James Havard

Untitled

Falling Star is a 1989-1990 color aquatint and photogravure measuring 62 1/2 x 20 5/8 inches. Falling Star is an iconic example of Baldessari’s playful u...

French Revolution Bicentennial Suite III is a 1988 aquatint with photoengraving and collage elements by Robert Motherwell. French Revolution Bicenten...

Printed by Universal Limited Art Editions. Edition 65 of 100

French Revolution Bicentennial Suite is a set of four 1988 aquatints with photoengraving and collage elements by Robert Motherwell. The iconic Suite is hand signed in graphite by Mot...

Edition 16/60

Edition of 15

An early 19th century print entitled "Bow Street Office", an illustration (Plate 11) from "The Microcosm of London", published in London in 1808 by R. Acker...

"Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike. This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...

George Brookshaw's (1751-1823) beautiful Black Frontiniac Wine Grape hand-colored aquatint engraving, plate XVII from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a rich mottled background. The print is presented in a gold and burgundy-colored wood frame and a light gray mat. The print is in very good condition. Another Brookshaw engraving from his series of fruit illustrations is available on 1stdibs. It is framed and matted identically to this one. It can be viewed on our 1stdibs storefront by typing Timeless Intaglio...

Etching and aquatint, 1950 Edition : 123/300 38.00 cm. x 50.00 cm. 14.96 in. x 19.69 in. (paper) 22.00 cm. x 31.00 cm. 8.66 in. x 12.2 in. (image) Handsigned by the artist in penci...

Engraving, 1970 78.00 cm. x 59.00 cm. 30.71 in. x 23.23 in. (paper) 78.00 cm. x 59.00 cm. 30.71 in. x 23.23 in. (image) Ref : LCD1897

Aquatint and burin on copper, 1964 Handsigned by the artist in pencil and numbered 66/75 Publisher : XXe siècle (Paris) Printer : S. Esmeraldo (Paris) Catalog : Schneider XV 75.00 cm...