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Stow Wengenroth
MY HOUSE - ROCKPORT, MA

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  • ARCH NO. 1
    By Stuart Davis
    Located in Portland, ME
    Davis, Stuart. ARCH NO. 1. Lithograph, 1929. Edition of 30. Numbered "23/30" and signed in pencil. 8 3/4 x 13 inches, 225 x 275 mm. In excellent condition.
    Category

    American Modern Landscape Prints

    Materials

    Lithograph

  • THE VICTORIA CLOCK TOWER, LONDON
    By Félix Hilaire Buhot
    Located in Portland, ME
    Buhot, Felix. THE VICTORIA CLOCK TOWER, LONDON. BG 184. Lithograph, 1892. 9 x 6 3/8 inches; 230 x 163 mm., image; sheet 15 x 11 inches; 381 x 279 mm. Signed in the stone "Felix Buhot...
    Category

    1890s Landscape Prints

    Materials

    Lithograph

  • QUIET POND, MONHEGAN, MAINE
    By Stow Wengenroth
    Located in Portland, ME
    Wengenroth, Stow. QUIET POND MONHEGAN, MAINE. BPL 154. Lithograph, 1946. Edition of 85. Inscribed "Ed/85" and signed in pencil. 10 3/16 x 15 7/16 inches (image). Handsomely framed by...
    Category

    1940s Landscape Prints

    Materials

    Lithograph

  • ARC EN CIEL (RAINBOW)
    By Henri Riviere
    Located in Portland, ME
    Riviere, Henri. ARC EN CIEL (RAINBOW). Lithograph in colors, 1901. Plate 3 from the suite "La Feerie Des Heures." Signed within the printed image. 9 1/2 x...
    Category

    Early 1900s Landscape Prints

    Materials

    Lithograph

  • THE HOME PLACE
    By Merritt Mauzey
    Located in Portland, ME
    Mauzey, Merritt. THE HOME PLACE. Lithograph with handcoloring, c. 1940. Edition size not known. 9 1/4 x 14 5/8 inches, 235 x 370mm. In excellent condition.
    Category

    1940s Landscape Prints

    Materials

    Color, Lithograph

  • THE LETTER Q AS BEACH HOUSE, WITH SAILBOAT
    By Claes Oldenburg
    Located in Portland, ME
    Oldenburg, Claes. THE LETTER Q AS BEACH HOUSE, WITH SAILBOAT. Axsom 96, Gemini 416. Lithograph in fifteen colors, 1972. Edition of 100, plus 12 artist's proofs and 19 other proofs. Initialed and numbered 36/100 in pencil. Printed and published by Gemini G.E.L., Los Angeles, with its blindstamp, and with its ink stamp, verso. 39 x 29 1/2 inches, 990 x 749 mm. (sheet). Printed from aluminum plates on Arjomari paper by Ken Tyler...
    Category

    1970s Landscape Prints

    Materials

    Lithograph

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  • Approach of the Simoon, Desert of Gizeh: 19th C. Hand-colored Roberts Lithograph
    By David Roberts
    Located in Alamo, CA
    This is an original 19th century hand-colored lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is the most famous and collectible of David Roberts' works, entitled "Approach of the Simoon, Desert of Gizeh". The scene captures the dramatic moment when a fierce sandstorm, known as a simoon, approaches a caravan traveling through the desert of Gizeh in Egypt. The scene is filled with swirling clouds of sand, which obscure the figures of the travelers and their camels. The sky is dark and ominous, with lightning bolts striking the ground in the distance. The figures in the foreground appear to be huddling together for protection, while one man in the center struggles to keep his turban from being blown away. Roberts' lithograph is particularly striking for its attention to detail and its use of light and shadow to create a sense of depth and atmosphere. The figures and camels in the foreground are rendered with great precision, while the distant landscape and stormy sky are suggested with broad, sweeping strokes. Overall, "Approach of the Simoon, Desert of Gizeh" is a powerful and evocative image of the harsh realities of life in the desert, and a testament to David Roberts' skill as an artist. This is the most well known and sought-after of all Roberts prints, as well as the most difficult to find and hence most expensive. This hand-colored lithograph is printed on wove paper with wide margins. The print is in excellent condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV conservation glass. All framing materials used are archival museum quality. The frame measures 23.75" high and 29" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Petra and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211969422 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
    Category

    Mid-19th Century Realist Landscape Prints

    Materials

    Lithograph

  • Thebes, Egypt: A Framed 19th Century Hand-colored Lithograph by David Roberts
    By David Roberts
    Located in Alamo, CA
    "Medinet Abou, Thebes" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon ...
    Category

    1840s Realist Landscape Prints

    Materials

    Lithograph

  • Mothu et Doria: A 19th C. Lithograph from Les Maitres de l'Affiche by Steinlen
    By Théophile Alexandre Steinlen
    Located in Alamo, CA
    This is a framed 19th century color lithograph entitled "Mothu et Doria" created by Theophile Alexandre Steinlen and published between 1896 and 1899 in Paris, France by Jules Cheret in his famous series of miniature colored stone lithographs of popular Belle Epoch posters...
    Category

    Late 19th Century Landscape Prints

    Materials

    Lithograph

  • "Esquimaux Dog": An Original 19th C. Audubon Hand-colored Quadruped Lithograph
    By John James Audubon
    Located in Alamo, CA
    This is an original John James Audubon hand-colored royal octavo lithograph entitled "Esquimaux Dog", No. 23, Plate CXIII, from Audubon's "Quadrupeds of North America". It was drawn ...
    Category

    Mid-19th Century Naturalistic Animal Prints

    Materials

    Lithograph

  • Yarrell's Wood-star Hummingbirds: A 19th Century Hand-Colored Gould Lithograph
    By John Gould and Henry Constantine Richter
    Located in Alamo, CA
    This is a hand-colored folio sized lithograph entitled "Calothorax Yarrelli", Yarrell's Wood-star Hummingbirds by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three green, white, grey, and a little blue colored hummingbirds amid green cactus plants with white and pink colored flowers. The hummingbirds are augmented by gum-arabic paint, which gives them an iridescent appearance in areas in which it is used. This beautiful Gould hand-colored hummingbird lithograph is in excellent condition. The original descriptive text page from Gould's 19th century publication is included. There are several other unframed Gould hummingbird...
    Category

    Mid-19th Century Naturalistic Animal Prints

    Materials

    Lithograph

  • Eagle or Horned Owl: A Framed Original 19th C. Hand-colored Lithograph by Gould
    By John Gould and Henry Constantine Richter
    Located in Alamo, CA
    This is a framed original 19th century hand-colored folio-sized lithograph entitled “Bubo Maximus" (Great Horned or Eagle Owl) by John Gould, from the supplement to his "Birds of Gre...
    Category

    Mid-19th Century Naturalistic Animal Prints

    Materials

    Lithograph

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