Oliverio Toscani

Oliverio Toscani-United Colors of Benetton-23.5" x 31.5"-Poster-Brown, White

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 12 x 16 inches ( 30.48 x 40.64 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Paper Size: 45 x 29.5 inches ( 114.3 x 74.93 cm ) Image Size: 38 x 29.5 inches ( 96.52 x 74.93 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age ...

Paper Size: 31.5 x 54.75 inches ( 80.01 x 139.065 cm ) Image Size: 19.75 x 50.5 inches ( 50.165 x 128.27 cm ) Framed: No Condition: A: Mint Additional Details: Grouping all Ten...

Official poster designed and created for the French Open tennis tournament held at Roland Garros every year. The poster is a limited edition of 1000. First edition, signed and numbe...

Paper Size: 19.25 x 20.12 inches ( 48.895 x 51.1048 cm ) Image Size: 15 x 16.5 inches ( 38.1 x 41.91 cm ) Framed: No Condition: A: Mint Additional Details: In October of 1991 C...

Sku: YY3195 Artist: Romare Bearden Title: Brown v Board of Education Year: 1990 Signed: No Medium: Offset Lithograph Paper Size: 35 x 21.5 inches ( 88.9 x 54.61 cm ) Image Size: 24 x...

Jennifer Losch Bartlett Air: 24 Hours, 1994 Hardback monograph (book) bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket. Hand signed and inscribed by the artist on the half title page to Nadine (Witkin) 11 × 9 1/4 × 1 inches Unframed Hand signed and inscribed to Nadine on the title page Hardback monograph bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket. Publisher's Blurb: In Air: 24 Hours, Jennifer Bartlett creates her most personal paintings, all made between 1991 and 1992. Here, in each work, the unflinching presence of time is carefully, conspicuously monitored by a clock - light gray for day, dark gray for night. But motifs, color combinations, even certain images variously recur throughout the 24 paintings, shaking us up, causing us to realize that even the most seemingly casual, intimate scenes (a child's bedroom, a bathroom, the garden fish...

Valerie Jaudon New York The Big Apple with Twin Towers (Hand Signed postcard), ca. 1987 Offset lithograph postcard (hand signed by Valerie Jaudon) Boldly signed inside the Big Apple in black marker by Valerie Jaudon 6 × 4 inches Unframed In the 1980s under charismatic and eccentric Democratic Mayor Ed Koch, the quintessential New Yorker, the city actively began a promotional campaign to attract more visitors, using the "Big Apple" theme - which, for a time, was ubiquitous. The concept stuck to this very day. The NYC Conventions and Visitors Bureau, a city agency, enlisted the help of many top artists in the region, including Valerie Jaudon. The Bureau's advertising campaign, which included materials like this promotional postcard featuring a Big Apple blimp in the center of a panoramic view of the Manhattan skyline with the Twin Towers, was a resounding success. The present work was signed by Valerie Jaudon during a promotional event. This rare, postcard is long out of print and especially desirable as it depicts the New York City skyline with the Twin Towers - before they were destroyed. Extremely collectible when hand signed by Jaudon. We've never seen another signed by her. This was acquired as part of a private collection of artist's autographs from this campaign, so authenticity is guaranteed. Even though the 1980s was also the height of the AIDS epidemic - which hit New York City hard and felled famous artists like Keith Haring, in many other ways, the pre- 9/11 era in New York City, including the "Big Apple" tourism campaign -- seems quaint! Publisher New York Convention & Visitors Bureau, Inc. Valerie Jaudon Biography During the course of Jaudon's distinguished forty-year career, she has been committed to redefining the parameters of abstraction. A member of the original Pattern and Decoration group, she is a representative of important tendencies of the larger Postminimalist movement. Jaudon was the driving force behind the influential 1991 Sidney Janis Gallery exhibition, Conceptual Abstraction (reprised and expanded in 2012 in an exhibition in the Hunter College Times Square Galleries, curated by Pepe Karmel and Joachim Pissarro) and has continued to work toward the development of a grammar of abstraction. Most recently, Jaudon's work has been included in several national and international museum exhibitions focusing on the Pattern and Decoration movement: With Pleasure: Pattern and Decoration in American Art 1972-1985, Museum of Contemporary Art, Los Angeles, CA (2019-2020); Less is a Bore...

Josef Albers Munich 1972 Olympic Games (Danilowitz 213), 1970 Color silkscreen on 250-gram Schöllers Hammer paper. Signed, dated and numbered 183/200 in graphite pencil on the front 40 × 25 1/2 × 3/10 inches Catalogue Raisonne Reference: Danilowitz, 213 Unframed Pencil signed and numbered from the limited edition of 200. By Josef Albers - famous color theorist and longtime influential head of the Yale University Art Department. This 1970 silkscreen was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri. It is reproduced on page 8 of the exhibition catalogue. It features Albers signature ‘cinetic window’, and is an impressive piece of art and sports history. This is one of only 200 hand signed, dated and numbered prints - (NOT to be confused with the open poster edition of the same image on different paper, which, unlike the present work, only bears the artist's printed signature.) The present work was created in 1970 for the 1972 Munich Olympics. In anticipating of hosting the 1972 summer Olympics, Germany sought to create a positive image for itself. As Arnold Schwarzenegger would write in his memoir "Holding the Olympic Games in Munich was meant to symbolize West Germany's transformation and reemergence in to the community of nations as a modern democratic power". The Munich Olympics were billed as "the happy games" - a term that would become tragically ironic. In spite of, or rather because of, the ruthless killing of Israeli athletes by terrorists during the Munich Olympics, prints like this Albers silkscreen have become a poignant symbol of the enduring power of art to bring cultures together and promote peace. This Josef Albers Olympic...

William Eggleston 2 1/4 Eggleston (Hand signed by William Eggleston), 2011 Fifth Edition hardback monograph cloth-bounded with tipped-in image to ...

Mark Ryden Dodecahedron (Hand Signed by Mark Ryden), 2015 Offset Lithograph poster (hand signed by Mark Ryden) Hand signed by artist on lower right front for the present owner. 20 × 16 inches Unframed This Mark Ryden offset lithograph poster was published on the occasion of his exhibition at the Paul Kasmin...

Artist: Robert Rauschenberg (1925-2008) Title: Bicycle Year: 1991 Medium: Offset Lithograph on archival paper Size: 26.5 x 39 inches Condition: Excellent Notes: Published by Universa...