The Other Chair ( from Artists Proof annual 1966)

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Clayton Pond
The Other Chair ( from Artists Proof annual 1966)
1966

About the Item

The Artists Proof featured a serigraph by Clayton Pond. This original signed serigraph entitled The Other Chair is vivid orange and blue. The Serigraph measures about 7 x 9 inches. This is the image from the book; there is no copy of book. Clayton Pond (b. 1941) was among the first artists to employ silkscreen printing in a fresh, distinctly personal way. His paintings and limited edition silkscreen prints are immediately recognizable for their bright, cheerful colors and their compositional balance. Over the span of his career, his work has revealed a fascination with vibrant color interactions, and the infinite possibilities that color relationships present. Deviating from the expected and rejecting the conventional, his particular use of color offers the viewer a charming, idiosyncratic interpretation of the world. Pond’s subject matter ranges from immediate, domestic, and every-day surroundings to the outlandish, surreal, and fantastical, including his imagined perspective of outer space. His interpretations of the human condition evoke his unique sense of humor. Throughout his career, the artist has enjoyed depicting both literal images and abstractions, or “section paintings.” In a section painting, Pond enlarges small areas from his larger works, creating a delightful exploration of detail. By recasting an otherwise recognizable object (such as a toilet seat), the artist suggests a whole new set of associations with the amplified image. In many of these works the original subject matter is not immediately discernable, and in this way the artist is interested not only in playfulness and experimentation, but also in the subconscious and its influence on the viewer. He occasionally paints relief sculptures, which he refers to as “3-D paintings.” In these, he may paint on separated layers of Plexiglas or, alternately, on cut-out, layered pieces of aircraft birch plywood. This process takes to a more literal level the three-dimensionality suggested by the colors and shapes in his one-dimensional paintings. Commenting on landscape painting, the artist has said he considers it “difficult to improve upon the real thing, or to compete with the scale and three-dimensional aspect of nature.” However, he has no qualms about “messing around with man-made objects.” Pond has said in the past that he does not identify with one particular movement, though critics have suggested a connection to the Pop and Op Art movements. Life, he has said, is the main influence in his work. He transitions easily between making paintings and prints, and the influence between the two is apparent. Clayton Pond’s artwork has been exhibited and collected internationally. He has had over 60 solo exhibits. His work is in the permanent collections at MOMA, the Art Institute of Chicago, the Smithsonian American Art Museum, the National Air and Space Museum, the Los Angeles County Museum of Art, the Boston Museum of Fine Arts, the National Gallery of Art and many more. Clayton Pond Bio Picture Clayton Pond (b. 1941) was among the first artists to employ silkscreen printing in a fresh, distinctly personal way. His paintings and limited edition silkscreen prints are immediately recognizable for their bright, cheerful colors and their compositional balance. Over the span of his career, his work has revealed a fascination with vibrant color interactions, and the infinite possibilities that color relationships present. Deviating from the expected and rejecting the conventional, his particular use of color offers the viewer a charming, idiosyncratic interpretation of the world. Pond’s subject matter ranges from immediate, domestic, and every-day surroundings to the outlandish, surreal, and fantastical, including his imagined perspective of outer space. His interpretations of the human condition evoke his unique sense of humor. Throughout his career, the artist has enjoyed depicting both literal images and abstractions, or “section paintings.” In a section painting, Pond enlarges small areas from his larger works, creating a delightful exploration of detail. By recasting an otherwise recognizable object (such as a toilet seat), the artist suggests a whole new set of associations with the amplified image. In many of these works the original subject matter is not immediately discernable, and in this way the artist is interested not only in playfulness and experimentation, but also in the subconscious and its influence on the viewer. He occasionally paints relief sculptures, which he refers to as “3-D paintings.” In these, he may paint on separated layers of Plexiglas or, alternately, on cut-out, layered pieces of aircraft birch plywood. This process takes to a more literal level the three-dimensionality suggested by the colors and shapes in his one-dimensional paintings. Commenting on landscape painting, the artist has said he considers it “difficult to improve upon the real thing, or to compete with the scale and three-dimensional aspect of nature.” However, he has no qualms about “messing around with man-made objects.” Pond has said in the past that he does not identify with one particular movement, though critics have suggested a connection to the Pop and Op Art movements. Life, he has said, is the main influence in his work. He transitions easily between making paintings and prints, and the influence between the two is apparent. Clayton Pond’s artwork has been exhibited and collected internationally. He has had over 60 solo exhibits. His work is in the permanent collections at MOMA, the Art Institute of Chicago, the Smithsonian American Art Museum, the National Air and Space Museum, the Los Angeles County Museum of Art, the Boston Museum of Fine Arts, the National Gallery of Art and many more.

Creator:
Clayton Pond (1941, American)
Creation Year:
1966
Dimensions:
Height: 8.5 in (21.59 cm)Width: 6.25 in (15.88 cm)
Medium:
Screen
Movement & Style:
Pop Art
Period:
1960-1969
Condition:
Gallery Location:
New Orleans, LA
Reference Number:
1stDibs: LU84136407862

The Other Chair ( from Artists Proof annual 1966)

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1966

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