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Robert Petersen
N.Y.C., Bianca's 1st Birthday

1989

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    By George McNeil
    Located in New York, NY
    George McNeil Untitled Figure, 1986 Lithograph on paper. Publisher's and Printer's Blind Stamps Hand-signed, numbered 78/84 and dated by the artist on the front with publisher's and...
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  • Untitled, from the Sonnabend-Castelli Collection
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    1970s Abstract Figurative Prints

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    Varnish, Lithograph, Screen

  • Guggenheim Museum Bilbao
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    Incised signature in aluminum, annotated "Artists Proof" and titled; ink on top smudged If you've ever visited the Guggenheim Bilbao, you should get ...
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  • My Love We Wont - coveted, whimsical 1960s silkscreen by beloved female artist
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    Located in New York, NY
    Niki de Saint Phalle My Love We Wont, 1968 Lithograph and silkscreen on wove paper Signed and numbered 51/75 in graphite pencil on the front Frame included: elegantly floated and framed in a museum quality white wood frame with UV plexiglass From the Brooklyn Museum, which has an edition of this work in its permanent collection: "Throughout her long and prolific career Niki de Saint Phalle, a former cover model for Life magazine and French Vogue, investigated feminine archetypes and women’s societal roles. Her Nanas, bold, sexy sculptures...
    Category

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    Screen, Pencil, Lithograph, Mixed Media

  • BAD (silkscreen and lithograph print) by renowned Chicago artist expressiionist
    By Ed Paschke
    Located in New York, NY
    Ed Paschke BAD, 1991 Silkscreen and Lithograph on Rising Mirage Paper, accompanied by documentation Pencil signed, titled "BAD", and annotated "Trial Proof" on the front 22 × 20 inches Unframed This work is a unique Trial Proof on Rising Mirage Paper, pencil signed by the artist and annotated "Trial Proof" the very first impression, aside from the regular edition. It is accompanied by the tirage sheet, with the biography of the artist and a description of the work. (see photos). As such it is a rare impression. Published by Chicago Serigraphic Workshop and Artco, Incorporated Ed Paschke Biography: Ed Paschke was born in Chicago where he spent most of his life as an important painter. He was initially associated in the late 1960s with the second generation of Chicago Imagists who called themselves The Hairy Who. He received his B.F.A. from the School of The Art Institute of Chicago in 1961 and his M.F.A. in 1970. Between degrees he lived for a time in New York where he easily came under the influence of Pop art, in part, because of his interests as a child in animation and cartoons. His fascination with the print media of popular culture led to a portrait-based art of cultural icons. Paschke used the celebrity figure, real or imagined, as a vehicle for explorations of personal and public identity with social and political implications. Although his style is representational, with a loose affiliation to Photorealism, Paschke’s art plays...
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    1990s Contemporary Abstract Prints

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  • Purim: The Four Facets of Esther (I) Sheehan, 36
    By Robert Indiana
    Located in New York, NY
    Robert Indiana Purim: The Four Facets of Esther (I) Sheehan, 36, 1966 Color silkscreen on off white wove paper 26 2/5 × 21 2/5 inches Printers Proof Signed, titled, dated and inscrib...
    Category

    1960s Abstract Geometric Abstract Prints

    Materials

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