Mr. P. Manguin

Private Architecture in 19th Century, Parisian Suburban Villa Floor Plan

19th Century

Twentieth century etching by artist Paul Sollmann depicting a hut in a forest (maybe Germany). Signed "Paul Sollmann-Coburg" in the bottom right corner. ...

A. R. & Cie. Catalog from 1920's. Modern art deco furniture setup numbered Plate 17. Signed Paris, France in the bottom left corner and dated...

Modern art deco promotional poster by artist and illustrator Leonetto Cappiello. The work features a man using Nitrolian paint to paint a set of stairs as a woman walks down. The pa...

Engraving from a book titled, "The Gentleman and Cabinet-Maker's Director" printed in 1753. Thomas Chippendale was the designer and Mary and Matthew Darly...

Known for addressing difficult issues, this lithograph by Sue Coe tackles the difficult subject of rape culture. It is numbered in the lower left corner and signed and dated in the l...

Colored woodblock print by San Antonio, Texas artist Richard Conn. Red, blue, yellow, and white print depicting a still life of pastries within a patterne...

Trees. 2016. Paper, etching, 2/5, 29x40 cm

Print on canvas with lotuses “STRENGTH. REBIRTH. PURIFY” in realism, which was painted by the artist Maria Matveyeva. The print size is 50x50cm plus ...

Charming drypoint etching of a series of three arched interior doorways by Susan Varjavand (American, 1941-2018). Numbered, titled, and signed ("13/20 Whisperings at a Cross Point Susan Varjavand") along the bottom edge. Presented in a new cream mat. No frame. Image size: 14"H x 11"W Susan Varjavand (American, 1941-2018) was an artist from San Francisco, California. She studied with Patricia Pearce (American, b. 1948) while at the College of San Mateo, as well as with Richard Bowman (American, 1918-2001) and Alan May...

York Avenue, Sunday Morning. 1939. Drypoint. Kraeft 78. 7 3/4 x 12 7/8 (sheet 8 x 12). Edition 100. Provenance: Estate of David Llewellyn Reese, New York. ...

Mytton Hall. 1859. Etching and drypoint. Schneiderman catalog 19 state .iii/v. 4 13/16 x 10 5/16 (sheet 5 3/4 x 10 15/16). As published in Études à l'eau-forte XXIV. Illustrated: Guichard, British Etchers, 1850-1940. An extremely rich impression printed on fine laid paper. Signed in the plate. Housed in a 16 x 20-inch archival mat. Mytton Hall is a fifteenth century mansion house situated on the River Ribble, at Whalley near Blackburn, Lancashire. Haden used to stay there when he went salmon fishing. R. Gutekunst, the dealer who inherited the rights to sell all of Francis Seymour Haden's remaining prints upon his death, noted on the front of his catalogue in July 1911: "It may be useful to add that those impressions of Sir Seymour Haden's early and rare etchings, which were published in portfolio form in Paris in 1865-66, under the title Études à l'eau-forte have, with the exception of one or two sets, never been signed in autograph by Sir Seymour, and do not, of course, bear any stamp of any kind." Although Gutekunst had impressions of the majority of Haden's works for sale, he had no remaining impressions of Mytton Hall. Henry Taylor...

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...