Items Similar to Female Nude Lying with Scarf - 1910s
Want more images or videos?
Request additional images or videos from the seller
1 of 9
(after) Gustav KlimtFemale Nude Lying with Scarf - 1910s1919
1919
About the Item
Female Nude Lying with Scarf is a vintage, beautiful, and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and two-tone collotypes after drawings by Gustav Klimt.
Published by Gilhofer and Ranschburg, Vienna, July 1919, just one year after Klimt's death, with a sophisticated technique to perfectly reproduce Klimt's pencil strokes. Edition of 500 numbered prints, with the first group numbered I-X and the second numbered 11-500.
This is a breathtaking monochrome original print, represents a young lady lying with a voluminous scarf, and showing her nakedness. Signed on stone on the lower right margin. In excellent conditions, including an ivory-colored cardboard passepartout slightly worn out that we wanted to keep in its original state (cm 59.3 x 40.1).
Original Title: Liegender, weiblicher Akt, mit Halskrause (rot getönt)
The original pencil sketch is held at the Lederer Collection, in Vienna, together with the other original drawings of the portfolio.
All the works were printed posthumously, one year after Klimt’s death, by the Kunstanstalt Max Jaffé, a Viennese specialist in fine art collotypes.
The complex collotype printing process perfectly rendered Klimt’s remarkably spontaneous drawing style.
This dichromate-based photographic process was invented in 1856, before lithography. The gelatin plates required a very delicate preparation involving light exposure, washing, and drying. Collotype plates could not be re-used: the limited-edition prints from colloid ink were stable and they had no chance of fading like other photographic processes of the time. Later on, lithography replaced this technique, which has now become nearly forgotten.
The importance of this portfolio lies in the aesthetic achievement of capturing the variations of Klimt's style between 1898 and 1917. These drawings of women are suffused by a veil of sexuality, well-accepted by the Viennese society. Fünfundzwanzig Handzeichnungen is erotic material that would circulate privately among Vienna's upper-class men. The emotional fluidity of Klimt’s erotic drawings created and still creates an intense psychological reaction in the viewer.
Fünfundzwanzig Handzeichnungen reveals the female world in Klimt's eyes. He meticulously observes both nubile young girls and craggy old women. His drawings demonstrate his unstoppable creative energy and his expertise in the technique.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork.
- Creator:(after) Gustav Klimt (1862 - 1918, Austrian)
- Creation Year:1919
- Dimensions:Height: 14.18 in (36 cm)Width: 21.66 in (55 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
About the Seller
4.8
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,578 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Monaco, Monaco
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Knieendes Mädchen - Lithograph After Egon SchieleBy (after) Egon SchieleLocated in Roma, ITThis lithograph from the portfolio "Egon Schiele" is a reproduction of "Knieendes Mädchen", an original artwork realized by Egon Schiele in 1914. The portfolio, that includes 10 lith...Category
1990s Modern Figurative Prints
MaterialsLithograph
- Model in the Studio - Lithograph by Felice Casorati - 1946By Felice CasoratiLocated in Roma, ITModella nello studio is a beautiful original lithograph on paper, realized by the Italian master Felice Casorati in 1946. Hand-signed in pencil "F. Casorati" on the lower left margi...Category
1940s Modern Figurative Prints
MaterialsLithograph
- Nude - Original Lithograph by Oscar Gallo - 1946Located in Roma, ITNude is an original lithograph on greenish paper realized in 1946 by the italian artist Oscar Gallo (1909 - 1994). Signed on the lower left and dated. The state of preservation is ...Category
1940s Modern Figurative Prints
MaterialsPaper, Lithograph
- Nymph - Lithograph by Félicien Rops - Late 19th CenturyBy Félicien RopsLocated in Roma, ITNymph is an original lithograph on ivory-colored paper realized by Félicien Rops. In very good conditions. Specimen 1/2 handwritten note in pencil at the bottom. Image Dimensions: ...Category
Late 19th Century Modern Figurative Prints
MaterialsLithograph
- Nude - Original Lithograph by P. Puvis de Chavannes - Late 19th CenturyBy Pierre Puvis de ChavannesLocated in Roma, ITNude is an original lithograph realized by Pierre Puvis de Chavannes in the 19th Century. Good Conditions. The artwork is depicted through soft strokes in a well-balanced composition.Category
Late 19th Century Modern Figurative Prints
MaterialsLithograph
- Nudes - Original Lithograph by P. Puvis de Chavannes - Late 19th CenturyBy Pierre Puvis de ChavannesLocated in Roma, ITNudes is an original lithograph realized by Pierre Puvis de Chavannes in the 19th Century. Good Conditions. The artwork is depicted through soft strokes in a well-balanced composit...Category
Late 19th Century Modern Figurative Prints
MaterialsLithograph
You May Also Like
- Leonor Fini - Dancing - Original Handsigned LithographBy Leonor FiniLocated in Collonge Bellerive, Geneve, CHLeonor Fini - Dancing - Original Handsigned Lithograph Les Elus de la Nuit 1986 Conditions: excellent Handsigned and Numbered Edition: 230 Dimensions: 38 x 28 cm Editions: Trinckvel...Category
1980s Modern Nude Prints
MaterialsLithograph
- Leonor Fini - Road to Death - Original LithographBy Leonor FiniLocated in Collonge Bellerive, Geneve, CHLeonor Fini - Road to Death - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Un...Category
1960s Modern Nude Prints
MaterialsLithograph
- September MornBy Joseph HirschLocated in New Orleans, LAThree women strolling on a beach. This impression is one of the rare impressions printed monochromatically. Hirsch natural inclination was to print in lack and white but reprinted ...Category
1960s American Modern Nude Prints
MaterialsLithograph
- La Negra (The Black Woman)By Rufino TamayoLocated in San Francisco, CAThis artwork titled "La Negra (The Black Woman)" from the suite "The Mujeres File" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 150/150 in pencil by the artist. The image size is 26.85 x 21.25 inches, sheet size is 29.5 x 22.15 inches, framed size is 42 x 35 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #109 page 107. Custom framed in a wooden silver frame, with silver spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...Category
Mid-20th Century Modern Figurative Prints
MaterialsLithograph
- Torso de Joven (Torso de Jeune Fille)By Rufino TamayoLocated in San Francisco, CAThis artwork titled "Torso de Joven (Torso de Jeune Fille)" from the suite "The Mujeres File" 1969 is an original colors lithograph on Wove paper by renown Mexican artist Rufino Tama...Category
Mid-20th Century Modern Figurative Prints
MaterialsLithograph
- Torso de MujerBy Rufino TamayoLocated in San Francisco, CAThis artwork titled "Torso de Mujer (Torso de Femmee)" from the suite "The Mujeres File" 1969 is an original colors lithograph on Wove paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 26.85 x 21 inches, framed size is 40.75 x 33 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #108 page 107. Custom framed in a wooden gold frame, with gold bevel and light beige fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics...Category
Mid-20th Century Modern Figurative Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
Printed Vintage Scarf
Vintage Scarf Print
Klimt Signed
Nude Sketch Modern
Modern Nude Sketches
Women Scarfes
Womens Scarf
Women Scarf
Antique Washing
Nudes Female Print Lithograph
Viennese 1910
Lady Dior Beige
No Time To Die Limited Edition
Naked Plate
Nude Sketch Women
Vienna 1910s
Antique Erotic Prints
Sophisticated Lady