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Rafael Canogar
RAFAEL CANOGAR: Figura en paisaje - Lithograph on paper Spanish conceptualism

1975

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    ALL THE FUNDS RECEIVED FROM THE SALE OF THIS WORK WILL BE DONATED TO CEAR NGO. Juan Genovés - ÉXODO (EXODUS) Date of creation: 2006 Medium: Giclée on BFK Rives paper Edition: 150 Si...
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  • Dario Villalba - UNTITLED 2 Limited Conceptualism Spanish Contemporary Grey
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    Dario Villalba - Untitled 2 Date of creation: 1975 Medium: Lithograph and photolithograph on paper Edition: 75 Size: 95 x 68 cm Condition: In mint conditions and not framed Observati...
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    1970s Conceptual Abstract Prints

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  • Dario Villalba UNTITLED 3 Limited Conceptualism Spanish Contemporary Grey Woman
    By Dario Villalba
    Located in Madrid, Madrid
    Dario Villalba - UNTITLED 3 Date of creation: 1975 Medium: Lithograph and photolithograph on Paper Edition: 75 Size: 95 x 68 cm Condition: In mint conditions and never framed Observa...
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    1970s Conceptual Abstract Prints

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  • Dario Villalba UNTITLED 5 Limited Conceptualism Spanish Contemporary Grey Woman
    By Dario Villalba
    Located in Madrid, Madrid
    Dario Villalba - UNTITLED 5 Date of creation: 1975 Medium: Lithograph and photolithograph on paper Edition: 75 Size: 95 x 68 cm Condition: In mint conditions and never framed Observa...
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    1970s Conceptual Abstract Prints

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    Archival Paper, Lithograph

  • Dario Villalba UNTITLED 4 Limited Conceptualism Spanish Contemporary Grey Woman
    By Dario Villalba
    Located in Madrid, Madrid
    Dario Villalba - UNTITLED 4 Date of creation: 1975 Medium: Lithograph and photolithograph on paper Edition: 75 Size: 95 x 68 cm Condition: In mint conditions and never framed Observa...
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  • Andrés Nagel - UNTITLED 5 Etching & Collage Spanish Contemporary Conceptualism
    Located in Madrid, Madrid
    Andrés Nagel - UNTITLED 5 Date of creation: 1991 Medium: Etching and collage on Paper Edition: 75 Size: 98 x 69 cm Condition: In very good conditions and never framed Observations: Etching and collage on paper signed by the artist and numbered edition of 75. Andrés Nagel belongs to that generation of Spanish artists that revolted against the abstraction and informalism, dominant in the exhibitions at museums and galleries during the 60s. Nagel's success is, without any doubt, due to his intrinsic honesty. The artist has always been loyal to his own particular style, no matter the artistic trend of the moment. ABOUT THE ARTIST Andrés Nagel Tejada is a Spanish painter, sculptor and printmaker born in San Sebastian in 1947. Nagel completed his studies in architecture in 1972 in Pamplona. During this time as a student he began to work in engraving techniques. Since then he starts to travel to other European countries and the north of Africa. The Spanish scene at that time was dominated by abstraction and already had international recognition thanks to artists such as Chillida and Tapies, but Andres Nagel, who didn't feel identified with these trends did tune with the artistic movements that found in other countries such as Italy, Switzerland and Germany and soon opted for figurative art. A controversial artist, he rose to prominence with some of his works at the beginning of his career. In the mid 70's Nagel started to show his works in many exhibitions, both collectively and individually. Noteworthy among these events, his participation in the exhibition "New Spanish Painting" on Hastings Gallery in New York that introduced him to the American public. In 1978 also participates in a very important exhibition that pays tribute to the work of Joan Miró in Mallorca. During the 80's the artist works in numerous international exhibitions in cities like Varna, Dortmund, Bonn, Basel or Baghdad. In 1988 the Museum of Fine Arts in Bilbao exhibits the graphic work of Nagel, in this show a catalogue raisonné is edited. In 1989 he began his collaboration with the gallery Tasende California and participates in many American art fairs. Thereafter Andrés Nagel travels the world and his work is present in several countries including Mexico, Japan, Singapore, China, France, Canada, Germany or Italy. In 2003 Nagel inaugurates in Amorebieta (Vizcaya) a bronze sculpture of eight meters high that he entitles "La patata" (the potato). Unparalleled defender of the intellectual property, the transfer of this work for urban reasons is considered by Nagel as an insult to his work, leading him to sue the city council. In 2009 re-litigated against a porcelain company that, according to the artist, plagiarizes his designs and get benefits from them without his consent. Andrés Nagel's work can be defined within the postmodern figuration...
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