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Edmund Blampied
Misty Morning.

1928-29.

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  • Through the Storm.
    By Edmund Blampied
    Located in Storrs, CT
    Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...
    Category

    1920s Modern Animal Prints

    Materials

    Drypoint, Etching

  • Lumbermen.
    By Edmund Blampied
    Located in Storrs, CT
    Lumbermen. 1923. Etching. Appleby 91. 9 x 12 (sheet 12 3/8 x 18 1/8). Edition 100. A cleanly-wiped impression printed on off-white 'FG Head & Co' laid paper with full margins. Signed...
    Category

    1920s Modern Landscape Prints

    Materials

    Drypoint, Etching

    Lumbermen.
    $500 Sale Price
    33% Off
  • Ostend Horse
    By Edmund Blampied
    Located in Storrs, CT
    Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
    Category

    1920s Modern Animal Prints

    Materials

    Drypoint, Etching

  • Misty Morning.
    By Edmund Blampied
    Located in Storrs, CT
    Misty Morning. 1928-29. Drypoint. Appleby 137. 8 5/8 x 12 (sheet 11 5/8 x 18 1/16). Edition 100, #86. A rich impression with drypoint burr. Printed with ...
    Category

    1920s Modern Landscape Prints

    Materials

    Drypoint, Etching

  • The Vraic Season (No 1).
    By Edmund Blampied
    Located in Storrs, CT
    The Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors (alternatively titled Seaweed H...
    Category

    1930s Modern Landscape Prints

    Materials

    Drypoint, Etching

  • Landscape with Horses.
    By James Abbott McNeill Whistler
    Located in Storrs, CT
    Kennedy catalog 36 state ii; Glasgow 45 state ii. Image: 4 7/8 x 7 3/4 (sheet 6 7/8 x 9 5/8).The Glasgow catalog records 32 known impressions. A scarce early etching -- there was no ...
    Category

    Mid-19th Century American Impressionist Landscape Prints

    Materials

    Drypoint, Etching

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    Beautiful proof on vergé crème, signed by the artist in pencil. Full margins. Ex-coll. H.H. Benedict (Lugt 1298). Ref. Cat. Harrington 221; Schneiderman 208.
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    Sharon Augusta Mitchell created this vividly colored image of five toucans with bright yellow bills set against a background of green tropical ferns and bright orange flowers. The im...
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    An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine. Hand signed in pencil and hand numbered. Limited edition in Roman numerals. Image size: 22.5" x 15.5". Sheet size is about 31 X 23 inches Le Bestiaire de la Fontaine Dalinisé, Robert Mouret, Editiones des Maîtres Contemporains, Paris, 1974 (M. & L. 653-664) (Reference: Albert Field, page 93 image 74-1F.) signed and numbered intaglio drypoints with pochoir in colors, hors-texte, on Arches, there were also editions of 250 on Japon and 120 on Auvergne numbered in Roman numerals. Salvador Dali (Spanish, 1904-1989 )is considered as the greatest original artist of the surrealist art movement and one of the greatest masters of art of the twentieth century. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. Surreal Art In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous - the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...
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  • A. Schultz, Riders in Central Park (New York City)
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    Such an innovative image on the classic 'Riders in the Park' theme! Further, the use of drypoint and the rather direct -- even aggressive -- drawing style, bring it into the German E...
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  • "Dialogue to the Wind" - Intaglio Print by Tomoya Uchida
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    "Dialogue to the Wind" by Tomoya Uchida (American, 20th Century). Plant matter swirls in the air above a minimalist landscape. In the foreground, two bees have landed on a housekey. The sky is subtly textured, creating the impression of passing gusts of wind. Titled "Dialogue to the Wind" along the bottom edge. Signed and dated "T. Uchida - 89" in the lower right corner. Presented in a new light grey mat with foamcore backing. Mat size: 22"H x 17"W Paper size: 19.75"H x 13"W Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
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