Jean Choiselat (designer)

Vintage French Fashion Poster

1947

'Balinese Boy', original signed lithograph, by Arie Smit (circa 1980s). Young Balinese men feature heavily in the oeuvre of the artist. In this case, it appe...

French Vintage Exhibition Poster for Yves Brayer (1964). Newly framed, the poster announces an exhibition of the works of Yves Brayer at the Galerie Isy Brachot in Brussels, Belgium....

'Les Gardians de la Camargue', original signed and numbered lithograph (35/100), by Yves Brayer (circa 1950s). Although these young men look as though they've just swaggered out of the wild west with wide-brimmed hats and horses, we cannot call them cowboys. That's an American term. These swarthy young men are called 'Gardians'. More Gaulois Guy than Marlboro Man...

French Vintage Exhibition Poster for Yves Brayer (1975). Newly framed, the poster announces an exhibition of the works of Yves Brayer at the Galerie Alain Moyon-Avenard in Nantes, Fr...

French Vintage Exhibition Poster for Yves Brayer (1969). Newly framed, the poster announces an exhibition of the works of Yves Brayer at the Galerie de Paris which, at that time, was...

'Work no. 1 (Circle Drawing), 1hour 09minutes, 2018’ Limited Edition of 25, Lithograph Print, by Carali McCall (born 1981). Signed and numbered by the artist. McCall began her ‘Circle Drawing' artworks in 2004 where she focuses on the durational element and physical process of drawing. Using graphite on paper she draws her full arm's length in a continuous circular motion to the point of complete exhaustion. During this physically demanding process, her position and ability to extend the arm diminishes to the extent she can no longer hold the graphite. McCall quotes, 'an important aim is to maintain a constant and continuous visible line that embodies time and energy. While performing, painfully, my entire body is noticeably putting effort into the drawing.' This intense action and durational element often cause the paper to fatigue and rip, which is often identified as her distinctive trademark. About Artist: Carali McCall is an emerging artist whose works are internationally recognised. A Canadian artist born in 1981, she is based in London, UK. McCall was awarded a PhD from Central Saint Martins, University of the Arts, London, and her work is featured in the upcoming publication by Bloomsburg Publishing, 'Performance Drawing: New Practices since the 1960s'. A finalist in the 2017 Jerwood Drawing Prize, McCall’s work is currently touring the United Kingdom and is situated in private and public collections curated alongside artworks by Picasso and Damien Hirst. Other notable exhibitions include: Again and Again and Again: Serial Formats and Repetitive Actions, Vancouver Art Gallery, Canada, (2012), Kenny Schachter’s Rove Gallery, Hoxton Square, London (2008), Folkestone Fringe Festival (2014), Woolff Gallery, London UK (2017) and EMPIRE II...

This an original 19th century hand-colored McKenney and Hall lithographic portrait of a Native American entitled "Billy Bowlegs, A Seminole Chief", publi...

This is an original 19th century 1st edition octavo hand-colored McKenney and Hall lithograph of a Native American entitled " Shar-I-Tar-Ish, A Pawnee Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. Shar-I-Tar-Ish's portrait has a reddish hue from the feathers in his headdress and amulet chain, with a brownish taupe color of the upper trim of his costume. He is wearing his presidential peace medal. He has a very serious and thoughtful expression. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are faint smudges in the margins. The print is otherwise in very good condition. The original descriptive text pages, 33-34, from McKenney and Hall's 19th century publication are included. A famous Pawnee chief, Shar-I-Tar-Ish led his people during the early part of the 19th century. He was descended from a line of chiefs. Shar-i-tar-ish was a young man when he went to Washington in 1822 at the invitation of President James Monroe...

The Liberty Bond You Buy The Liberty Bond You Buy. Archival linen backed in very good condition; ready to frame. Printer: Liberty Loan Committee Second Federal Reserve District. O...

From the set of five lithographs, on Arches paper, with full margins published by Seibu Department Stores Ltd., Tokyo. Signed, dated, annotated 'III' and numbered from the edition o...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Ap-Pa-Noo-Se, A Saukie Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. For his portrait Ap-Pa-Noo-Se (A Chief When a Child) is wearing a feathered headdress, long ornamental earrings, multiple chain necklaces...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tah-Col-O-Quoit", lithographed b...