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(after) David Hockney
Vintage turquoise '69 David Hockney Exhibition Poster Kilim southwest rug

1969

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  • Vintage Le Corbusier '69 David Hockney Exhibition Poster Kilim southwest rug
    By (after) David Hockney
    Located in New York, NY
    Shading in bright turquoise above a Southwestern style thunderbird Kilim rug adorns this original exhibition poster for David Hockney's 1969 show at Andre Emmerich, New York. This po...
    Category

    1960s Realist Interior Prints

    Materials

    Lithograph

  • Vintage David Hockney Poster San Francisco Opera 1982, whimsical color drawings
    By David Hockney
    Located in New York, NY
    Vintage poster for the 1982 Summer Festival season of the San Francisco Opera. David Hockney designed the whimsical sets and costumes for the San Francisco Opera's production of Igor...
    Category

    1980s Neo-Expressionist Figurative Prints

    Materials

    Lithograph

  • Vintage David Hockney Exhibition Poster Ashmolean Museum 1981
    By David Hockney
    Located in New York, NY
    Poster produced for David Hockney’s 1981 exhibition at The Ashmolean Museum, Oxford, which displayed the sets and costumes he designed for the Glyndebourne Festival Opera’s 1975 prod...
    Category

    1980s Modern Interior Prints

    Materials

    Offset

  • Vintage Hockney poster National Gallery (The Artist’s Eye)
    By David Hockney
    Located in New York, NY
    Original exhibition poster produced on the occasion of David Hockney’s 1981 exhibit for the series The Artist’s Eye at the National Gallery. As Hockney’s ...
    Category

    1980s Realist Portrait Prints

    Materials

    Offset

  • David Shapiro: Rene Ricard vintage poetry tombstone print "carved in stone"
    By Rene Ricard
    Located in New York, NY
    The title of this poetic, abstract work is written across the top of the sheet. The hand-written cursive below reads: "David Shapiro / Told me he was going to / Carve his poems in st...
    Category

    1980s Contemporary Abstract Prints

    Materials

    Lithograph

  • Thinking Aloud in the Museum of Modern Art, Hodgkin, abstract black and white
    By Howard Hodgkin
    Located in New York, NY
    Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Paper: 30 x 40 in. / 76.2 x 101.5 cm. Thinking Aloud in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on yellowish grey Hodgkinson hand made paper. Signed by the artist, dated 70, and numbered 21/100 lower center in red crayon. Printed from the same plates as 'All Alone in the Museum of Modern Art'. While All Alone features dark pools of hand coloring, the lighter image field of Thinking Aloud reveals how Hodgkin used his entire hand to create lines and textures. This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive brush marks and fingerprints in this print are an example of the artist’s movement in the late 70s towards pronounced gestures. Howard Hodgkin was introduced to the etching technique used in Thinking Aloud in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...
    Category

    Late 20th Century Abstract Abstract Prints

    Materials

    Etching

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    Located in Soquel, CA
    Beautiful figurative limited edition lithograph by Robert Baxter (American, b. 1933). Signed and numbered "R. Baxter 20/75" lower left. Displayed with wh...
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  • "King of the Friendly Islands" (Tonga); Engraving from Captain Cook's 3rd Voyage
    By John Webber
    Located in Alamo, CA
    "Poulaho, King of the Friendly Islands, Drinking Kava" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It was published in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell. Captain Cook visited Tonga on his 3rd voyage, which he named The Friendly Islands because of the warm welcome he and his crew received, unlike some of the other more hostile Pacific islands. The engraving depicts Cook and his men observed a kava ceremony at the village of Mu’a on Tongatapu. King Paulaho sits in the centre foreground, his back to the spectator with a man kneeling before him. The ceremonial mat depicted behind Paulaho indicates that nobody was allowed to sit behind him. The figure in the centre holds a single cup, referring to the Tongan custom of offering the cup to the king first. Kava is native to the islands of the South Pacific and was first described for English readers in 1768 by Captain James Cook. The kava root has been used for centuries as a central feature of ceremonies and celebrations because it was able to bring about a calming and pleasant social atmosphere. The root was crushed and processed into coconut milk to become the focal ceremonial beverage, simply referred to as kava. This engraving is presented in a Koa wood frame and a white mat. Koa wood is legendary in Hawaii. There are occasional faint spots, but the print is otherwise in very good condition. This amazing Koa wood is native to Hawaii and it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats (LU117324682422, LU117324684052, LU117324684032). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included. Captain Cook is remembered as one of the greatest explorers and navigators in history. His explorations included Australia, New Zealand and islands of the South Pacific and the northwest coast of North America. Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
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  • "The Spinner, " Etching signed by Jean Leon Gerome Ferris
    By Jean Leon Gerome Ferris
    Located in Milwaukee, WI
    "The Spinner" is an original etching by Jean Leon Gerome Ferris. It depicts a woman in an interior next to a spinning wheel. The artist signed the piece lo...
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    1880s Realist Figurative Prints

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  • Scene Galante au XVIII eme Siecle #2
    By Antoine Calbet
    Located in San Francisco, CA
    This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left. About the artist. Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert. Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime. Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration . Selected museums and collections Dallas , Dallas Museum of Art : Back woman...
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  • Scene Galante au XVIII eme Siecle #1
    By Antoine Calbet
    Located in San Francisco, CA
    This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left. About the artist. Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert. Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime. Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration . Selected museums and collections Dallas , Dallas Museum of Art : Back woman...
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    Mid-20th Century Realist Figurative Prints

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    Aquatint

  • G. Paterson "Dinner Party at a Mandarin's House" Engraving After T. Allom c.1840
    Located in San Francisco, CA
    G. Paterson "Dinner Party at a Mandarin's House" Original Engraving After T. Allom C.1840 Original engraving Dimensions 8" wide x 5" high The frame measures 20.5" wide x 18.5" hig...
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