Tom Wesselmann

Nude

1965

Publisher: Walker Art Center, Minneapolis

Frame size: 28 1/2 x 24 3/4 inches Printer: Chiron Press, New York Publisher: The Artist Signed, titled, and numbered, lower margin

Printer and publisher: Gemini G.E.L., Los Angeles Catalogue raisonné: Cordes 36 Edition size: 20, plus proofs Signed, dated, and numbered in pencil, lower margin

Edition size: 15; Signed, dated, and numbered in pencil, lower margin

Frame size: 30 3/8 x 25 1/2 inches Printer: The Artist and his brother, Sanford McCoy, Deep River Connecticut Catalogue Raisonné: O’C. and T. 1095 Signed, dated, and numbered in bla...

Sheet size: 24 1/8 x 24 1/8 inches Frame size: 26 3/4 x 26 3/4 inches Printer: Edition Domberger, Germany Publisher: Edition Domberger, Germany Edition: 125, plus proofs Catalogue r...

Signed Ryan McGinness screen-print: Ryan McGinness, "Women: The Blacklight Paintings". The Standard Hotel, New York, 2010. Screen-print with black flo...

Artist: Mel Ramos, American (1935 - 2018) Title: Photoshop CS (Michelle Pfeiffer) Year: 2008 Medium: Enamel on Steel, signed and numbered in marker ...

Judy on Blue Blanket. Original color silkscreen on Museum Board, 2000. Edition of 75 signed and numbered impressions on Museum Board. Tom Wesselmann is on...

Screenprint on BFK paper, UNIQUE proof authenticated by the Andy Warhol Foundation for Visual Arts

Monica Nude with Lichtenstein. Original color silkscreen on cardboard, 2002. Edition of 60 signed and numbered impressions on a cardboard. Tom Wesselmann is one of the biggest American pop artists today. Even he did not like being labeled a pop artist, it is hard to imagine that his artworks featuring consumer goods and assorted American icons would be considered anything but pop art. At first he was a follower of abstract expressionism, but later switched to figurative art. In the late ‘50s he produced a series of small format collages, which became the basis for his future nudes and still lifes. In 1963 he married Claire Selley, his most faithful model from the series ‘Great American Nude’, and other nudes. In his search for creative styles he began to produce three-dimensional works with the technique of assemblage, using everyday objects such as telephones and televisions. In the ‘Still Life’ series he used advertising techniques and complemented traditional still lifes with mass consumption items taken directly from ads. In the ‘80s he began to work with metals and produced original works with a special laser. Over the next two decades he returned to large formats and the theme of the nude from the ‘60s, rounding off his career with The ‘Sunset Nude’ series, inspired by the works of Matisse. Tom Wesselmann went down in history as one of the greatest representatives of pop art due to his exciting commercial images, his aggressive intervention in three dimensions, his choice of trivial motifs, their monumentalisation, the use of stereotypes as a basis for his work and the choice of strong colors. Wesselmann’s aesthetic usage of everyday objects was done not in criticism of American consumerism and culture, but as a way to render Classical genres modern so as to explore the gap between art and contemporary life. He has a series that incorporated iconic paintings by other artists, including Lichtenstein, Warhol, and Matisse, juxtaposing with his famous nudes...

Artist: Robert Indiana, American (1928 - ) Title: Marilyn from the American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 14 x ...