Screen Interior Prints

Imi Knoebel (German, born 1940) Gelbe Fahne, 1999 Medium: Screenprint on rag paper Dimensions: 100 x 73 cm (39.25 x 28.75 in) Edition of 99: Hand-signed and numbered Condition: Mint

Artist: Andre Renoux Title: Cafe St. Honore Medium: Serigraph Signed: Hand Signed Edition: From the edition of 200 Measurements: 23" x 26 1/2" Condition: Very Good

Iain H Williams, Paradigim Distortion V6 (2022) 59.4 x 84.1 cm (23.4 x 33.1 in) Hand-finished work on paper Hand-signed by the artist Iain's work has his own bold visual langu...

John Baldessari (American, 1931-2020) Two Assemblages (with R, O, Y, G, B, V Opaque), 2003 Medium: Lithograph and screen print on vellum Dimensions: 61.6 x 91.5 cm Edition of 50: Han...

Carmen Herrera (Cuban, b. 1915) Rojo y Negro, 1993 Medium: Screenprint on wove paper Dimensions: 55.7 × 48 cm (21 9/10 × 18 9/10 in) Edition of 200 + 25 A.P.: Hand-signed, numbered, ...

Koak (US American, b. 1981) Female Comes In Many Forms, 2019 Medium: Five color risograph print Dimensions: 43 x 28 cm (17 x 11 in) Edition of 200: Hand numbered and signed Condition...

Iain H Williams, Paradigim Distortion V4 (2022) 59.4 x 84.1 cm 23.4 x 33.1 in Limited edition hand-finished work on paper Hand-signed by the artist Iain's work has his own bo...

Iain H Williams, Paradigim Distortion V3 (2022) 59.4 x 84.1 cm 23.4 x 33.1 in Limited edition hand-finished work on paper Hand-signed by the artist Iain's work has his own bo...

I started my sticker campaign in 1989 and I continue to value the power of a small but mighty source of disruption and expression. When I was younger and had few resources my strateg...

Victor Vasarely (Hungarian-French, 1906-1997) Kandahar I (from "Album I" by Galerie Denise René), 1955 Medium: Screenprint in colors, on paper Dimensions: 26 × 20 1/10 in (66 × 51 cm...

Shepard Fairey (American, b. 1970) Parlor Pattern, 2010 Medium: Set of 2 screenprints on paper Dimensions: each 61 × 45.7 cm (24 × 18 in) Edition of 85: each hand-signed and numbered...

Joel Mesler (American, b. 1974) Thank You, 2021 Medium: 5 color silkscreen print on Rives BFK, 270 gsm Dimensions: 30 × 25 inches (76 x 63.5 cm) Edition of 50: Hand-signed and number...

Ed Ruscha (American, born 1937) L.C., from Leo Castelli 90th Birthday, 1997 Medium: Screenprint in colors, on Somerset Velvet paper Dimensions: 94.2 x 68.8 cm (37 1/8 x 27 1/8 in) Ed...

Shepard Fairey Lotus Angel Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Shepard Fairey Lotus Angel Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Koak (US American, b. 1981) Families Belong Together, 2019 Medium: Five color risograph print Dimensions: 43 x 28 cm (17 x 11 in) Edition of 200: Hand-numbered and signed Condition: ...

Dave Buonaguidi Party Like It's 1999, 2021 Medium: Screenprint on paper Dimensions: 42 x 29.7 cm Edition of 60: Hand-signed and numbered in pencil

Shepard Fairey AR-15 Lily Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Shepard Fairey Radical peace Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Gilbert & George (British, b. 1942 and 1943) The Singing Sculpture 1969-91, 1993 Medium: Relief print in colors, on aluminium foil (Dufex) flush-mounted to museum board, with screenp...

Shepard Fairey Shadowplay Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Allan D'Arcangelo (American, 1930-1998) Untitled, 1969 Medium: Screenprint on paper Dimensions: 35.6 x 29.9 cm Outside the edition of 125: Not signed, not numbered

Donald Baechler Orange Rose 2015 Silkscreen 101.6 × 78.1 cm (40 × 30.7 in) Signed and numbered Edition of 35 In mint condition PLEASE NOTE: Images of edition number are example refe...

"The Wall Street Public Enemy print is a critique of the culture of greed and manipulation seen on Wall Street and in the banking system. Lack of oversight from the government that i...

Shepard Fairey Make art not war, 2023/24 Screenprint Handsigned in pencil by the artist Unnumbered proof Size 90 x 60 cm (c. 35,4 x 23,6 in) Excellent condition

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

UNTITLED (INV# NP2230) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

Peter Pommerer (German, b. 1968) Giraffe with Blue Coloured Eyes, 2000 Medium: Screenprint on wove paper Dimensions: 26 x 21 cm Edition of 100: Hand-signed and numbered in pencil Con...

UNTITLED (INV# NP2232) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

UNTITLED (INV# NP2233) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

UNTITLED (INV# NP2231) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

Richard Tuttle (American, born 1941) Homesick as a Nail, 1998 Medium: Set of 1 drypoint etching on wove paper and 1 silkscreen, printed in five colors on acetate on both sides, with ...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Original screenprint poster for Günter Fruhtrunk's exhibition at Galerie Denise René Hans Mayer in 1970 in Krefeld, Germany.

Mirror #7, 1972 Roy Lichtenstein Lithograph with screenprint in colours, on Special Arjomari paper Signed, dated and inscribed 'A/P VIII' An artist's proof aside from the edition of...

ANOTHER DAY is an original limited edition woodcut and screen print by the American painter and sculptor, Otto Neals. The woodblock used to print ANOTHER DAY was hand-carved by Otto ...

Artist: Victor Vasarely Title: Profound Works VII Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...

A major figure of the contemporary street art movement, Shepard Fairey rose to prominence in the early 1990s with his “Andre the Giant Has a Posse” campaign, which distributed poster...

Robert Indiana American, 1928–2018 Love Is God Edition: 12/50 Silkscreen in 18 colors on 2-Ply Museum Board Size: 32 × 32 in 81.3 × 81.3 cm Signature: Hand-signed & numbered in penc...

Artist: Victor Vasarely Title: Profound Works Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Ed...

Artist: Victor Vasarely Title: Profound Works VI Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher:...

Artist: Hunt Slonem, American (1951 - ) Title: Two Chairs Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250 Image Size: 24 x 24 inches Size: 27 in. x 2...

Artist: Kenny Scharf Title: Sajippe Krakka Joujesh Year: 1998 Medium: Screenprint Edition: XXX /150 Image Size: 37 x 44 inches Size: 39 x 46 inches (93.98 x 111.76 cm) Publisher: Bru...

Artist: Victor Vasarely Title: Profound Works I Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Editions du Griffon Neuchatel Suite: Profound Works Medium: 3D, Serigraph on Acitate Over Serigraph on Paper Condition: Excellent Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works. Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface. Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...

"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...

Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One and Robbie Conal to create a series of anti-Bush/anti-war posters for the street-art campaign: Be The Revolution. In 2005, Fairey accepted a residency at the Contemporary Museum in Honolulu, Hawaii, where he created murals and prints that reveal a dramatic combination of constructivist style with distinctly traditional Hawaiian themes and influences. Amanda Fairey gave birth to the couple’s first child, Vivienne in June 2005, she is the namesake of punk fashion legend Vivienne Westwood. Vivienne would be the model for Fairey’s “Vivi La Revolucion” print of 2008. Fairey's street-art, was featured with that of Dan Witz...

Sigmar Polke (German, 1941-2010) Untitled (Griffelkunst 1989), 1989 Medium: Screenprint on velour Dimensions: 98 x 67 cm (38 3/5 × 26 2/5 in) Edition of 940: Hand-signed and dated in...

Artist: Victor Vasarely Title: Profound Works III Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...

Artist: Victor Vasarely Title: Profound Works VIII Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Editions du Griffon Neuchatel Suite: Profound Works Medium: 3D, Serigraph on Acitate Over Serigraph on Paper Condition: Excellent Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works. Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface. Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...

23" x 17" Unframed Limited Edition Serigraph Artist Proof of 20 Hand Signed by Jason Alexander

Keith Haring & Andy Warhol, Montreux Jazz Festival 1986 Screenprint in colours on half-matte coated 250 gr paper Printed by Albin Uldry Plate signed by Keith Hairng & Andy Warhol ...

23" x 17" Unframed Limited Edition Serigraph Artist Proof of 20 Hand Signed by Jason Alexander

Interior with Chair from the Leo Castelli 90th Birthday Portfolio is a serigraph on paper, 27 x 20.5 inches image size, signed and dated 'rf Lichtenstein '97' lower right and numbere...

16" x 12" Unframed Limited Edition Serigraph of 10 Hand Signed by Jason Alexander

Standard Edition 16" x 12" Unframed Limited Edition Serigraph of 100 Hand Signed by Jason Alexander 1996 Artist Proof 16" x 12" Unframed Limited Edition Serigraph RP of 10 Hand Sign...

Standard Edition 16" x 12" Unframed Limited Edition Serigraph of 100 Hand Signed by Jason Alexander 1996 Artist Proof 16" x 12" Unframed Limited Edition Serigraph with Hand Drawn Re...

Standard Edition 16" x 12" Unframed Limited Edition Serigraph of 100 Hand Signed by Jason Alexander 1996 Artist Proof 16" x 12" Unframed Limited Edition Serigraph AP & RP of 10 Hand...

Daniel Richter (German, born 1962) Untitled (from 11 Screenprints), 2019 Medium: Screenprint on paper Dimensions: 59.4 x 42 cm Edition of 11: Hand-signed and numbered Condition: Exce...