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Jules Cavailles
View on the Artist Workshop - Stone lithograph - Mourlot 1982

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  • Model : Sweet Day at Home - Original Lithograph Handsigned and N° (Mourlot)
    By Alfred Defossez
    Located in Paris, FR
    Alfred Defossez Interior scene, 1973 Original lithograph (Mourlot workshop) Handsigned in pencil Justified HC On Japan paper 76 x 54 cm (c. 29,9 x 21,2 inch) Very good condition, s...
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  • View on the Artist Workshop - Stone lithograph - Mourlot 1982
    By Jules Cavailles
    Located in Paris, FR
    Jules CAVAILLES View on the Artist Workshop Original stone lithograph in colors (printed in atelier Mourlot) Numbered / 200 On Arches vellum 76 x 56 ...
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    1980s Post-Impressionist Interior Prints

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  • Siemens computer - Lithograph - Plate signed - 1968
    By Bernard Buffet
    Located in Paris, FR
    Bernard BUFFET Siemens computer, 1968 MEDIUM : Lithograph PRINTER : Atelier Mourlot SIGNATURE : Plate signed PAPER : Vellum DIMENSIONS : 33 x 67 cm - 13 x 27" Excellent co...
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  • Atrium - Signed lithograph - Mourlot 1953
    By Jacques Villon
    Located in Paris, FR
    Jacques Villon Atrium Original stone lithograph Signed in pencil On Japan paper 38 x 56.5 cm (c. 15 x 23 in) INFORMATION : This lithograph is part from the set Les Bucoliques print...
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    1950s Modern Interior Prints

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  • Le Printemps, Grand Magasin (Department Store in Paris) - Handsigned lithograph
    By Yves Alix
    Located in Paris, FR
    Yves ALIX (1890 - 1969) Le Printemps, Grand Magasin (Department Store in Paris), c. 1930 Original stone lithograph Handsigned in pencil Numbered / 150 copies On vellum 34 x 49 cm (c...
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  • Two Women in a Coffee Shop - Handsigned original lithograph
    By Yves Alix
    Located in Paris, FR
    Yves ALIX (1890 - 1969) Two Women in a Coffee Shop, c. 1930 Original stone lithograph Handsigned in pencil Numbered / 30 copies On vellum 43 x 32 cm (c. 17 x 13 inch) Very good con...
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  • "La Conversation" Large original lithograph
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    Located in San Francisco, CA
    This art work titled "La Conversation" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is h...
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  • 'Pierrot's Lament', Post-Impressionist, Paris Salon, Centre Pompidou, NY MoMA
    By Arbit Blatas
    Located in Santa Cruz, CA
    Signed lower right, 'Arbit Blatas' (Lithuanian, 1908-1999) and with number and limitation, '123/195', lower left. Lithuanian born, Arbit Blatas first studied in Paris at the Academie de la Grande Chaumiere and, subsequently, at the Academie Julian. He was a member of the Salon d'Automne where he also exhibited. Other exhibition venues included the Carnegie Institute, the Pennsylvania Academy, the Santa Barbara Museum and the Rhode Island School of Design. An artist of great range, his vivid colors and joie de vivre extend through his entire canon of paintings: landscapes, portraits and still-lives. The distinguished French art critic, Jean Bouret, summed the artist up in this way: "He is color, his palette is color, exuberant and sensual, as is the man." On the other end of Blatas' artistic spectrum, the noted Italian art historian Enzo di Martini wrote of the Monument of the Holocaust: "In complete contrast to his paintings, these bronzes are hammered and chiseled in anger and tragedy." In 1929 he began to exhibit regularly at the Salon D'Automne and the Salon des Tuileries in Paris. At the age of twenty-one, he became the youngest member of the School of Paris and a friend and colleague to many of the great figures in the Parisian art world such as Vlaminck, Utrillo, Soutine, Picasso, Derain and Matisse. Blatas eventually painted or sculpted them all and his forty-nine portraits in oil and bronze are considered a unique document of that period in Paris. The artist exhibited regularly in the principal galleries of New York, Paris and London. His works are also included in some of the most valued private international art collections. Sheet dimensions: 25.5 x 19 inches. Partial List of Exhibitions: NEW YORK - Pierre Matisse Gallery; Associated American Artists; French Art Gallery; Bignou Gallery; Fine Arts Associates; Hirschl & Adler Galleries, Inc.; Eastlake Gallery; Beacon Hill Fine Arts Gallery PARIS - Galerie Zborowski; Salon D'Automne; Salon des Tuileries; Galerie Mouradian-Van Leer; Galerie Mouradian-Vallotton; Salon Populiste; Galerie de l'Elysée; Galerie André Weil; Galerie Bernheim-Jeune; Galerie René Drouet LONDON - Wildenstein Gallery; Grosvenor Gallery; Archer Gallery; Fine Arts Society; Redfern Gallery VENICE - Gritti Palace; Chiesa di San Samuele; Teatro Goldoni; Galleria Graziussi; Chiesa San Stae TREVISO - Teatro Comunale LAUSANNE - Galerie Vallotton TORONTO - Goethe Institute MONTREAL - Gallery Moos SYDNEY - Holdsworth Gallery. Partial List of Collections: USA - Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Whitney Museum of American Art, New York; Museum of the City of New York; National Portrait Gallery; the Smithsonian Institution; Carnegie Institute, Pittsburgh; Rochester Museum; Virginia Museum; Delgado Museum, New Orleans; Palm Springs Desert Museum; Wichita Art Museum FRANCE - Jeu de Paume, Paris; Le Centre Pompidou...
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  • 'A Bowl of Pomegranates', Academie Chaumiere, Paris, Ecole des Beaux-Arts, MoMA
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  • 'Still Life of Tulips and Orchids', Academie Chaumiere, MAM Paris, Benezit
    By Pierre Garcia Fons
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    Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left with edition number and limitation, '80/80'; also inscribed, lower left, 'Garci...
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  • Judaica interior scene etching with hand coloring
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    I believe the scene is of a wedding engagement. etching with extensive hand coloring (making it a unique original work of art) Ira Moskowitz (1912-2001), descendant of a long rabbinical line, was born in Galicia Poland and went with his family to Prague, Czechoslovakia, in 1914. The family remained there until 1927, and young Moskowitz received his first education in Prague's schools. Soon after, his family moved to New York City, and in 1927 Moskowitz became the pupil of Henry Wickey at the Art Students League, having finally resolved his conflict between a passion for drawing and a desire to follow the rabbinical profession of his forefathers. Between 1935 and 1938, he traveled to Israel and to Europe, Paris, France where he studied the works of the old masters, an interest derived from his first teacher and one that eventually led to his active collaboration in 1954 on the four-volume series, "Great Drawings of All Time." In 1939, Moskowitz made his first trip to Mexico, and stayed for six months. In 1943 he received a Guggenheim Fellowship and moved to New Mexico, where he remained for seven years drawing the Indians and becoming an active member of the Taos-Sante Fe artists group. It was in New York, as a student of Harry Wickey and Jerome Meyers at the Art Students League ( 1928 -32), that Moskowitz honed his talents as an artist. In the mid-to-late 1930s in Mexico, Ira was drawn to the traditions of the native peoples; in Israel, what was then British MandatePalestine he was absorbed with the religious ceremonies of the Hasidic Jews. The prints and drawings Moskowitz created in Mexico in 1941 earned him a Guggenheim Fellowship in 1943. In 1944, Ira and his wife, the artist Anna Barry moved to Taos, New Mexico. Moskowitz was entranced by New Mexico's light, landscapes, and cultures. By the time Ira arrived there, the region had already attracted Georgia O'Keeffe, Robert Henri, and Leon Gaspard...
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