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Gene Kloss
RAIN OVER WIDE LANDS

1960

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  • UNE JETEE EN ANGLETERRE
    By Félix Hilaire Buhot
    Located in Portland, ME
    Buhot, Felix (French, 1847-1898). UNE JETEE EN ANGLETERRE. B & G 132, State two of eight. Etching with drypoint, aquatint and roulette, 1879. Signed in pencil, and with the red owl...
    Category

    1870s Landscape Prints

    Materials

    Drypoint, Etching, Aquatint

  • SUGAR MAPLES
    By Chauncey Foster Ryder
    Located in Portland, ME
    Ryder, Chauncey. SUGAR MAPLES. Etching & Drypoint, c. 1920. Edition size not known. Signed and titled in pencil. 9 7/8 x 11 3/4 inches, 256 x 300 mm. In excellent condition except fo...
    Category

    1920s Landscape Prints

    Materials

    Drypoint, Etching

  • WINDSWEPT TREES
    By Chauncey Foster Ryder
    Located in Portland, ME
    Ryder, Chauncey. WINDSWEPT TREES. Etching & Drypoint, c. 1920. Edition size not known. Signed and titled in pencil. 8 7/8 x 11 7/8 inches, 225 x 302 mm. In excellent condition except...
    Category

    1920s Landscape Prints

    Materials

    Drypoint, Etching

  • LE PONT AU CHANGE
    By Charles Meryon
    Located in Portland, ME
    Meryon, Charles. LE PONT AU CHANGE. S.40(v), DW.34. Etching with drypoint, 1854. Fifth State of twelve, with the inscriptions in cursive, "C. Meryon del. sculp. mdcccliiii," lower l...
    Category

    1850s Realist Landscape Prints

    Materials

    Drypoint, Etching

  • NOCTURNE: PALACES
    By James Abbott McNeill Whistler (circle)
    Located in Portland, ME
    Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with platetone, 1879-80. From the Second Venice Set. Signed on the tab with the butterfly in pencil. Printed in sepia on laid paper with no visible watermark. Trimmed just outside the platemark, leaving the tab. In excellent condition. As with all of the Whistler Nocturnes, each impressions of this print is different, dependng on how Whistler wiped and manipulated the platetone. 11 5/8 x 7 7/8 inches (plate and sheet, plus the tab). Framed to 20 x 16 inches. Provenance: Collection of Thomas Jefferson Coolidge, Jr. with his collection stamp (Lugt 1429) verso; Kennedy Galleries, with its inventory number a65609 in pencil verso, and with another inscription, "FWCX" in pencil, verso. Thomas Jefferson Coolidge, 1831-1920, was a great-grandson of Thomas Jefferson, a powerful Boston businessman, and an Ambassador to France. In 1875 he became the manager of the largest textile mill in America, the Amoskeag Mill in Manchester New Hampshire, and had major financial interests in the textile, banking, railroad, publishing and electrical industries. In 1880 he became the President of the Atchison, Topeka & Santa Fe Railway. He was one of the founders of the United Fruit Company...
    Category

    1870s Landscape Prints

    Materials

    Drypoint, Etching

  • WINTERSONNE
    By Erich Heckel
    Located in Portland, ME
    Heckel, Erich (German, 1883-1970). WINTERSONNE. Dube 318. Drypoint, 1913. Edition size not known. Signed and dated "Heckel 1913" in pencil. Printed on heavy wove paper. 4 3/4 x 6 1/...
    Category

    1910s Landscape Prints

    Materials

    Drypoint, Woodcut

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  • Charing Cross - The Statue of Charles I.
    By William Walcot R. E. Hon. R. I. B. A.
    Located in Storrs, CT
    Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil. Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
    Category

    Early 20th Century Modern Landscape Prints

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    Drypoint, Etching, Aquatint

  • Dark Hill River
    By Wayne Thiebaud
    Located in Palo Alto, CA
    The Sacramento River deltas and levees near Thiebaud’s studio became a source of inspiration starting in the mid-1990s where he would sketch en plein air and then work combined ideas...
    Category

    Early 2000s Modern Landscape Prints

    Materials

    Engraving, Drypoint, Aquatint

  • Hill River
    By Wayne Thiebaud
    Located in Palo Alto, CA
    Created in 2002, this Wayne Thiebaud Hill River, 2002 drypoint and aquatint in color on wove paper is hand signed by Wayne Thiebaud (Mesa, 1920 - Sacramento, 2021) in pencil in the l...
    Category

    Early 2000s Modern Landscape Prints

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    Drypoint, Aquatint

  • Loading Barges on the Thames
    By William Walcot R. E. Hon. R. I. B. A.
    Located in Storrs, CT
    Loading Barges on the Thames. 1922. Etching with drypoint and aquatint. Dickins 72. 4 5/8 x 13 1/8 (sheet 9 3/8 x 15 1/2). Series: The Arteries of Great Britain. Edition 425. A fine proof with tonal wiping, printed on 'J. Whatman' wove paper. Signed in pencil. The complete set of The Arteries of Great Britain includes The Thames, The Tyne, The Forth, The Clyde, and The Mersey. Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford, and Rome. The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing. Opened in 1890, the Forth Bridge...
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    Early 20th Century Modern Landscape Prints

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  • The First Wooden Temple of Jupiter
    By William Walcot R. E. Hon. R. I. B. A.
    Located in Storrs, CT
    The First Wooden Temple of Jupiter or Restoration of one of the first Temples of Jupiter Capitolinus, Rome.Dickins 47. 5 1/8 x 7 1/8 (sheet 9 3/16 x 11 5...
    Category

    Early 20th Century Modern Landscape Prints

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    Drypoint, Etching, Aquatint

  • The Tyne
    By William Walcot R. E. Hon. R. I. B. A.
    Located in Storrs, CT
    The Tyne. 1922. Etching and drypoint. Dickins 73. 5 7/8 x 7 7/8 (sheet 9 3/4 x 12 1/2). Series: The Arteries of Great Britain. Edition 425. A fine proof with tonal wiping and more of a sepia coloring, printed on "J.Green & Son' cream-wove paper. Signed in pencil. The image looks down on the open Swing Bridge, from the High-Level Bridge, Newcastle upon Tyne. The boats carry timber and coal. The complete set of The Arteries of Great Britain includes The Thames, The Tyne, The Forth, The Clyde, and The Mersey. Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford and Rome. The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing. Opened in 1890, the Forth Bridge...
    Category

    Early 20th Century Modern Landscape Prints

    Materials

    Drypoint, Etching, Aquatint

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