David Barnett

'Firework Series: Grand Finale I' signed giclée print after 1997 original

2004

‘Celebration (Homage to Sharon)’ is an artist’s proof giclée print, signed and dated by the artist in the lower right. This piece is a part of Barnett’s ‘Morph Dog Series,’ so named ...

"Morph Dog Series: Morph Dog Fireworks Bouquet Vertical Variation" a giclée print of an original watercolor painting by David Barnett. The print is signed in the lower right by the a...

‘Ten Commandments’ is a giclée print on watercolor paper, signed by the artist in the lower right. In the composition, Barnett presents a still life of Jewish ritual objects, includi...

"Boldest Native" is an original color lithograph by Michael Knigin. This piece features a pile of apples with abstract textures. The artist signed the piece lower right and titled it...

'Flowers' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents a scattered floral still life amongst abstracted shadows and forms, rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the flower resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4 x 5.25 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

"Famous Artist Series: Homage to March Chagall - Artist's Palette Bouquet" is a giclee print after David Barnett's original mixed media piece from 2008. ...

Honesty in a Pink Vase and Marguerites in a Green Jug diptych Overall size cm : H120 x W120 Honesty in a Pink Vase by Amy Christie is a limited edition pri...

Size: 91cm, x 63cm (unframed) This is a signed, Limited Edition Giclée print of the original painting by Harriet Hoult. The print is on a high grade, cold press rough textured, hand...

About this work of Art ‘Red Skies’ by Harriet Hoult. This is a signed, Limited Edition Giclée print of the original painting by Harriet Hoult. The print is on a high grade, cold pres...

Toys in the Attic, 2016 Giclée print on Archival Cotton Paper. Acid and Lignin-free. The painting is a limited edition Giclée print, meticulously crafted on archival cotton paper, ensuring its durability and preserving the intricate details of the artwork. The composition takes us into the realm of imagination, depicting toys stored in an attic. Instead of representing the toys in a literal manner, the artist employs a delightful mix of geometric shapes and colors to stimulate our imagination and conjure up images of these playful objects. As we explore the artwork, we can discern a plethora of shapes carefully arranged to evoke the presence of toys. Circles, triangles, squares, and rectangles dominate the composition, both in regular and irregular forms. These shapes interact harmoniously, creating an abstract and fanciful representation of the toys that once brought joy to children. The artist's skillful use of colors enhances the whimsical atmosphere of the painting. Shades of green, orange, soft purple, soft pink, soft yellow, violet, black, and white come together, creating a captivating palette that infuses the artwork with vibrancy and energy. The colors evoke a sense of nostalgia and playfulness, transporting viewers to the imaginative world of childhood. Through the artist's masterful execution, the painting invites us to engage our imagination, allowing us to perceive the hidden toys within the abstract forms. Each viewer may envision different objects based on their personal memories and associations, breathing life into the artwork in their own unique way. Toys in the Attic, 2016 Giclée print on Archival Cotton Paper. Acid and Lignin-free. 30 x 24 Inches Edition 1 or 7 plus 2 AP 40 x 32 inches Edition 1 of 5 plus 2 AP Limited Edition Signed by the artist ____________ About the Artist Francisca Oyhanarte...

Under the Sea, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. The painting is a limited edition Giclée print, expertly created on archival cotton paper, ensuring its longevity and preserving the intricate details of the artwork. The composition transports us to the depths of the ocean, where the artist uses a mesmerizing combination of geometric shapes and vibrant colors to represent the small animals, plants, and corals that reside in the deep sea. The backdrop of the painting is a captivating blue, symbolizing the vastness of the ocean. Against this blue sea, a multitude of figures, expertly rendered with geometric shapes, appear to be swimming and floating. The artist's imaginative use of shapes and colors invites the viewer's imagination to explore the hidden wonders of the underwater world. A vivid and dynamic palette of colors enhances the enchanting atmosphere of the painting. Shades of green, orange, soft purple, fuchsia, yellow, purple, white, and black come together, evoking the vibrant hues found in the marine ecosystem. These colors breathe life into the artwork, capturing the diversity and beauty of the underwater environment. Among the various figures, some are designed with a grated or textured appearance, adding depth and intricacy to the composition. This textured design creates a sense of movement and mimics the intricate patterns found in coral reefs and marine life. As the viewer explores the artwork, they may discern a multitude of shapes, ranging from circles and triangles to abstract and fanciful forms. Regular and irregular shapes coexist harmoniously, creating a visual tapestry that hints at the diversity and complexity of marine life. Under the Sea, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. 30 x 30 Inches Edition 1 of 7 plus 2AP 40 x 40 inches Edition 1 of 5 plus 2 AP Limited Edition Signed by the artist ____________ About the Artist Francisca Oyhanarte...

Gardenia, 2019 Giclée print available Cotton Paper. Acid and Lignin-free. 30 x 42 Inches Edition 1 of 10 + 2AP Price: $3,000 Limited Edition Print ___________ About the Artist Francisca Oyhanarte...