Danseuse Mettant son Chaussonm, Impressionist Etching
View Similar Items
Edgar DegasDanseuse Mettant son Chaussonm, Impressionist Etching1888
1888
About the Item
- Creator:Edgar Degas (1834-1917, French)
- Creation Year:1888
- Dimensions:Height: 16 in (40.64 cm)Width: 13 in (33.02 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU136326643882
Edgar Degas
Edgar Degas, born Hilaire-Germain-Edgar De Gas in Paris in 1834, was the oldest of five children of Célestine Musson De Gas, a Creole from New Orleans, and Augustin De Gas, a banker. Degas began his schooling at age eleven, enrolling in the Lycée Louis-le-Grand, but after his mother died when he was thirteen, his father and grandfather became the main influences on him for the remainder of his youth.
Upon graduating the Lycée in 1853, at age 18, he registered as a copyist in the Louvre Museum, but his father expected him to go to law school. Degas duly enrolled at the faculty of law of the University of Paris, in November 1853, but applied little effort to his studies. In 1855, Degas met Jean-Auguste-Dominique Ingres, whose advice he never forgot: “Draw lines, young man, and still more lines, both from life and from memory, and you will become a good artist.” In April of that year, Degas was admitted to the École des Beaux-Arts.
Evidence of Degas’ classical education can be seen in his early painting, Young Spartans Exercising (ca. 1860; National Gallery, London), done while he was still in his twenties. After 1865, when the Salon accepted his history painting The Misfortunes of the City of Orléans (Musée d'Orsay, Paris), Degas did not paint Academic subjects again, focusing his attention on scenes of modern life. He began to paint scenes of such urban leisure activities as horse racing and, after about 1870, of café-concert singers and ballet dancers. Degas' interest in ballet dancers intensified in the 1870s, and eventually he produced approximately 1,500 works on the subject. These are not traditional portraits, but studies that address the movement of the human body, exploring the physicality and discipline of the dancers through the use of contorted postures and unexpected vantage points.
Following the opening of trade with Japan in 1854, many French artists, including Degas, were increasingly influenced by Japanese prints. Degas abstracted from these prints their inventive compositions and points of view, particularly in his use of cropping and asymmetry [Dancers Practicing at the Bar (1877); Dancers, Pink and Green (ca. 1890)]. He also observed how sixteenth-century Italian Mannerists similarly framed their subjects, sometimes cutting off part of a figure.
Degas had an interest in a wide range of media, including engraving, monotype, and photography. Before 1880, he generally used oils for his completed works, but after 1875, he began using pastels more frequently, even in finished works such as Portraits at the Stock Exchange (1876). He submitted a suite of nudes, all rendered in pastel, to the final Impressionist exhibition in 1886; among these was Woman Bathing in a Shallow Tub (1885). The figures in these pastels were criticized for their ungainly poses.
By the late 1880s, Degas’s eyesight had begun to fail, perhaps as a result of an injury suffered during his service in defending Paris during the Franco-Prussian War of 1870–71. After that time he focused almost exclusively on dancers and nudes, increasingly turning to sculpture. Degas continued working as late as 1912, when he was forced to leave the studio in Montmartre in which he had labored for more than twenty years. He died five years later in 1917, at the age of eighty-three.
Find original Edgar Degas drawings, prints, paintings and other art on 1stDibs.
(Biography provided by Stern Pissarro Gallery)
- Aaron, American Social Realist LithographBy Thomas Hart BentonLocated in Saint Augustine, FLArtist: Thomas Hart Benton (American 1889 - 1975) Title: Aaron Medium: Hand Signed Lithograph Year of Work: 1941 Edition Size: 250 Dimensions: 12.9" x 9.5" unframed, 20" x 16" Framed In this Iconic portrait of "Aaron" Benton depicts an elderly farmer with tattered clothes, seemingly deep in thought. He is set in a neutral background where the subject’s face reveals the wear and tear of the agrestic lifestyle. Much like most of Benton's work, this portrait captures the true feeling of the American social...Category
1940s Realist Portrait Prints
MaterialsLithograph
- Gîte à la campagne, Impressionist 19th CenturyBy Eugene Galien-LaloueLocated in Saint Augustine, FLArtist: Eugene Galien Laloue Title: Gîte à la campagne Medium: Oil on Panel Signed: Lower Left, pseudonym L. Dupuy Dimensions: Framed 34 x 27" Unframed 25 x 18" Eugene Galien Lal...Category
Late 19th Century Impressionist Landscape Paintings
MaterialsCanvas, Oil
- St. Augustine Skyline Sunset, Impressionist Oil PaintingLocated in Saint Augustine, FLMyers creates an atmospheric scene from the perspective of the inlet looking towards Marine Street, St. Augustine. The burning sunset sky reflects onto the historic skyline casting ...Category
21st Century and Contemporary American Impressionist Landscape Paintings
MaterialsOil
- Henri Toulouse Lautrec, Original Lithograph 1897By Henri de Toulouse-LautrecLocated in Saint Augustine, FLArtist: Toulouse Lautrec (1864 -1901) French Title: The Chestnut Vendor Medium: Lithograph, Year: 1897 Signature: Signed in Plate (TL) Lower Left Dimensions: 20” x 17” Framed, 11” x 8.5” Unframed A lithograph of a Toulouse Lautrec drawing...Category
Late 19th Century Post-Impressionist Figurative Prints
MaterialsLithograph
- The Harvest, Impressionist Haystack 19th CenturyLocated in Saint Augustine, FLArtist: G. Rhumont Title: The Harvest Medium: Oil on Masonite Dimensions: 6.5 x 12" unframed, 18 x 12" Framed G. Rhumont was a turn of the century German landscape artist of romantic style with realistic scenes as seen here in “The Harvest”. This bucolic scene of harvesting hay depicts two farmers working in tandem loading the horse-drawn hay wagon in a field just outside their homestead. This early autumn painting...Category
Late 19th Century Realist Landscape Paintings
MaterialsMasonite, Oil
- Child with DollLocated in Saint Augustine, FLArtist: Ludwig Knaus (1829-1910) Title: Child with Doll Medium: Oil on Canvas Year of Work: 1868 Nationality: German Dimensions: Framed 24.5 x 18.13" U...Category
1860s Realist Portrait Paintings
MaterialsCanvas, Oil
- Signed Original Pastoral Etching by John E. CostiganBy John CostiganLocated in New York, NYThis original, limited edition etching, was realized by the esteemed American artist John E. Costigan, who is represented in the collections of the Metropolitan Museum, the Philips M...Category
1930s American Impressionist Portrait Prints
MaterialsEtching
- "Mother and Child" A Signed Limited Edition Etching by John E. CostiganBy John CostiganLocated in New York, NYThis original, limited edition etching, was realized by the esteemed American artist John E. Costigan, circa 1930. He is represented in the collections of the Metropolitan Museum, th...Category
1930s American Impressionist Figurative Prints
MaterialsEtching
- Masque aux rouleauxBy Henri MatisseLocated in London, GBAquatint on BFK Rives paper, Edition of 25 Paper size: 56 x 38 cms (22 x 15 ins) Image size: 34.8 x 27.7 cms (13 3/4 x 10 7/8 ins)Category
1940s Impressionist Portrait Prints
MaterialsAquatint
- Tête penchée et Bocal de PoissonsBy Henri MatisseLocated in London, GBEtching on Chine appliqué on Arches Velin paper, Edition of 25 Paper size: 28.5 x 38 cms (11 1/4 x 15 ins) Plate size: 14.9 x 19.6 cms (5 7/8 x 7 5/8 ins)Category
1920s Impressionist Portrait Prints
MaterialsEtching
- OPEN RUNNERBy LeRoy NeimanLocated in Aventura, FLHand signed numbered by the artist. Image size 7.5 x 8.25 inches. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 150. All reasonable offers will ...Category
1990s Impressionist Portrait Prints
MaterialsEtching, Aquatint, Paper
$1,200 Sale Price20% Off - Gerald Brockhurst (1890-1978) "Anais" Pencil Signed Etching c.1930By Gerald Leslie BrockhurstLocated in San Francisco, CAGerald Brockhurst (1890-1978) Etching "Anais" c.1930 Very fine etching by listed English / American artist Gerald Brockhurst. Title "Anais" Pencil signed - From an edition of 55. ...Category
Early 20th Century Impressionist Portrait Prints
MaterialsEtching