Howard Behrens

Las Brisas I, Howard Behrens

1994

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

Lithograph on vélin du Lana Papiers Spéciaux paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Signac Dessins, 1950. Published by George...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

"The Covered Wagon" On the Oregon Trail Prairie Schooner and Cattle Facsimile in oil or silk screen Oil print by Gilbert Ross Tonge (American, 1883 - 1970...

Vibrant screen print of people gathering around a pond by Jane Leddy (American, 1925-2019). People and various animals - including goats, ducks, and cows - ...

"Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed Rare and bold Screen Print (Silk Screen) of Fisherman's Wharf 1957 by Gordon Cope (American, 1906-1999). Several boats are docked at Fisherman's Wharf, with buildings directly behind them. In the distance, the hills of San Francisco can be seen meeting a pale blue sky. Of particular note is the skillful representation of the reflections of the boats in the water, and the clever use of grey paper as negative space. Numbered and titled in pencil in the lower left corner "22/100 Fisherman's Wharf - San Francisco" Hand signed and dated in pencil in the lower right corner "Gordon Cope 1957" Titled, signed, and dated "in plate" Presented in a silver colored frame with a double mat. Frame size: 22.5"H x 27"W Image size: 15"H x 20"W Gordon N. Cope (American, 1906-1999) was an educator and painter. Trained in Utah and France, he exhibited his landscape paintings and portraits in the United States and Europe, and he believed music was related to painting. Cope was born on May 14, 1906, in Salt Lake City. He was trained by Utahn artists LeConte Stewart and Lawrence Squires, and at the Académie Julian in Paris, France in 1928. He also studied singing at the Opéra-Comique. Cope taught art at Latter-day Saints University, and he served as the chair of its Department of Art in 1930–1931. He taught at the Mountain School of Art from 1932 to 1938, and he was the director of the Art Barn School in Salt Lake City in 1939–1941. Cope painted Utahn landscapes as well as a portrait of Henry H. Blood, who served as the seventh governor of Utah from 1933 to 1941. Cope exhibited his work in the United States and Europe. According to the Deseret News, Cope "felt that music and painting are closely interrelated, and that the study of one form may be used to complement the appreciation and understanding of the other." Cope died on June 10, 1999, in San Francisco, California. Gordon Nicholson Cope studied with well-known Utah artists A.B. Wright and LeConte Stewart, and became recognized as a major Utah artist of the Great Depression. Cope was born in Salt Lake City in 1906 and spent much of his life in Utah. Cope gained much of his artistic training from diverse environments and influences. Following his training with the previously mentioned artists, Cope spent the next year, 1924, working with Lawrence Squires in Arizona. To expand his knowledge and training, Cope traveled to Europe, where he studied the "old masters" such as Da Vinci, Michelangelo, and Raphael. From 1924 to 1928, Cope studied in England, France, Italy, Switzerland, Belgium, Holland, and worked for a year at the Acadamie Julian, where many early Utah artists...

Lost Shadow by Chase Chen Chenoff, Chinese/American (1964) Date: circa 1990 Screenprint, signed and numbered in pencil Edition of EA 55 Size: 37.5 in. x 45 in. (95.25 cm x 114.3 cm)

This artwork titled "The Wharf" c.1980 is an original color serigraph by American artist Filastro (Fil) Mottola, 1915-2008. It is hand signed, titled and numbered 19/450 in pencil by...

This artwork titled "Cherish One" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 3...