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Rembrandt van Rijn
Christ Driving the Money Changers from the Temple

1635

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  • The So-Called Tempio della Tosse, Near Tivoli. Interior Upright
    By Giovanni Battista Piranesi
    Located in Fairlawn, OH
    The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma...
    Category

    1760s Old Masters Interior Prints

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    Etching

  • St. Peter's Interior with the Nave
    By Giovanni Battista Piranesi
    Located in Fairlawn, OH
    St. Peter's Interior with the Nave Veduta interna della Basilica di S. Pietro in Vaticano Etching, 1748 Signed in the plate From: Vedute di Roma, Plate 5 An early Roman...
    Category

    1740s Old Masters Interior Prints

    Materials

    Etching

  • S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)
    By Giovanni Battista Piranesi
    Located in Fairlawn, OH
    S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura) Etching, 1748 From...
    Category

    1740s Old Masters Interior Prints

    Materials

    Etching

  • Gaiety Burlesk
    By Reginald Marsh
    Located in Fairlawn, OH
    Gaiety Burlesque Etching, 1930 Unsigned (as usual for the Whitney edition); Numbered in pencil lower left; Blind stamp of the Whitney Museum (WM) lower right Edition: 114, regular ed...
    Category

    1930s American Modern Interior Prints

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  • The Woman and the Street
    By Marc Chagall
    Located in Fairlawn, OH
    The Woman and the Street Etching, 1927-1930 Signed in the plate lower right corner (see photo) From: The Fables of La Fontaine, Plate 84 From the deluxe portfolio edition of 40 examples, printed on japan nacré paper Printed by Maurice Potin, 1927-1930 Published by Tériade, éditeur, Paris, 1952 Reference: Johnson 174 Condition: Tape stain top center recto from pervious hinging. Image/Plate size: 11 3/4 x 9 1/2 inches Sheet size: 15 1/8 x 11 1/8 inches The Women and the Secret There's nothing like a secret weighs; Too heavy 'tis for women tender; And, for this matter, in my days, I've seen some men of female gender. To prove his wife, a husband cried, (The night he knew the truth would hide,) 'O Heavens! What's this? O dear...
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    1920s French School Prints and Multiples

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  • La Negresse (The Negress)
    By Louis Legrand
    Located in Fairlawn, OH
    La Negresse (The Negress) Etching & drypoint, 1909 Unsigned (as issued in the portfolio) From the album "Les Bars" (8 plates plus cover illustration) Editi...
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  • Set of Two 18th Century Engravings from William Hogarth's "Analysis of Beauty"
    By William Hogarth
    Located in Alamo, CA
    The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs. These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition. The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco. The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe. A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene. The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate. Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
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    Mid-18th Century Old Masters Interior Prints

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  • Scène de Bistrot - Unknow Artist After Adrian Van Ostade - 18th Century
    Located in Roma, IT
    Image dimensions: 15 x 12 cm. Scène de bistrot is a black and white etching with burin interventions on paper realized by an anonymous artist, after the Flemish artist Adrian Van Ostade...
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    Early 18th Century Old Masters Figurative Prints

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  • Jews in the Synagogue
    By Rembrandt van Rijn
    Located in Boston, MA
    Bartsch 126; Hind 234; Nowell-Usticke 304 v/VII. Signed and dated in the plate above the shoulder of the second man from the left (obscured by diagonal shading): "Rembrandt f. / 1648...
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    17th Century Old Masters Prints and Multiples

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  • Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
    By Giovanni Battista Piranesi
    Located in Alamo, CA
    "Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
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  • The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi
    By Giovanni Battista Piranesi
    Located in Alamo, CA
    This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...
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  • A Framed 18th C. Piranesi Etching of an Ancient Marble Vase from Hadrian's Villa
    By Giovanni Battista Piranesi
    Located in Alamo, CA
    This large framed 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le ...
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