving Still-life Prints
Materials
Color, Etching, Intaglio, Drypoint, Aquatint, Archival Paper
"La Mer VE 6/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 6/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Engraving Still-life Prints
Materials
Archival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
"La Mer VE 7/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 7/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Engraving Still-life Prints
Materials
Archival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
"La Mer VE 3/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 3/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Engraving Still-life Prints
Materials
Archival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
Europa, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Resist Ground Etching and Engraving from a Copper Plate on BFK Rives, Somerset Buff, Wove Paper
Medium: Resist Ground Etching & Engraving
Edition of 125
Year: 1982
One o...
Category
1980s Contemporary Engraving Still-life Prints
Materials
Etching, Engraving
"C de Cabra" contemporary engraving surrealist goat
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work.
The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category
2010s Surrealist Engraving Still-life Prints
Materials
Engraving
"CALMA" contemporary surrealist print with intricate colorful city landscape
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work.
The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category
2010s Surrealist Engraving Still-life Prints
Materials
Engraving
Azalea Pulchra, antique botanical flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
untitled (Still Life with Cup and Horn)
By Tomoe Yokoi
Located in Fairlawn, OH
untitled (Still Life with Cup and Horn)
Color mezzotint, c. 1980
Numbered and signed in pencil by the artist (see photos)
Edition: 100 (53/100)
Published by John Szoke Graphics, New ...
Category
1980s Contemporary Engraving Still-life Prints
Materials
Mezzotint
Marica Sabini, antique botanical blue flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
La Parc du Jardin, mezzotint by Judith Rothchild
Located in Palm Springs, CA
Signed, numbered and titled by the artist..
Edition of 75
Medium: mezzotint
Image size 9.8 x 11.5 inches
The handsome stone facade of a building in a garden setting. This is a signe...
Category
Early 2000s Contemporary Engraving Still-life Prints
Materials
Mezzotint
Flower and Pot
Located in Fairlawn, OH
Flower and Pot
Color mezzotint, 1983
Signed, numbered, and dated in pencil
John Szoke Graphics blindstamp, lower right
Edition: 150 (100/150)
Image si...
Category
1980s Contemporary Engraving Still-life Prints
Materials
Mezzotint
"Hotel Pierre" contemporary surrealist black and white sun and skulls engraving
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work.
The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category
2010s Surrealist Engraving Still-life Prints
Materials
Engraving
"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate)
Located in Soquel, CA
"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate)
Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail.
Titled, signed, dated, and inscribed along the bottom edge:
Sketch, Saint Aignon, Chartres John Taylor Arms 1950
The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes"
Presented in a wood frame with an off-white mat.
Frame size: 12.5"H x 9.25"W
Image size: 7"H x 4.5"W
John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919.
His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities.
He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...
Category
1940s Victorian Engraving Still-life Prints
Materials
Ink, Etching, Drypoint, Paper
"Los pescadores de cacahuates" contemporary surrealist black engraving
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work.
The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category
2010s Surrealist Engraving Still-life Prints
Materials
Engraving
"P de Papagayo" contemporary surrealist letter P parrot colorfull engraving
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work.
The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category
2010s Surrealist Engraving Still-life Prints
Materials
Engraving
"Never Say Die" Skull Iconography, Nature Still Life, Mezzotint Print
Located in Philadelphia, PA
This piece titled "Never Say Die" is an original print by Samantha Mendoza and is made from mezzotint. This piece measures 31.25"h x 25.5"w framed, an...
Category
21st Century and Contemporary Contemporary Engraving Still-life Prints
Materials
Mezzotint, Ink
"Herramientas y más" contemporary engraving surrealist tools objects
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work.
The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category
2010s Surrealist Engraving Still-life Prints
Materials
Engraving
Ribes sanguineum, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: Set of Six Hand-Colored Engravings
Portfolio: The Botanical Magazine
Year: 1789-1810
Medium: Set of Six Original Hand-Colored Engra...
Category
1780s Victorian Engraving Still-life Prints
Materials
Intaglio, Laid Paper, Engraving, Watercolor
Tropaeolum Majus Atrosanguineum, antique botanical nasturtium flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Ipomopsis Elegans, antique botanical red flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Zinnea violacea coccinea, antique botanical red flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Set of Six Botanical Prints
Located in New York, NY
These colored engravings are from Edward Joseph Lowe's 1861 book "Beautiful Leaved Plants. Being a Description of the Most Beautiful Leaved Plants ...
Category
1860s Engraving Still-life Prints
Materials
Laid Paper, Engraving
Petunia violacea, antique botanical purple flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Kaempferia rotunda, antique botanical purple orchid flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Yellow Pontic Azalea. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Azalea Pontica - Yellow Pontic Azalea'
Native of the coat of the Black Sea.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Reposi...
Category
Early 19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Hibiscus Lindlei, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Mimulus roseus, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Two-coloured-leaved Cineraria. Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Cineraria Aurita - Two-coloured-leaved Cineraria'
Native of the Canary Islands.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Re...
Category
Early 19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: Set of Six Hand-Colored Engravings
Portfolio: The Botanical Magazine
Year: 1796-1829
Medium: Set of Six Original Hand-Colored Engra...
Category
1790s Victorian Engraving Still-life Prints
Materials
Intaglio, Engraving, Watercolor
Kate Boxer, I Won't Eat You, Limited edition animal print, contemporary art
Located in Deddington, GB
I Won’t Eat You [2021]
limited_edition
Drypoint print
Edition number of 30
Image size: H:81 cm x W:113 cm
Complete Size of Unframed Work: H:92 cm x W:122 cm x D:0.1cm
Sold Unframed
...
Category
21st Century and Contemporary Contemporary Engraving Still-life Prints
Materials
Drypoint, Etching, Paper
Set of Four Color Engravings from "Herbier de la France" by Pierre Bulliard
Located in Saint Augustine, FL
Artist: Pierre Bulliard (French, 1742-1793)
Title: "La Gratiole Officinale (Grace of God)", "La Digitale Jaune (Yellow Foxglove)", "La Renoncule Acre (Acre Buttercup)", and "La Cheli...
Category
1780s Old Masters Engraving Still-life Prints
Materials
Intaglio, Engraving, Laid Paper
Azalea indica danielsiana, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Height of Summer, by Gunnar Norrman
By Gunnar Norrman
Located in Palm Springs, CA
Medium: Drypoint
Image Size: 8.5 x 6.5 inches
Edition 15
Year: 1990
John Russell wrote in a review in the New York Times that "several of Norrman’s images could hang with drawings b...
Category
1980s Contemporary Engraving Still-life Prints
Materials
Drypoint
Mezzotint Etching Botanical Print 'Mantle' Signed AP Jungle Image
By Richard Hricko
Located in Surfside, FL
Richard Hricko has exhibited internationally in museums, galleries and juried competitions, including the National Academy Museum in New York, Glynn Vivian Art Museum in Wales, and G...
Category
20th Century Contemporary Engraving Still-life Prints
Materials
Mezzotint, Etching
Set of Three Color Engravings from "Herbier de la France" by Pierre Bulliard
Located in Saint Augustine, FL
Artist: Pierre Bulliard (French, 1742-1793)
Title: "Le Pied de Griffon (Griffin's Foot)", "La Laureole (The Laurel)", and "Le Cabaret d'Europe (The European Cabaret)"
Portfolio: Herb...
Category
1780s Old Masters Engraving Still-life Prints
Materials
Intaglio, Engraving, Laid Paper
Flowering Iris & Other Botanicals: Framed 17th C. Besler Hand-colored Engraving
Located in Alamo, CA
This is a hand-colored copper-plate engraving entitled "I. Spatula foetida - II. Caucalis Dodonei - III. Cruciata", depicting three flowering plants, including an Iris, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This beautiful hand-colored botanical engraving is presented in a gold-colored wood frame with a French mat...
Category
Mid-17th Century Academic Engraving Still-life Prints
Materials
Engraving
Oxyacantha rosea superba, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Amaryllis formosissima (Sprekelia, Aztec Lily), antique botanical engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Malopa grandiflora, antique botanical flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Schizanthus Priestii, antique botanical white flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Untitled
Located in Barcelona, ES
Includes a Certificate of Authenticity
Category
Early 2000s Expressionist Engraving Still-life Prints
Materials
Engraving
Tool Drypoint: Wrench by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Engraving Still-life Prints
Materials
Drypoint
Engraving still-life prints for sale on 1stDibs.
Find a wide variety of authentic Engraving still-life prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Bertha Evelyn Clausen Jaques, and Henri Le Sidaner. Frequently made by artists working in the Modern, Post-Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving still-life prints, so small editions measuring 2.25 inches across are also available Prices for still-life prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $60 and tops out at $33,867, while the average work can sell for $625.
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