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Bert Stern
"What's it All About" - The Last Sitting

1962

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  • Read All About It
    By Paton Miller
    Located in Sag Harbor, NY
    A painting of a whimsical scene, "Read All About It" shows three animals of indeterminate species sitting on a soft pastel, green field facing a large billboard. On the billboard are...
    Category

    2010s American Modern Animal Paintings

    Materials

    Canvas, Oil, Wood Panel, Resin, Paper

  • Sliced Bread
    By Paton Miller
    Located in Sag Harbor, NY
    "Sliced Bread" is an oil painting, and mixed media collage on canvas. It is a still life on a table top of a piece of bread with a knife in it sitting on a napkin, an old metal pitcher with a spoon resting on it and a spoon on the table between the pitcher and the bread. Behind these objects in the foreground is a mysterious object. It is complied of many colorful rectangles, and the top of it is a dark neutral grey. It could be a piece of cake that has just been cut, bursting with flavor, or it could be a tiled or woven box with a peaked lid, possibly a bread box? Behind the table against an off white wall are 20 rectangles. Some of these are solid blocks of color, others are drawings on paper of landscapes and people that bring to mind postcards pinned up on a wall. Overlapping some the these is a larger charcoal drawing...
    Category

    2010s American Modern Still-life Paintings

    Materials

    Canvas, Paper, Oil

  • Wave 2 (After the Storm)
    By Michael Dweck
    Located in Sag Harbor, NY
    Michael Dweck is an American photographer known for his Montauk beach scenes.
    Category

    2010s American Modern Black and White Photography

    Materials

    Silver Gelatin

  • Illustrated Man
    By Paton Miller
    Located in Sag Harbor, NY
    A mixed media painting showing a seated man with tattoos. In “Illustrated Man” we see a single figure, covered in tattoos; portraits, designs, and patterns coat the man's skin from torso to fingertips. His face remains pure, unscathed from any ink marks; clear-headed and gazing forward. Behind him, Miller presents an obscure tapestry of civilization, an empire of sandy structures under a lapis lazuli night sky. Winding roads lead to city walls, while shadows and foundation-lines melt into creatures; a toothy alligator appears out of a stone façade...
    Category

    2010s American Modern Figurative Paintings

    Materials

    Canvas, Oil, Wood Panel, Pins

  • Off Shinneccock
    By Paton Miller
    Located in Sag Harbor, NY
    An oil painting of a fishing boat on a choppy sea. The sea, in the lower third of the painting is overall very dark, with reflections from the sky and the boat. This painting could be a nocturne, as the dark sea, reflection from the boat window...
    Category

    2010s American Modern Figurative Paintings

    Materials

    Canvas, Oil, Wood Panel, Pins

  • Morning Light
    By Maryann Lucas
    Located in Sag Harbor, NY
    “Morning Light” epitomizes the abundance of Spring with its bustling bouquet of white lilies, yellow roses, and a sliced open, ready to be eaten pink grapefruit. Despite the levity of the scene, Lucas has challenged herself with space, making a clear contrast between subject and background. She is consciously rejecting the “ironed on” effect of a subject onto a canvas, a trap to which lesser artists might succumb. Artist Bio Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also received instruction and support from wonderful and generous members of the East End artistic community. Working exclusively in oils, Lucas sets out almost daily to create plein aire landscapes and seascapes. In her studio, she works directly from life and captures the beauty of natural light as it transforms ordinary objects into visual delights. Lucas wants her work to celebrate all that is well with this world and brilliant in this life, despite its pockets of darkness. For me, she says, I know I am in the Presence of something beautiful, when it steals my breath, silences my mind, pushes out everything else and draws me in. I trust That. I use That to guide my hands as I arrange a still life or scan a landscape to determine where to set down my easel. Ultimately, That is what drives me to paint. Becoming evermore skilled as an oil painter is another of Lucas goals. To that end she remains teachable, finding it refreshing and vital for her own growth to paint with others. She has studied with favorite artists including Michael Klein...
    Category

    21st Century and Contemporary American Modern Still-life Paintings

    Materials

    Canvas, Oil

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