Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 13

Currier and Ives
“Life in the Woods Returning to Camp” 19th Century Hand Colored Lithograph

1860

More From This SellerView All
  • "Le Grand Staircase" Modern Abstract Lithograph Edition 25/50
    By Suzanne Runacher
    Located in Houston, TX
    Abstract lithograph of a staircase. The work is signed and editioned by the artist in pencil. It is framed in a unique wooden frame. Dimensions Without Frame: H 30 in x W 24 in. Ar...
    Category

    20th Century Naturalistic Landscape Prints

    Materials

    Lithograph

  • "Trees in Snow" Black and White Winter Landscape Lithograph 2/10
    Located in Houston, TX
    Black and white winter landscape lithograph by Paula Nelson who was the curator for the Woodstock School of Art Gallery. The piece is signed, titled, and ...
    Category

    20th Century Naturalistic Landscape Prints

    Materials

    Lithograph

  • "Under the Street Lamp" Imp. Etching
    By Martin Lewis
    Located in Houston, TX
    Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...
    Category

    1920s Naturalistic Figurative Prints

    Materials

    Etching, Laid Paper

  • "BaitHouse" Seascape Landscape Etching Signed Anderson Edition 8/10
    Located in Houston, TX
    Etching of a seascape with a boat house and boats. The peice is titled, signed, dated, and editioned in pencil by the artist. The etching is framed in a wooden frame with a white mat...
    Category

    1960s Naturalistic Landscape Prints

    Materials

    Etching

  • Two Landscape Print Studies
    By Carol Gray
    Located in Houston, TX
    Two prints of landscape studies framed in a single frame together. Images are signed by the artist in the lower right corner. Framed in a gold frame with a purple matte. Artist Bio...
    Category

    Late 20th Century Impressionist Landscape Prints

    Materials

    Lithograph

  • "The Cove" Abstract Landscape of a Desert with Mother and Child Lithograph
    Located in Houston, TX
    Gray toned abstract landscape of a desert with mother and child walking by coves. Original print is at the Portland Art Museum collections. Signed and titled by the artist. Framed and matted in a black wooden frame. Dimensions Without Frame: H 12 x W 17.38 Artist Biography: William Givler was one of the most influential artists and teachers in Oregon. He devoted forty-two years to the Museum Art School, beginning in 1931 as an instructor, interrupted by service as a forester during World War II, and then as dean from 1944 until his retirement in 1973. He established the four-year degree program and secured accreditation for the school. In 1949 Givler inaugurated the first Print Annual at the Portland Art Museum. In 1953 Givler, Carl Hall, and two Washington artists exhibited in a four-person show at the Seattle Art Museum. He had many one-person shows throughout the United States during his long career: Seattle Art Museum, Portland Art Museum, Santa Barbara Museum of Art, University of Virginia, and others. In 1959 Givler painted an oil, Mt. Hood, for Timberline Lodge...
    Category

    1950s Abstract Landscape Prints

    Materials

    Lithograph, Graphite

You May Also Like
  • Geneva, Port de la Treille - Lithograph by A. Fontanesi - 1854
    By Antonio Fontanesi
    Located in Roma, IT
    City of Geneva is an original lithograph, realized by Antonio Fantanesi, hand-signed. Image Dimension: 20.5 x15.5 cm Included a Passepartout. In good conditions. Here the artwor...
    Category

    1850s Naturalistic Figurative Prints

    Materials

    Lithograph

  • Geneva, Cour Du Collège - Lithograph by A. Fontanesi - 1854
    By Antonio Fontanesi
    Located in Roma, IT
    This splendid lithograph Interieur de Geneve. Cour Du Collège is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Font...
    Category

    1850s Naturalistic Figurative Prints

    Materials

    Lithograph

  • Nature - Original Lithograph - 19th Century
    Located in Roma, IT
    Nature is an original lithograph realized by an Italian artist in the 19th Century. Signed on the lower right but illegible. Good conditions but aged with diffused foxings. The ar...
    Category

    19th Century Naturalistic Landscape Prints

    Materials

    Lithograph

  • Nature - Original Lithograph - 19th Century
    Located in Roma, IT
    Nature is an original lithograph realized by an Italian artist in the 19th century. Signed on the lower right but illegible. Good conditions but aged with diffused foxings. The ar...
    Category

    19th Century Naturalistic Landscape Prints

    Materials

    Lithograph

  • Gibbon Falls, Yellow-Stone National Park
    Located in Paonia, CO
    Gibbon Falls, Yellow-Stone National Park  is a chromolithograph from c.1880 showing two fisherman at the base of Gibbon Falls.  This chromolithograph is a dramatic view of the powerful Gibbon waterfall that cascades 84 feet into a small, clear pool. The setting is quintessential Yellowstone, with scrubby pine trees and rocky cliffs. The inscription on the bottom left corner below the image says Scenery From Nature on the Northern Pacific R.R.   Established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872  Yellowstone was the first national park in the U.S. and is widely held to be the first national park in the world. Native Americans have lived in the Yellowstone  region for at least 11,000 years. The Northern Pacific Railroad...
    Category

    1880s Naturalistic Landscape Prints

    Materials

    Lithograph

  • Geneva, Rue De L'Hôtel De Ville - Lithograph by A. Fontanesi - 1854
    By Antonio Fontanesi
    Located in Roma, IT
    Image dimensions: 20.5 x 15 cm. This splendid lithograph Interieur de Geneve. Rue De L'Hôtel De Ville is part of the series of 20 prints dedicated to views of the city of Geneva, en...
    Category

    1850s Naturalistic Figurative Prints

    Materials

    Lithograph

Recently Viewed

View All