“Life in the Woods Returning to Camp” 19th Century Hand Colored Lithograph
Want more images or videos?
Request additional images or videos from the seller
1 of 13
Currier and Ives“Life in the Woods Returning to Camp” 19th Century Hand Colored Lithograph1860
1860
About the Item
- Creator:
- Creation Year:1860
- Dimensions:Height: 32.5 in (82.55 cm)Width: 39 in (99.06 cm)Depth: 1.375 in (3.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Wear consistent with age.
- Gallery Location:Houston, TX
- Reference Number:Seller: A2021.0609.27681stDibs: LU55138290952
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1969
1stDibs seller since 2014
775 sales on 1stDibs
Typical response time: 5 hours
More From This SellerView All
- "Le Grand Staircase" Modern Abstract Lithograph Edition 25/50By Suzanne RunacherLocated in Houston, TXAbstract lithograph of a staircase. The work is signed and editioned by the artist in pencil. It is framed in a unique wooden frame. Dimensions Without Frame: H 30 in x W 24 in. Ar...Category
20th Century Naturalistic Landscape Prints
MaterialsLithograph
- "Trees in Snow" Black and White Winter Landscape Lithograph 2/10Located in Houston, TXBlack and white winter landscape lithograph by Paula Nelson who was the curator for the Woodstock School of Art Gallery. The piece is signed, titled, and ...Category
20th Century Naturalistic Landscape Prints
MaterialsLithograph
- "Under the Street Lamp" Imp. EtchingBy Martin LewisLocated in Houston, TXCopperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...Category
1920s Naturalistic Figurative Prints
MaterialsEtching, Laid Paper
- "BaitHouse" Seascape Landscape Etching Signed Anderson Edition 8/10Located in Houston, TXEtching of a seascape with a boat house and boats. The peice is titled, signed, dated, and editioned in pencil by the artist. The etching is framed in a wooden frame with a white mat...Category
1960s Naturalistic Landscape Prints
MaterialsEtching
- Two Landscape Print StudiesBy Carol GrayLocated in Houston, TXTwo prints of landscape studies framed in a single frame together. Images are signed by the artist in the lower right corner. Framed in a gold frame with a purple matte. Artist Bio...Category
Late 20th Century Impressionist Landscape Prints
MaterialsLithograph
- "The Cove" Abstract Landscape of a Desert with Mother and Child LithographLocated in Houston, TXGray toned abstract landscape of a desert with mother and child walking by coves. Original print is at the Portland Art Museum collections. Signed and titled by the artist. Framed and matted in a black wooden frame. Dimensions Without Frame: H 12 x W 17.38 Artist Biography: William Givler was one of the most influential artists and teachers in Oregon. He devoted forty-two years to the Museum Art School, beginning in 1931 as an instructor, interrupted by service as a forester during World War II, and then as dean from 1944 until his retirement in 1973. He established the four-year degree program and secured accreditation for the school. In 1949 Givler inaugurated the first Print Annual at the Portland Art Museum. In 1953 Givler, Carl Hall, and two Washington artists exhibited in a four-person show at the Seattle Art Museum. He had many one-person shows throughout the United States during his long career: Seattle Art Museum, Portland Art Museum, Santa Barbara Museum of Art, University of Virginia, and others. In 1959 Givler painted an oil, Mt. Hood, for Timberline Lodge...Category
1950s Abstract Landscape Prints
MaterialsLithograph, Graphite
You May Also Like
- Geneva, Port de la Treille - Lithograph by A. Fontanesi - 1854By Antonio FontanesiLocated in Roma, ITCity of Geneva is an original lithograph, realized by Antonio Fantanesi, hand-signed. Image Dimension: 20.5 x15.5 cm Included a Passepartout. In good conditions. Here the artwor...Category
1850s Naturalistic Figurative Prints
MaterialsLithograph
- Geneva, Cour Du Collège - Lithograph by A. Fontanesi - 1854By Antonio FontanesiLocated in Roma, ITThis splendid lithograph Interieur de Geneve. Cour Du Collège is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Font...Category
1850s Naturalistic Figurative Prints
MaterialsLithograph
- Nature - Original Lithograph - 19th CenturyLocated in Roma, ITNature is an original lithograph realized by an Italian artist in the 19th Century. Signed on the lower right but illegible. Good conditions but aged with diffused foxings. The ar...Category
19th Century Naturalistic Landscape Prints
MaterialsLithograph
- Nature - Original Lithograph - 19th CenturyLocated in Roma, ITNature is an original lithograph realized by an Italian artist in the 19th century. Signed on the lower right but illegible. Good conditions but aged with diffused foxings. The ar...Category
19th Century Naturalistic Landscape Prints
MaterialsLithograph
- Gibbon Falls, Yellow-Stone National ParkLocated in Paonia, COGibbon Falls, Yellow-Stone National Park is a chromolithograph from c.1880 showing two fisherman at the base of Gibbon Falls. This chromolithograph is a dramatic view of the powerful Gibbon waterfall that cascades 84 feet into a small, clear pool. The setting is quintessential Yellowstone, with scrubby pine trees and rocky cliffs. The inscription on the bottom left corner below the image says Scenery From Nature on the Northern Pacific R.R. Established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872 Yellowstone was the first national park in the U.S. and is widely held to be the first national park in the world. Native Americans have lived in the Yellowstone region for at least 11,000 years. The Northern Pacific Railroad...Category
1880s Naturalistic Landscape Prints
MaterialsLithograph
- Geneva, Rue De L'Hôtel De Ville - Lithograph by A. Fontanesi - 1854By Antonio FontanesiLocated in Roma, ITImage dimensions: 20.5 x 15 cm. This splendid lithograph Interieur de Geneve. Rue De L'Hôtel De Ville is part of the series of 20 prints dedicated to views of the city of Geneva, en...Category
1850s Naturalistic Figurative Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
Currier Ives New York
Joseph Ives
Chairs Harold Altman
Eileen Seitz Beyond Earth Beauty
Cj Yao
Constable The Cornfield
Gustav Swamp
Tiffany And Co Paper Plates
Savary Poster
Takashi Forest
Zoot Suit Ruscha
Zoot Suit
Gill Wonderground Map
Loggan Magdalen
Retro Wooden Santa Claus
Rowland Langmaid
Rina Sutzkever
Vintage C Rations