Skip to main content

Engraving Interior Prints

to
37
128
32
40
16
93
82
4
93
37
20
15
15
Overall Height
to
Overall Width
to
47
21
15
4
1
1
1
1
96
43
30
27
24
21
20
16
13
10
8
7
7
6
6
6
5
5
5
4
70
22
72
18
2
1
6
3
1
1
2
7
9
8
61
15
12
11
6
6
5,399
808
600
367
299
Medium: Engraving
John Drawbridge MBE (1930-2005) - Signed 1983 Mezzotint, Open Window
Located in Corsham, GB
An evocative abstracted mezzotint with etched detail by prolific New Zealand artist, muralist and printmaker John Drawbridge MBE. Drawbridge often c...
Category

20th Century Engraving Interior Prints

Materials

Mezzotint

FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa. The Pio-Clementino museum, n...
Category

1790s Naturalistic Engraving Interior Prints

Materials

Color, Engraving

FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa. The Pio-Clementino museum, n...
Category

1790s Naturalistic Engraving Interior Prints

Materials

Handmade Paper, Engraving

Bernard Sanders, Bird on Piano
Located in New York, NY
Sander's interiors are always intriguing. This one certainly is. Signed in pencil.
Category

Early 20th Century American Modern Engraving Interior Prints

Materials

Drypoint

Allegory of the four seasons. Four engravings on two framed sheets.
Located in Paris, FR
Allegory of the four seasons. A pair of engravings. These engravings are framed in white gold covered french frames. From the publication published in Milan in 1782. "Different ornam...
Category

1780s Engraving Interior Prints

Materials

Engraving

Chandelier designs. A pair of engravings
Located in Paris, FR
Chandelier designs. A pair of architectural engravings. These engravings are framed in white gold covered french frames. From the publication published in Milan in 1782. "Different o...
Category

1780s Engraving Interior Prints

Materials

Engraving

Fructidore (Fruit being carried is hard to distinguish from the woman's body)
Located in New Orleans, LA
In Anne Dykmans' "Fructidore", a well endowed woman uses her plaid apron to carry a bunch of fruit. Parts of her body clothed in plaid seem to suggest the same fruit she is carrying...
Category

1970s Modern Engraving Interior Prints

Materials

Mezzotint

The Great Fire of London, 1666
Located in Middletown, NY
A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring. London: Robert Wilkinson, 1811. Copperplate engraving with hand coloring in wa...
Category

Early 19th Century English School Engraving Interior Prints

Materials

Engraving, Watercolor, Handmade Paper

Synagogue Duke's Palace Houndsditch by Th. Sunderland after Pugin & Rowlandson
Located in Middletown, NY
A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941. London: Rudolph Ackerm...
Category

Early 19th Century English School Engraving Interior Prints

Materials

Aquatint, Engraving, Handmade Paper

Landscape with Window and Chair
Located in Fairlawn, OH
Landscape with Window and Chair Mezzotint on wove paper, 2000 Signed in pencil lower right (see photo) Edition: 150 (93/150) (see photo) Special Presentation Print for the Print Club of Albany, 2000 Condition: Mint Image/Plate size: 4 1/2 x 3 1/2 inches Sheet size: 7 x 5 1/2 inches From the Print Club of Albany: "Kipniss states that it is part of his working process to explore an image in pencil, in paint and in print. As the image evolves, its ramifications lead to hints of the next work. This image is well-suited for this medium since in mezzotint the artist literally draws the light as he burnishes the tiny rocked copper pinholes that trap the ink and become the image." From 1968 into 1990, Kipniss created lithographs that followed the style and content of his paintings, whether generally or specifically. A commission from a print publisher in 1968 for five editions of lithographs precipitated his adoption of lithography as a medium. Kipniss's first lithographs were done in black and white, but by 1970 he was also working in color. He taught himself "to lay in the most delicately light silvery tones on the surface of the limestone by maintaining an exceptionally sharp point on the lithographic pencil and drawing with no pressure other than the weight of the pencil itself." He built up a support so that his hand and wrist could "dangle" over the stone. By 1990 Kipniss had completed about 450 editions of lithographs, usually of 90 to 250 impressions, at the Burr Miller studio in Manhattan. He worked from 1969 with master printer Burr Miller and then with Steve and Terry, his sons. Works by the artist are in the following public collections: • Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco, California Palace of the Legion of Honor* • Albertina Museum, Vienna, Austria* • Albright-Knox Art Gallery, Buffalo, NY • Arkansas State University Permanent Collection, State University, AR • Art Institute of Chicago, Chicago, IL • Art Museum of Western Virginia, Roanoke, VA • Art Students League of New York, New York, NY • Bates College Museum of Art, Lewiston, ME • Berkshire Museum, Pittsfield, MA • Bibliothèque nationale de France, Paris* • Boston Athenæum, Boston, MA • Bowdoin College Museum of Art, Brunswick, ME* • British Museum, London, England* • Brooklyn Museum of Art, Brooklyn, NY* • Butler Institute of American Art, Youngstown, OH • Canton Art Institute, Canton, OH • Carnegie Museum of Art, Pittsburgh, PA • Century Association, New York, NY • Cleveland Museum of Art, Cleveland, OH* • Columbus Museum of Art, Columbus, OH • Coos Art Museum, Coos Bay...
Category

Early 2000s Contemporary Engraving Interior Prints

Materials

Mezzotint

Bernard Sanders, (Mesopotamian Figure)
Located in New York, NY
Clearly Sanders was looking at ancient Mesopotamian figures. Even the elaborate feathered wings can be found there -- made about 5000 years ago! There's an initial 'S' in the plate...
Category

Early 20th Century American Modern Engraving Interior Prints

Materials

Etching, Drypoint

Bernard Sanders, (Lovers)
Located in New York, NY
Clearly Sanders (1906-1967) was a master at these minimalist figurative prints. It's all about atmosphere and tension. Perhaps reflecting the print here, (Lovers), he, in fact, w...
Category

Early 20th Century American Modern Engraving Interior Prints

Materials

Etching, Drypoint

Bernard Sanders, (Nude Woman with Orb)
Located in New York, NY
Sander's figures are captivating. Here a women stands facing right, just touching, and holding still, a globe shape, on a flat surface. It was difficult getting the color to show p...
Category

Early 20th Century American Modern Engraving Interior Prints

Materials

Drypoint, Etching

Europa, by Peter Milton
Located in Palm Springs, CA
Resist Ground Etching and Engraving from a Copper Plate on BFK Rives, Somerset Buff, Wove Paper Medium: Resist Ground Etching & Engraving Edition of 125 Year: 1982 One o...
Category

1980s Contemporary Engraving Interior Prints

Materials

Etching, Engraving

"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate)
Located in Soquel, CA
"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate) Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail. Titled, signed, dated, and inscribed along the bottom edge: Sketch, Saint Aignon, Chartres John Taylor Arms 1950 The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes" Presented in a wood frame with an off-white mat. Frame size: 12.5"H x 9.25"W Image size: 7"H x 4.5"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...
Category

1940s Victorian Engraving Interior Prints

Materials

Ink, Etching, Drypoint, Paper

Garden With Henry, by Peter Milton
Located in Palm Springs, CA
Medium: Resist Ground Etching & Engraving          Image Size: 9.5 x 12 inches Year: 1993 Signed, titled and numbered by the artist, this print was specially made by Milton to accom...
Category

Early 2000s Contemporary Engraving Interior Prints

Materials

Etching, Engraving

Bambalina (Are ornaments, decorations mere backdrop for true Christmas story)
Located in New Orleans, LA
Souto named this image Bambalina (backstage). It is an exclusive publication of Stone and Press Gallery Francisco Souto was born in Venezuela. He received a BFA from Herron School ...
Category

Early 20th Century American Modern Engraving Interior Prints

Materials

Mezzotint

Academie de l’Espee Tabula 2 prints Girarld Thibault Tab. XXXIII & Tab.IIII
Located in Paonia, CO
Two hand colored engravings from the Academie de l’Espee ( full title can be translated as Academy of the Sword: wherein is demonstrated by mathematical rules on the foundation of a mysterious circle the theory and practice of the true and heretofore unknown secrets of handling arms on foot and horseback ) by Girard Thibault...
Category

Early 17th Century Other Art Style Engraving Interior Prints

Materials

Engraving

Intérieur bois I
Located in PARIS, FR
It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the s...
Category

21st Century and Contemporary Contemporary Engraving Interior Prints

Materials

Engraving

Un Sculpteur de Paris
Located in Middletown, NY
Etching and drypoint on cream laid Van Gelder Zonen watermarked paper, 8 7/8 x 6 1/2 inches (220 x 164 mm), full margins. Signed, titled, and inscribed "ed. 100" in pencil, lower mar...
Category

Early 20th Century Modern Engraving Interior Prints

Materials

Laid Paper, Drypoint, Etching

Becky, Contemporary Animal Art, Fluoro Art, Black Dog Art, Bright Minimalist Art
Located in Deddington, GB
Backy is a hand coloured limited edition drypoint etching with carborundum by Kate Boxer. Backy is a limited edition print in an edition of 30. The bold monochromatic work contrasts ...
Category

2010s Contemporary Engraving Interior Prints

Materials

Paper, Drypoint

The Rest on the Flight into Egypt - engraving after Rembrandt - 19th Century
Located in Roma, IT
The Rest on the Flight into Egypt is an engraving on ivory-colored paper realized after Rembrandt by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful pi...
Category

19th Century Old Masters Engraving Interior Prints

Materials

Engraving

DEATH OF THE FIRST BORN - Proof - Magnificent Large Scale Mezzotint
By John Martin
Located in Santa Monica, CA
JOHN MARTIN (1789 – 1854) DEATH OF THE FIRST BORN, Dedicated to His Majesty King Louise Philippe, King of the French, as a Tribute of the Artist’s Grateful...
Category

1830s Old Masters Engraving Interior Prints

Materials

Mezzotint

The Tribute Money - engraving after Rembrandt - 19th Century
Located in Roma, IT
The Tribute Money is an engraving on ivory-colored paper realized after Rembrandt by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belo...
Category

19th Century Old Masters Engraving Interior Prints

Materials

Engraving

Above the Rush
Located in New York, NY
Fred Mershimer created "Above the Rush" in 2003 using mezzotint and aquatint printmaking techniques. The edition of 120 pieces is printed in color. It is signed, titled, and dated ...
Category

21st Century and Contemporary American Realist Engraving Interior Prints

Materials

Mezzotint, Aquatint

French Neoclassical Design engraving for Braziers
Located in Melbourne, Victoria
Copper-line engraving. C1768. Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, Nouvelle Iconologie Historique in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
Category

Late 18th Century French School Engraving Interior Prints

Materials

Engraving

French Neoclassical design for a Pulpit, engraving after Delafosse
Located in Melbourne, Victoria
Copper-line engraving. C1768. Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
Category

Late 18th Century French School Engraving Interior Prints

Materials

Engraving

Parmigiani Amica: An 18th Century Engraving and Etching by Strange After Mazzola
Located in Alamo, CA
This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture. The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...
Category

Late 18th Century Engraving Interior Prints

Materials

Engraving, Etching

Loggie di Rafaele nel Vaticano: 18th Century Hand-colored Engraving by Volpato
Located in Alamo, CA
This is an original 18th century hand-colored copper-plate engraving by Giovanni Volpato after a drawing by Camporesi. It was the frontispiece for volume one of the rare and valuable...
Category

Late 18th Century Old Masters Engraving Interior Prints

Materials

Engraving

Tomb of the Virgin Mary: An Early 19th C. Aquatint after a Luigi Mayer Drawing
Located in Alamo, CA
"Tomb of the Virgin Mary", Pl. 10 in Luigi Mayer's publication 'Views in Egypt, Palestine, and Other Parts of the Ottoman Empire', published by Robert Bowy...
Category

Early 19th Century Engraving Interior Prints

Materials

Engraving

Chester Cathedral - Drypoint Etching in Ink on Paper
Located in Soquel, CA
Chester Cathedral - Drypoint Etching in Ink on Paper Dramatic drypoint etching by J. Alphege Brewer (British, 1881-1946). This composition shows the interior of Chester Cathedral in Brewer's characteristic style - highly detailed and with strong contrast. The scene encompasses the cathedral from floor to ceiling, capturing the immense size of the building. There are several people in the scene which contribute to the sense of scale. Signed by hand "J. Alphege Brewer" in the lower right corner. Titled "Chester Cathedral" in plate, lower left corner. Includes original card with artist's name. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 7.75"W James Alphege Brewer was well known in the early 20th century as a producer of color etchings of European cathedrals and other scenes of church, college, and community. He was born July 24, 1881, in the Kensington section of London, England, the son of Henry W. Brewer, noted artist of historical architecture and prominent convert to the Catholic Church, and the grandson of John Sherren Brewer, Jr., “the brilliant editor of the Calendar of Letters of Henry VIII.” His great uncle was E. Cobham Brewer, the polymath who compiled Brewer’s Dictionary of Phrase and Fable. Among his older siblings were the artist Henry C. Brewer and the organist and writer John Francis Brewer. Brewer attended the Westminster School of Art in London, where his brother Henry also trained. In 1910, he married Florence Emma Lucas, an accomplished painter in oil and watercolor, whose father was the noted landscape artist George Lucas and whose great uncle was David Lucas, the famous engraver for John Constable. Florence's brothers Edwin and George assisted Brewer in the printing of Brewer's etchings. Brewer exhibited at the Royal Academy (RA) and the Royal Institute of Painters in Watercolour (RI), at the Paris Salon of the Académie des Beaux-Arts, and in the shows of the Royal Cambrian Academy (RCA). He became an associate of the Royal Cambrian Academy in 1929 and a full member in the last two years of his life. He was also a member of the Hampstead Society of Artists, the Society of Graphic Art, and the Ealing Arts Club, where he was first Honorary Art Secretary and then Honorary Art Chairman. Most of Brewer's larger etchings were published by Alfred Bell...
Category

Early 20th Century Romantic Engraving Interior Prints

Materials

Paper, Ink, Drypoint

French Neoclassical Design for Candlesticks, engraving after Delafosse
Located in Melbourne, Victoria
Copper-line engraving. C1768. Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
Category

Late 18th Century French School Engraving Interior Prints

Materials

Engraving

The Duchess of St. Albans: A 17th C. Portrait After a Kneller Painting
By (After) Sir Godfrey Kneller
Located in Alamo, CA
This is a 17th century engraved mezzotint portrait of the Duchess of St. Albans by John Smith, after a painting by Sir Godfrey Kneller. It was published in London by John Boydell in 1694. The Duchess of St. Albans (1642-1712) was a woman named Diana de Vere. She was born in 1642, the daughter of Aubrey de Vere, the 20th Earl of Oxford. In 1662, she married Charles Beauclerk, the illegitimate son of King Charles II and his mistress, Nell Gwyn. As a result of her marriage, Diana became the Duchess of St. Albans, and she and Charles had several children together. Diana was known for her beauty and charm, and she was a prominent figure in the court of King Charles II. Despite her husband's illegitimate birth, Diana was highly respected in the royal court and was known for her intelligence and wit. She was a patron of the arts and supported many artists and writers of the time. Diana lived through a tumultuous period of English history, including the Great Fire of London and the Glorious Revolution, which saw King James II replaced by William of Orange. She died in 1712 at the age of 70 and was buried in Westminster Abbey. Descendants of Diana and her husband, who was an illegitimate son of King Charles II, include Diana, Princess of Wales and her son William, Duke of Cambridge. An author wrote of her: "The line of Vere, so long renown’d in arms, Concludes with luster in St. Albans’s charms; Her conquering eyes have made their race complete, It rose in valor, and in beauty set." This striking mezzotint engraving depicts Diana, Duchess of St Albans in a three-quarter length pose, standing, wearing loose flowing dress and a wrap. She has a very serene, calm appearance as she is looking straight at the viewer. There is a landscape of trees in the background. The print is adhered in the corners to an archival backing, which is itself adhered in the upper corners to a larger backing. The print is trimmed to just beyond the plate mark. There are areas of discoloration in the margins and in the inscription area, but the print is otherwise in very good condition. The sheet measures 14.5" high and 10" wide. This mezzotint is held by multiple museums and institutions, including The British Museum, The National Portrait Gallery London, The Fine Arts Museum of Boston, The Lewis Walpole Library at Yale, The Yale Center for British Art, The Fitzwilliam Museum at Cambridge and The National Galleries of Scotland. The original Kneller painting is part of the British Royal Collection Trust and hangs in the King's Private Dining Room at Hampton Court Palace. Sir Godfrey Kneller (1646-1723) was a leading portrait painter of his time, particularly renowned for his depictions of the British aristocracy and royalty. He was born in Lübeck, Germany, and trained in Amsterdam under the painter Ferdinand Bol...
Category

Late 17th Century Engraving Interior Prints

Materials

Mezzotint

French Neoclassical Design Engraving for Braziers
Located in Melbourne, Victoria
Copper-line engraving. C1768. Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
Category

Late 18th Century French School Engraving Interior Prints

Materials

Engraving

French Neoclassical design for a Pulpit, engraving after Delafosse
Located in Melbourne, Victoria
Copper-line engraving. C1768. Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
Category

Late 18th Century French School Engraving Interior Prints

Materials

Engraving

“Les Revers de la Fortune”
Located in Southampton, NY
Original stipple engraving with colors titled “Les Revers de la Fortune” (Reversal of Fortune) by the well known French engraver, Louis Marin Bonnet...
Category

1780s Academic Engraving Interior Prints

Materials

Laid Paper, Engraving

N. Lambert Seigneur de Thorigny: 17th C. Engraved Portrait After Largillière
Located in Alamo, CA
This is a 17th century engraving entitled "Messire Nicolas Lambert Seigneur de Thorigny, Conseiller du Roy" by Pierre Drevet after a painting by Noicolas de Largillière, published in Paris in 1698. This portrait depicts a three-quarter length view of Nicolas Lambert de Thorigny, who is dressed in elaborate robes and collar of a wealthy Parisian nobleman of the time. He is seated directed to the left and looking directly at the viewer. He is holding an inscribed note in his right hand. A magnificent billowing curtain is in the background. Lambert's coat of arms is shown in the center of the lower inscription area. In the inscription area is lettered with title, production detail: "Nic. Largilliere pinxit" and "Petr. Drevet sculpsit", and publication detail: "Se vend a Paris chez Drevet rüe du Foin au coin du College de Maître Gervais". Nicolas Lambert, Seigneur de Thorigny (1600-1664), was a French nobleman and military commander who lived in the 17th century. He served in the French army during the Thirty Years' War, a conflict that took place from 1618 to 1648 and involved many European powers. Lambert fought in several battles during the war and rose to the rank of colonel. After the war, Lambert returned to France and became involved in politics. He served as a member of the Estates General, a legislative body that advised the king, and as a governor of several provinces. He was a counsellor and confidant of King Louis XIV. He had the title of Président de la Chambre des Comptes. He also became a member of the French Academy of Sciences, a prestigious institution that promotes scientific research and scholarship. Lambert was known for his military expertise, his intelligence, and his commitment to public service. He iInherited the Hôtel Lambert in Paris from his brother Jean Baptiste in 1644 and hired some of the most prominent artists of the time, including Charles Le Brun to decorate and furnish the building. This beautiful old master engraving was created with impressive detailed technique. It is printed on laid, chain-linked paper. The sheet measures 18.5" high and 13.38" wide. The sheet is adhered to an archival backing paper at the top. There is a faint horizontal center fold and mild discoloration in the inscription area and in the upper margin on the right, with mild wrinkling here. The print is otherwise in very good condition, considering its age. This engraving is so rare, that no comparable prints could be identified for sale online. It is currently only listed in museum collections, including: The Metropolitan Museum of Art, The British Museum, The Louvre, The Riksmuseum, The Victoria & Albert Museum, The Fitzwilliam Museum at the U. of Cambridge, The Boston Museum of Fine Arts, Harvard Art Museums, The Finnish National Museum, The Philadelphia Museum. It is shown in the Metropolitan Museum's Cataloque of French paintings entitled: "French Paintings in The Metropolitan Museum of Art, published in 2018, page 36. The page is included in the photos. Nicolas de Largillière (1656-1746) was a French portrait painter who achieved great success and acclaim during the late Baroque and Rococo periods. He was born in Paris and trained under the painter Antoine Goubeau. He studied in Antwerp and London before returning to France. While in England he was a favorite painter of King Charles II and King James II of England...
Category

Late 17th Century Engraving Interior Prints

Materials

Engraving

Elizabeth, Countess of Northumberland: Mezzotint After a Painting by J. Reynolds
By Joshua Reynolds
Located in Alamo, CA
This is an 18th century mezzotint portrait of Elizabeth, Countess of Northumberland, Baroness Percy by Richard Houston after a painting by Joshua Reynolds, published in London by Robert Sayer in 1763. It is a rare, full length portrait of Elizabeth, who was known as Lady Betty. Lady Betty stands, facing to the right, holding her coronet, and wearing her peeress’s ermine and velvet robes over a brocade dress. In the background are a column, a billowing drape, and the grounds of Alnwick Castle...
Category

Mid-18th Century Engraving Interior Prints

Materials

Mezzotint

Marquis de Marigny: An 18th C. Wille Engraved Portrait after a Tocque Painting
Located in Alamo, CA
This is a mid 18th century engraved portrait of Abel François Poisson de Vandières, Marquis de Marigny by Jean Georges Wille after a painting by Louis Tocque...
Category

Mid-18th Century Engraving Interior Prints

Materials

Engraving

Sew What (the swells and swirls of the stripes are now in the hands of others)
Located in New Orleans, LA
"Sew What" is a color mezzotint with burin engraving created in an edition of 35. This impression is #6. I love sumptuously designed textiles in both real life and art. Patterns metamorphosing over fabric folds appeal to my interest in modulating rhythmic forms, particularly the swells and swirls of calligraphic stripes. I’m also fascinated by articulated wooden hand models, which appear in many of my paintings. Combining these passions with sewing paraphernalia from my seamstress days provided inspiration for my color mezzotint engraving "Sew What". Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer...
Category

21st Century and Contemporary Contemporary Engraving Interior Prints

Materials

Mezzotint

Richard Reynolds, Society of Friends: 19th C. Engraved Portrait by Wm. Sharp
Located in Alamo, CA
This is an early 19th century engraved portrait of the industrialist and philanthropist Richard Reynolds by William Sharp after William Hobday. It was published in London by Rudolph Ackerman in 1817. The print is entitled "Richard Reynolds of the Society of Friends, Late of Bristol". This three-quarter length portrait of Reynolds depicts him seated, directed to right, looking towards the viewer. He is holding an open book, wearing a plain suit. A curtain in the background is pulled to the left, revealing bookshelves. Some of the books are labelled 'Addison & Watts' 'Kempis & Fenelon' 'Milton & Cowley' etc. The inscription above the portrait reads: "When the eye saw him it blessed him". The lettering below the image reads: "Richard Reynolds of the Society of Friends, Late of Bristol; Whose Life and Fortune were devoted to the Glory of God by relieving the humble in Distress.', This plate is dedicated by Permission to his Royal Highness, the Prince Regent by his most devoted very humble servant William Hobday." This engraving is printed on thick paper. The sheet measures 16" high and 12" wide. It is adhered to an archival backing in the upper left corner. There is mild discoloration and toning in the margins, but it does not involve the image. Richard Reynolds (1735-1816) was a prominent member of the Society of Friends, also known as Quakers, in the 18th and 19th centuries. He was born into a wealthy family in Bristol, England, and inherited a successful copper smelting, iron manufacturing business from his father. Despite his privileged upbringing, Reynolds was known for his deep concern for the poor and his commitment to social justice. He used his wealth and influence to support a range of philanthropic causes, including the abolition of slavery, the improvement of working conditions for miners and factory workers, and the provision of education for the poor. Reynolds was also a prominent supporter of the Quaker...
Category

Early 19th Century Engraving Interior Prints

Materials

Engraving

Magnificent large plate illustrating the Vatican Museum
Located in London, GB
FEOLI, Vincenzo. Vedute del Museo Pio-Clementino. Rome, 1790. A double-page engraved plate after Miccinelli and Costa. Sheet size: 70.5cm by 99cm. Mounted size: 81cm by 101cm. Magnificent series of extra-large plates illustrating the Vatican Museum...
Category

1790s Naturalistic Engraving Interior Prints

Materials

Engraving

Chapel Interior engraving c. 1800 English/British
Located in London, GB
To see more of our period engravings, scroll down to "More from this Seller" and below it click on "See all from this Seller." Chapel Interior (circa...
Category

18th Century Realist Engraving Interior Prints

Materials

Engraving

Interior with Red Shawl (Young woman reads in this calm Vermeer-like interior)
Located in New Orleans, LA
Interior with a red shawl conveys a quite different mood and feeling: one of calm, and suspension of time. Here the suggestion is that the woman is waiting ...
Category

Early 20th Century Dutch School Engraving Interior Prints

Materials

Mezzotint

Black Circle 4, by Guntars Sietins
Located in Palm Springs, CA
Signed and numbered from the edition of 20. Completed to accompany the exhibition of his work 'Squaring the Circle', at the Latvian National Museum of Art, Riga in 2017. The illusi...
Category

2010s Surrealist Engraving Interior Prints

Materials

Mezzotint, Aquatint

T. Gaugain after James Northcote - 1796 Engraving, Modest Girl In Her Chamber
Located in Corsham, GB
A fine 18th Century engraving showing a pious young woman kneeling in prayer at the edge of her bed. The scene comes from a series of engravings published to she the differences between the lives of "wanton" girls and "good" girls. There is an illuminated inscription at the lower edge with various Bible...
Category

18th Century Engraving Interior Prints

Materials

Engraving

Arabesques and caricatures antiquities engraving
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Arabesques and caricatures Engraving 24.5 x 36 cm
Category

19th Century Engraving Interior Prints

Materials

Engraving

'Jesus and the Woman at the Well, ' by Amand-Durand, Engraving
By Armand Durand
Located in Oklahoma City, OK
This early 19th century framed 35" x 31" engraving by artist Amand-Durand depcits an etching of 'Jesus and the Woman at the Well,' after the Dutch master, Rembrandt van Rijn. This poignant Biblical story is depicted by Arman-Durand in Rembrandt style...
Category

Early 19th Century Old Masters Engraving Interior Prints

Materials

Engraving

Nicolas Ponce After Pierre Antoine Baudouin - 1771 Engraving, La Toilette
Located in Corsham, GB
A fin Georgian engraving showing a young woman in her Toilette with a maid servant unfastening her corset as a young man looks on in admiration from a cha...
Category

18th Century Engraving Interior Prints

Materials

Engraving

En passant (Passing by)
Located in Fairlawn, OH
En passant (Passing by) Drypoint, 1909 Unsigned (as issued in the deluxe portfolio) From the album "Les Bars" (8 plates plus cover illustration) Edition: 30, this state with remarque Published by Gustav Pellet, Paris A very rich impression wwith burr Condition: Excellent Image/Plate size: 9 7/8 x 6 3/8 inches Reference: Arwas 391a (remarque) Exteens 277 i/II IFF 148 (portfolio) Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...
Category

Early 1900s Art Nouveau Engraving Interior Prints

Materials

Drypoint

Magnificent large plate illustrating the Vatican Museum
Located in London, GB
FEOLI, Vincenzo. Vedute del Museo Pio-Clementino. Rome, 1790. A double-page engraved plate after Miccinelli and Costa. Sheet size: 70.5cm by 99cm. Presented in a mount, size: 81cm by 101cm. Magnificent series of extra-large plates illustrating the Vatican Museum...
Category

1790s Engraving Interior Prints

Materials

Handmade Paper, Engraving

Altar de St. Antonio de Padua Hand Colored Engraving 1724
Located in Paonia, CO
Anthony of Padua or Anthony of Lisbon born Fernando Martins de Bulhoes 15 August 1195 – 13 June 1231) was a Portuguese Catholic priest and friar of the Franciscan Order. He was born and raised by a wealthy family in Lisbon, Portugal, and died in Padua, Italy. Noted by his contemporaries for his powerful preaching, expert knowledge of scripture, and undying love and devotion to the poor and the sick, he was one of the most quickly canonized saints in church history, being canonized less than a year after his death. He was proclaimed a Doctor of the Church by Pope Pius XII...
Category

1720s Baroque Engraving Interior Prints

Materials

Engraving

"Dark Box" Drypoint Etching with Aquatint (no. 10/20)
Located in Soquel, CA
Finely balanced etching by Benjamin Vasserman (Estonian, b 1949). A squash sits atop a small black box with a latch. There is a drapery behind the squa...
Category

1980s Modern Engraving Interior Prints

Materials

Ink, Aquatint, Drypoint, Paper

La Messe (The Mass), after Caravaggio
Located in Middletown, NY
Chiaroscuro woodcut with underlying engraving on cream laid paper, printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches (260 x 321 mm) (plate), full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins, especially in the area of the lower right corner, well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio...
Category

Mid-18th Century Old Masters Engraving Interior Prints

Materials

Laid Paper, Engraving, Woodcut

Points of Departure II: Nijinsky Variations
Located in Middletown, NY
Points of Departure II: Nijinsky Variations Robert E. Townsend, 1996 Resist-ground etching and engraving on BFK-Rives paper, 24 x 38 inches (618 x 965 mm), full margins. Signed, ti...
Category

1990s American Modern Engraving Interior Prints

Materials

Engraving, Etching

The Smithy
Located in Middletown, NY
A warm composition, in theme and tone; the creaky timber interior of a 19th century Scottish blacksmith's shop. Etching and drypoint on cream laid Japan paper, 8 x 10 inches (202 x ...
Category

Late 20th Century Modern Engraving Interior Prints

Materials

Laid Paper, Drypoint, Etching

Le Matin (Morning)
Located in Fairlawn, OH
Le Matin (Morning) Mezzotint, 1886 Signed and dated in the plate (see photos) Edition: at least 650 impressions in both states Reference: Wentworth 82 ii/II P...
Category

1880s French School Engraving Interior Prints

Materials

Mezzotint

Urn Stands, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Urn Stands' From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's style ...
Category

Late 18th Century English School Engraving Interior Prints

Materials

Engraving

Engraving interior prints for sale on 1stDibs.

Find a wide variety of authentic Engraving interior prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Carol Wax, Edmund Blampied, Peter Milton, and Laurent Schkolnyk. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving interior prints, so small editions measuring 2.01 inches across are also available Prices for interior prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $66 and tops out at $59,000, while the average work can sell for $560.

Recently Viewed

View All