Skip to main content

Surrealist More Prints

SURREALIST STYLE

In the wake of World War I’s ravaging of Europe, artists delved into the unconscious mind to confront and grapple with this reality. Poet and critic André Breton, a leader of the Surrealist movement who authored the 1924 Surrealist Manifesto, called this approach “a violent reaction against the impoverishment and sterility of thought processes that resulted from centuries of rationalism.” Surrealist art emerged in the 1920s with dreamlike and uncanny imagery guided by a variety of techniques such as automatic drawing, which can be likened to a stream of consciousness, to channel psychological experiences.

Although Surrealism was a groundbreaking approach for European art, its practitioners were inspired by Indigenous art and ancient mysticism for reenvisioning how sculptures, paintings, prints, performance art and more could respond to the unsettled world around them.

Surrealist artists were also informed by the Dada movement, which originated in 1916 Zurich and embraced absurdity over the logic that had propelled modernity into violence. Some of the Surrealists had witnessed this firsthand, such as Max Ernst, who served in the trenches during World War I, and Salvador Dalí, whose otherworldly paintings and other work responded to the dawning civil war in Spain.

Other key artists associated with the revolutionary art and literary movement included Man Ray, Joan Miró, René Magritte, Yves Tanguy, Frida Kahlo and Meret Oppenheim, all of whom had a distinct perspective on reimagining reality and freeing the unconscious mind from the conventions and restrictions of rational thought. Pablo Picasso showed some of his works in “La Peinture Surréaliste” — the first collective exhibition of Surrealist painting — which opened at Paris’s Galerie Pierre in November of 1925. (Although Magritte is best known as one of the visual Surrealist movement’s most talented practitioners, his famous 1943 painting, The Fifth Season, can be interpreted as a formal break from Surrealism.)

The outbreak of World War II led many in the movement to flee Europe for the Americas, further spreading Surrealism abroad. Generations of modern and contemporary artists were subsequently influenced by the richly symbolic and unearthly imagery of Surrealism, from Joseph Cornell to Arshile Gorky.

Find a collection of original Surrealist paintings, sculptures, prints and multiples and more art on 1stDibs.

22
to
16
350
149
45
312
399
76
24
174
121
177
19
12
Overall Height
to
Overall Width
to
2,349
951
846
693
230
166
70
40
36
31
25
20
17
3
3
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
373
128
2
1
6
178
110
39
9
1
88
23
13
10
8
194
108
82
55
33
Style: Surrealist
Correspondence by L. Gischia to N. Jacometti - 1960
Located in Roma, IT
This Correspondence between Léon Gischia and Nesto Jacometti, written in French and Italian , in 1960, is composed of 7 items, prefectly readable and in excellent conditions, except...
Category

1960s Surrealist More Prints

Materials

Permanent Marker

Happy New Year - Drawing by L. Gischia - 1960
Located in Roma, IT
Happy New Year is an original black marker drawing on paper with autograph wishing notes by the French artist Léon Gischia to Nesto Jacometti, editor and collector of Graphic art. ...
Category

1960s Surrealist More Prints

Materials

Permanent Marker

Graphisms & 3. 1980, paper, silk screen, 15x28 cm
Located in Riga, LV
Graphisms & 3. 1980, paper, silk screen, 15x28 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. Ongoing...
Category

1980s Surrealist More Prints

Materials

Paper, Screen

Orphée - Original Lithograph by Jeanne Esmein - 1967
Located in Roma, IT
Orphée is an original artwork realized by Jeanne Esmein in 1967. Serigraph on paper. Hand-signed and dated in pencil by the artist on the lower right. Titled and numbered in pencil...
Category

1960s Surrealist More Prints

Materials

Lithograph

Characters I - Levitation
Located in Palm Springs, CA
Signed, titled and numbered, edition of 35. The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. Re...
Category

Early 2000s Surrealist More Prints

Materials

Mezzotint

"Reliq, " Original Black and White Monotype signed by Beckett R. Berning
By Beckett Berning
Located in Milwaukee, WI
"Reliq" is an original black and white monotype by Beckett Berning. The artist signed the piece. It depicts a face above a gravestone. 9 1/4" x 6 3/4" art 18" x 15 3/4" frame Beck...
Category

1990s Surrealist More Prints

Materials

Monotype

Characters III - Light
Located in Palm Springs, CA
Signed and numbered. The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. Reflection of real world ...
Category

Early 2000s Surrealist More Prints

Materials

Mezzotint

Appareil et Main - Lithograph after Salvador Dalì - 1974
Located in Roma, IT
Appareil et Main  is an artwork by the Surrealist Catalan artist Salvador Dalí  (Figueres, 1904-1989). This is a color lithograph on wove paper, properly edited by the French magazi...
Category

1970s Surrealist More Prints

Materials

Lithograph

Exhibition Poster Galerie Gerald Cramer - Lithograph by Joan Mirò - 1969
Located in Roma, IT
Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...
Category

1960s Surrealist More Prints

Materials

Lithograph

Tout se Tient - Lithograph by R.S. Matta - 1975
Located in Roma, IT
T'ou't  se tient is an Artwork realized in 1975, by Roberto Sebastián Antonio Matta Echaurren (Santiago, Chile, 1911 - Civitavecchia, Italy, 2002). Colored Lithograph on paper. The ...
Category

1970s Surrealist More Prints

Materials

Lithograph

Exhibition Poster Galerie Gerald Cramer - Lithograph by Joan Mirò - 1969
Located in Roma, IT
Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...
Category

1960s Surrealist More Prints

Materials

Lithograph

Dionysos
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Dionysos MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: 194/200 MEASUREMENTS: 26" x 19.5" FRAMED: 34" x 28" ...
Category

1960s Surrealist More Prints

Materials

Etching

Hans Christian Anderson The Girl Who Trod on The Loaf
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Hans Christian Anderson The Girl Who Told on The Loaf MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Gerschmann, Sweden EDITION NUMBER: Ep...
Category

1960s Surrealist More Prints

Materials

Lithograph

After 50 years of Surrealism The Curse Conquered
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: After 50 Years of Surrealism The Curse Conquered MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 19.75" x 26" YEAR: 1974 FRA...
Category

1970s Surrealist More Prints

Materials

Etching

Exhibition Poster Galerie Gerald Cramer - Lithograph by Joan Mirò - 1969
Located in Roma, IT
Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...
Category

1960s Surrealist More Prints

Materials

Lithograph

Adveniat Regnum Tuum - From "Pater Noster" - Lithograph by Salvador Dalì - 1964
Located in Roma, IT
Adveniat Regnum Tuum - From "Pater Noster" is alithograph made by Salvador Dalì (1904-1989) in 1964. Very Good condition. Dated and signed on plate. Pater Noster Pater Noster is ...
Category

1960s Surrealist More Prints

Materials

Lithograph

THE VISITOR Signed Lithograph, Mini Surreal Landscape Seashell, Mountains, Water
Located in Union City, NJ
THE VISITOR is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Ar...
Category

1990s Surrealist More Prints

Materials

Lithograph

BOOK CIRCLE Signed Lithograph, Mini Surreal Green Landscape, Red Books Mountains
Located in Union City, NJ
BOOK CIRCLE is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arc...
Category

1990s Surrealist More Prints

Materials

Lithograph

Five Continents
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Five Continents MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: Eparte d'Artist H.C. MEASUREMENTS: 18" x 24" YEAR: 1966 FRAMED: Yes 26" x...
Category

1960s Surrealist More Prints

Materials

Lithograph

HIGH TIDE LOW TIDE Signed Lithograph, Mini Seascape, Islands, Beach, Blue Water
Located in Union City, NJ
HIGH TIDE, LOW TIDE is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, both are created using traditional hand lithography techniques print...
Category

1990s Surrealist More Prints

Materials

Lithograph

MOUNTAIN LIFT Signed Lithograph, Mini Surreal Landscape, Lasso Rope, Blue Sky
Located in Union City, NJ
MOUNTAIN LIFT is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan created using traditional hand lithography techniques printed on archival A...
Category

1990s Surrealist More Prints

Materials

Lithograph

TUGBOAT AFLOAT Signed Lithograph, Ship in a Bottle, Seascape, Blue Water
Located in Union City, NJ
TUGBOAT AFLOAT is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, using traditional hand lithography techniques printed on archival Arches p...
Category

1990s Surrealist More Prints

Materials

Lithograph

Apollon, from L'art d'aimer
Located in Washington, DC
Artist: Salvador Dali Title: Apollon Portfolio: L'art d'aimer Medium: Woodcut on Arches Date: 1978 Edition: 79/144 Frame Size: 25 1/4" x 20 3/4" Sheet Size: 22" x 15" Image Size: 11"...
Category

1970s Surrealist More Prints

Materials

Woodcut

Alice in Wonderland
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: ALice in Wonderland MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: F 156/175 MEASUREMENTS: 21.12" x 29.75" YEAR: 1971 FRAMED: No CONDITION...
Category

1970s Surrealist More Prints

Materials

Etching

Exhibition Poster Galerie Gerald Cramer - Lithograph by Joan Mirò - 1969
Located in Roma, IT
Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...
Category

1960s Surrealist More Prints

Materials

Lithograph

Invasion de l'Espace - Lithograph by Man Ray - 1975
Located in Roma, IT
Invasion de l'espace is a vintage print by the American artist and exponent of Dadaism Man Ray (Philadelphia 1890 - Paris 1976). This color lithograph on paper, was edited by the Fr...
Category

1970s Surrealist More Prints

Materials

Lithograph

Femme, Lune, Étoile
Located in New York, NY
A very good impression of this color lithograph. Signed and numbered 26/300 in pencil by Miro. Published by Maeght, Paris, with the blind stamp lower left. Catalogue reference: Mae...
Category

1960s Surrealist More Prints

Materials

Color, Lithograph

Angel of Dada Surrealism, from 1971 Memories of Surrealism
Located in Washington, DC
Artist: Salvador Dali Title: Angel of Dada Surrealism Portfolio: Memories of Surrealism Medium: Etching and photolithograph Date: 1971 Edition: AP XIV/XXV (artist's proof 14/25, asid...
Category

1970s Surrealist More Prints

Materials

Etching, Lithograph

Exhibition Poster Galerie Gerald Cramer - Lithograph by Joan Mirò - 1969
Located in Roma, IT
Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...
Category

1960s Surrealist More Prints

Materials

Lithograph

Marc Chagall - The Candlestick - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
The Candlestick, from Jean Leymarie, Vitraux pour Jérusalem (Jerusalem Windows), André Sauret, Monte Carlo, 1962 (see M. 366-72; see C. books ...
Category

1960s Surrealist More Prints

Materials

Lithograph

Surrealist Portrait of Dali Surrounded by Butterflies, Memories of Surrealism
Located in Washington, DC
Artist: Salvador Dali Title: Surrealist Portrait of Dali Surrounded by Butterflies Portfolio: Memories of Surrealism Medium: Etching and photolithograph Date: 1971 Edition: AP XIV/XX...
Category

1970s Surrealist More Prints

Materials

Lithograph, Etching

Exhibition Poster Galerie Gerald Cramer - Lithograph by Joan Mirò - 1969
Located in Roma, IT
Exhibition Poster Galerie Gerald Cramer is a lithographed poster realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the artis...
Category

1960s Surrealist More Prints

Materials

Lithograph

Surrealist Gastronomy, from 1971 Memories of Surrealism
Located in Washington, DC
Artist: Salvador Dali Title: Surrealist Gastronomy Portfolio: Memories of Surrealism Medium: Etching and photolithograph Date: 1971 Edition: AP XIV/XXV (artist's proof 14/25, aside f...
Category

1970s Surrealist More Prints

Materials

Etching, Lithograph

Marc Chagall - Flowered Clown - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm From Chagall Lithograph II Reference: Mourlot 399 Condition : Excellent Unsigned and unumbered as issued
Category

1960s Surrealist More Prints

Materials

Lithograph

Ultra Surrealist Corpuscular Galutska, from 1971 Memories of Surrealism
Located in Washington, DC
Artist: Salvador Dali Title: Ultra Surrealist Corpuscular Galutska Portfolio: Memories of Surrealism Medium: Etching and photolithograph Date: 1971 Edition: AP XIV/XXV (artist's proo...
Category

1970s Surrealist More Prints

Materials

Etching, Lithograph

Tout se Tient - Lithograph by R.S. Matta - 1975
Located in Roma, IT
T'ou't se tient is a print realized by the Chilean artist Roberto Sebastian Matta (1911-2002). This color lithograph on wove paper, was edited by the French magazine "XXe Siécle",...
Category

1970s Surrealist More Prints

Materials

Lithograph

Marc Chagall - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...
Category

1960s Surrealist More Prints

Materials

Lithograph

Surrealist Crutches, from 1971 Memories of Surrealism
Located in Washington, DC
Artist: Salvador Dali Title: Surrealist Crutches Portfolio: Memories of Surrealism Medium: Etching and photolithograph Date: 1971 Edition: AP XIV/XXV (artist's proof 14/25, aside fro...
Category

1970s Surrealist More Prints

Materials

Etching, Lithograph

Marc Chagall - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...
Category

1960s Surrealist More Prints

Materials

Lithograph

Marc Chagall - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...
Category

1960s Surrealist More Prints

Materials

Lithograph

Exhibition Poster Galerie Gerald Cramer - Lithograph by Joan Mirò - 1969
Located in Roma, IT
Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...
Category

1960s Surrealist More Prints

Materials

Lithograph

Marc Chagall - Inspiration - Original Lithograph from "Chagall Lithographe" v. 2
Located in Collonge Bellerive, Geneve, CH
Marc Chagall Original Lithograph from Chagall Lithographe 1957-1962. VOLUME II. 1963 Dimensions: 32 x 24 cm From the unsigned edition of 10000 copies without margins Reference: Mourlot 398 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...
Category

1960s Surrealist More Prints

Materials

Lithograph

Marc Chagall - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...
Category

1960s Surrealist More Prints

Materials

Lithograph

Dressed in the Nude in a Surrealist Fashion, from 1971 Memories of Surrealism
Located in Washington, DC
Artist: Salvador Dali Title: Dressed in the Nude in a Surrealist Fashion Portfolio: Memories of Surrealism Medium: Etching and photolithograph Date: 1971 Edition: AP XIV/XXV (artist'...
Category

1970s Surrealist More Prints

Materials

Etching, Lithograph

Salvador Dali “Moses Saved from the Waters” Lithograph, Signed Edition
Located in Lake Worth Beach, FL
Additional Information: Lithograph with etching, fully titled “Moses Saved from the Waters,” is from the “Moses and Monotheism” suite published by the Salvador Dali Archives. Provena...
Category

1970s Surrealist More Prints

Materials

Lithograph

Festival Piranesi
Located in Ciudad De México, MX
Libro de artista impreso con tintas pigmentadas y barniz en serigrafía. Encuadernado tipo acordeón con doble vista
Category

21st Century and Contemporary Surrealist More Prints

Materials

Digital Pigment

L'Ange de la Melancolie from the Aurelia Suite (Angel of Melancholy)
Located in Hollywood, FL
Artist: Salvador Dali Title: L'Ange de la Melancolie from the Aurelia Suite (Angel of Melancholy) Size: 56 x 76 cm (22 x 30 Inches) Medium: Etching Edition: 168 of 175 Year: ...
Category

1970s Surrealist More Prints

Materials

Etching

Notes pour la Nouvelle Justine - Etching by Hans Bellmer - 1968
Located in Roma, IT
Notes pour la Nouvelle Justine is a contemporary artwork realized by Hans Bellmer. Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Co...
Category

1960s Surrealist More Prints

Materials

Paper, Etching

Les Amours Jaunes Good Fortune and Fortune
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Les Amours Jaunes Good Fortune & Fortune MEDIUM: Etching + Gold Flakes SIGNED: Hand Signed EDITION NUMBER: CLXII/CC MEASUREMENTS: 11" x 14.75" Fra...
Category

1970s Surrealist More Prints

Materials

Etching

Les Infortunes de la Vertu - Etching by Hans Bellmer - 1968
Located in Roma, IT
Les Infortunes de la Vertu is a modern artwork realized by Hans Bellmer. Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Véli...
Category

1960s Surrealist More Prints

Materials

Paper, Etching

Time Stillness of Time
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Time Stillness of Time MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine, New York EDITION NUMBER: ...
Category

1970s Surrealist More Prints

Materials

Lithograph

Les 120 Journées de Sodome - Etching by Hans Bellmer - 1968
Located in Roma, IT
Les 120 Journées de Sodome is a contemporary artwork by Hans Bellmer. Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on vélin d...
Category

1960s Surrealist More Prints

Materials

Paper, Etching

Juliette ou les Prospérités du Vice - Etching by Hans Bellmer - 1968
Located in Roma, IT
Juliette ou les Prospérités du Vice is a contemporary artwork realized by Hans Bellmer. Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968...
Category

1960s Surrealist More Prints

Materials

Paper, Etching

Act V, Scene III - From “Romeo and Juliet” - Lithograph-1975
Located in Roma, IT
Act V, Scene III - From “Romeo and Juliet”  is an artwork realized  in 1975. Mixed colored lithograph. Signed and dated in plate on the lower  margin. Perfect conditions. The artw...
Category

1970s Surrealist More Prints

Materials

Lithograph

La divine comédie Purgatoire 33 Dante purifié by Salvador Dali - Print multiple
Located in Geneva, CH
Color engraving on wood from the Dali's portfolio " The Divin Comedy" Lithograph without numbering Framed. Total size with frame 30x38 cm In perfect condition
Category

1960s Surrealist More Prints

Materials

Engraving, Lithograph

Act II, Scene VI - From “Romeo and Juliet” - Lithograph - 1975
Located in Roma, IT
Act II, Scene VI - From “Romeo and Juliet”  is an artwork realized in 1975. Mixed colored lithograph. Signed and dated in plate on the left right  margin. Perfect conditions. The ...
Category

1970s Surrealist More Prints

Materials

Lithograph

Exhibition Poster Galerie Gerald Cramer - Lithograph by Joan Mirò - 1969
Located in Roma, IT
Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...
Category

1960s Surrealist More Prints

Materials

Lithograph

After 50 Years of Surrealism The Grand Inquisitor Expels The Savior
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: After 50 Years of Surrealism The Grand Inquisitor Expels The Savior MEDIUM: Etching SIGNE...
Category

1970s Surrealist More Prints

Materials

Etching

Surrealist more prints for sale on 1stDibs.

Find a wide variety of authentic Surrealist more prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add more prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, pink, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Salvador Dalí, Marc Chagall, Ralph Steadman, and André Masson. Frequently made by artists working with Lithograph, and Digital Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Surrealist more prints, so small editions measuring 3.15 inches across are also available. Prices for more prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $55 and tops out at $50,000, while the average work sells for $888.

Recently Viewed

View All