Impressionist Figurative Prints

Laguna Veneta. 1880. Etching. 5 x 7 1/4 (sheet 8 3/4 x 11 1/4). Venetian series, #22. A rich impression printed on chine collé mounted on white wove paper. Printing fold in the right-hand margin, well outside the image. Signed 'Otto' and dated 'August 23 80' in the plate; "Otto H. Bacher" in pencil. A similar impression is in the Hood Museum of Art, Dartmouth, New Hampshire. Housed in a 16 x 20-inch archival mat, suitable for framing. The view is looking towards the Salute. Laguna Veneta is the bathing ground where Whistler practiced diving. Otto Henry Bacher was a book illustrator and etcher. He joined a colony of American painters established by Frank Duveneck in Polling, Bavaria. In 1880 the 'Duveneck boys', a group that also included John White Alexander...

Artist: Georges Lambert (French, 1919-1998) Title: Nature Morte a la Bouteille (Still Life with Bottle) Year : Circa 1975 Medium: Color lithograph Edition: Numbered XX/C in penci...

Artist: Etienne Ret (French, 1900-1996) Title: La pianiste (Epuise) Year : Circa 1970 Medium: Color etching with aquatint Image (plate mark) size: 19...

Giclee on canvas. Hand signed and numbered on front by the artist. Framed. Canvas image size 30 x 30 in. Artwork is in excellent condition. Certificate of authenticity included. Ed...

This artwork titled "Evening Light" 1993 is a large original color lithograph on Arches paper by noted California artist Clark Mitchell, b.1951. It is hand signed, dated, titled and numbered 6/20 SI in pencil by the artist.The image size is 23.25 x 35 inches, sheet size is 29.25 x 40 inches. It is in excellent condition, has never been framed. About the artist. Born In Denver, Colorado - January 19, 1951 Growing up in the shadow of the Rockies, Clark Mitchell very early discovered a love of the natural world. Given a set of fine old German pastels by his father when quite young, he quickly embraced the medium for its ease of handling, brilliance of color and portability. He received a bachelor’s degree in art from Colorado College in the seventies and moved to San Francisco to continue his studies at the Academy of Art College. Through personal exploration as well as study with artists Albert Handell, Skip Whitcomb, Michael Lynch...

Artist: Henri Fantin-Latour (French, 1836-1904) Title: "Vison" Portfolio: Gazette des Beaux-Arts *Issued unsigned Year: 1895 Medium: Original Lithograph on chine appliqué on wove paper Limited edition: approx. 1,500 Printer: Imprimeries Lemercier, Paris, France Publisher: Gazette des Beaux-Arts, Paris, France Reference: Hediard No. 122 (IV/IV); Sanchez & Seydoux 1895-6, page 126 Sheet size: 11" x 7.38" Image size: 7.5" x 5.75" Condition: Some minor discoloration in margins. In excellent condition Notes: Original cover tissue sleeve mounted at left margin as issued. This lithograph was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002. Biography: Henri Fantin-Latour, in full Ignace-Henri-Jean-Théodore Fantin-Latour (born Jan. 14, 1836, Grenoble, France—died Aug. 25, 1904, Buré), French painter, printmaker, and illustrator noted for his still lifes with flowers and his portraits, especially group compositions, of contemporary French celebrities in the arts. Fantin-Latour’s first teacher was his father, a well-known portrait painter. Later, he studied at the school of Lecoq de Boisbaudran and attended the École des Beaux-Arts. He exhibited at the official French Salons, but in 1863 he also showed his work in the rebel Salon des Refusés. Although academic in manner, Fantin-Latour was independent in style. He had numerous friends among the leading French painters of his day, including J.-A.-D. Ingres, Eugène Delacroix, Camille Corot, Édouard Manet, and Gustave Courbet. His portrait groups, often arranged in rows of heads and figures like 17th-century Dutch guild portraits...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certifi...

This artwork titled "Keukenhof" 2000 is an original color wood block print by noted California artist Arnold A. Grossman, 1923-2016. It is signed, dated, titled and numbered 1/25 in...

Artist: David Rosenthal (American 1876-1949) Title: Atlantic City Year: c.1930 Medium: Color Etching Image (Plate mark) size: 9 x 13 inches Sheet s...

This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...

Arthur B. Davies (1862-1928), Sea Maidens (or, Sunshine; Girls on the Beach), soft ground etching and aquatint, 1919, signed in pencil lower right. Reference: Czestochoski 79, second...

Original Lithograph by Jean-Gabriel Domergue Title: The Dancer Signed in the plate Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous portfolio "La Parisie...

Hand signed numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 300. All reasonable offers will be considered.

Georges Braque (after) Title: "Profil" from the Espace Portfolio Year: 1957 Year of Original: 1952 Medium: Pochoir (pigment print) on Richard de Bas, signed in the plate Edition: 26...

Color Engraving Image Size: approx 14 x 19.5 Framed Size: approx 21 x 26 3/4 Signed in Pencil Emmanuel Robbe called "Manuel Robbe", born in Paris on 16 December 1872 And died in Ne...

Artist: Théophile Alexandre Steinlen, Swiss (1859-1923) Title: La Triennale: Exposition d'Art Francais Year: 1916 Medium: Lithograph, signed in the plate Image Size: 56 x 48 inches F...

Artist: Marc Chagall, Russian (1887 - 1985) Title: Ahaseurus banishes Vashti from “Dessins pour la Bible” Verve Vol. X, Nos. 37-38, Editions de la Revue Verve, Paris, 1960 Year: 1960...

Graceful abstract figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "5/12", "Study 2", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...

Embellished giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 305. Stretched. A...

Ancel Nunn (1928-1999) Austin, Tyler, Palestine Artist Image Size: 12 x 17.5 Frame Size: 18 x 24 Medium: Lithograph "Water Stop" Texas Biography Ancel Nunn (1928-1999) Born in Sey...

This artwork titled "Warming Up" c.1990 in an original color serigraph by American artist John Asaro, b.1937. It is hand signed and numbered 147/195 in penc...

1888-89. Etching. Hausberg 18. 3 1/4 x 4 3/4 (image and sheet). Edition about 30. Agnew's label verso. A rich impression with plate tone, printed on off-white paper. A rich impressio...

Artist: Jean-Louis Forain (French, 1852-1931) Title: Paris Ville du Front Year: 1918 Medium: Lithograph Edition: Numbered 266/300 in pencil Paper: Wove Size paper: 15 x 22.25 i...

Original Lithograph by Jean-Gabriel Domergue Title: Française Signed in the plate Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous portfolio "La Parisien...

Hand signed numbered by the artist in pencil. Serigraph on Paper. Framed. Edition of 300. Artwork is in excellent condition. Certificate of authenticity included. All reasonable o...

Frank Benson created the etching "On the Kedgwick" in 1923, in an edition of 150. This impression is the second state of four. There are five known impressions of the second state. It is signed in pencil and inscribed "B-1" and "1 or 5" at the lower left paper edge (pencil). The image size 7 13/16 x 11 7/8" (19.9 x 30.2 cm) and sheet size 15 3/8 x 11 1/2" )29.3 x 39 cm). It is listed in the Frank W. Benson catalogue raisonne by Paff #222. FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Charming engraving of the market in Aumale, France in Normandy by Charles John Watson (British, 1846-1927), circa 1880. Signed within engraving and below by artist. Presented under g...

Original Lithograph by Jean-Gabriel Domergue Title: Naked Signed Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous portfolio "La Parisienne" Jean-Gabrie...

Artist: Georges Lambert (French, 1919-1998) Title: Femme Au Bouquet Year: Circa 1975 Medium: Color lithograph Edition: Numbered 90/275 in pencil Paper: Wove Image size: 13 x 20....

Artist: LeRoy Neiman, American (1921 - 2012) Title: The Rocket: Roger Clemens Year: 2003 Medium: Serigraph, signed and numbered in pencil Edition: 192/325 Image Size: 27.5 x 36 inche...

Giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Stretched. Certificate of authenticity included. Edition of 195. All reasonable...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Million Dollar Strike (Earl Anthony) Year: 1982 Medium: Serigraph, Signed by the artist and Earl Ant...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Not stretched. Artwork is in excellent condition. Cer...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Unsigned and unnumbered as ...

FRANCE World Cup Lithograph by Aldo Luongo c.1998 Limited edition France 98' World Cup - Official License From a very limited edition of 300. Pencil signed lower right. Edition 24...

An impression from the book of Marc Chagall's (Russian, 1887-1985) lithographs. Published in 1960 by Éditions André Sauret, Monte-Carlo. From 1960 to 1974 Chagall produced 28 lithographs for the six volumes of the Lithographs Catalogue Raisonné. Artist: Marc Chagall, Russian (1887 - 1985) Title: Offering Year: 1960 Medium: Lithograph Size: 12 in. x 9 in. (30.48 cm x 22.86 cm) Frame: 20 x 17 inches Editor: Andre Sauret Publisher: George Braziller...

Artist: Jean-Louis Forain (French, 1852-1931) Title: Ils Parlent de Notre Emprunt Year: 1918 Medium: Lithograph Edition: Numbered 266/300 in pencil Paper: Wove Size paper: 15 x...

The Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...

This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...

Beniamino Benvenuto Bufano (1898-1970) "Tete d' Infant" Lithograph c.1970 Fine signed lithograph by noted American artist Beniamino Bufano. From a limited edition of 145. Dimensio...

TISSOT, JAMES JACQUES JOSEPH (1836 - 1902) "Le Portique de la Galerie Nationale a Londres" (The Portico of the National Gallery, London) Wentworth 40 Etching and Drypoint on imitation Japanese paper, C. 1878 Only state published, from the edition of 100 Signed 1878 J.J. Tissot on the step, lower right 14 7/8” x 8 1/4” Excellent crisp impression This etching is related to the painting London Visitors exhibited at the Royal Academy in 1874, no. 116. The setting is the portico of the National Gallery, looking toward the Church of St. Martin’s-in-the-Fields. Such works give Tissot a minor but distinguished position as a predecessor of the school of architectural etchers...

Artist: David Rosenthal (American 1876-1949) Title: Bay Harbor Year: c.1930 Medium: Etching Image (Plate mark) size: 6 x 8.25 inches Sheet size: 8.25 x 10.5 inches Signature: Hand signed in pencil by the artist Condition: Very good About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certifi...

This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...

Charles Banks Wilson (American, 1918-2013) was an American artist. Born in Springdale, AK in 1918, he moved to Oklahoma, where he spent his childhood. He was a painter, printmaker, t...

'Le Pecheur' is an excelletn example of the aquatints of Manuel Robbe, a French artists working during the turn of the 20th century. The image draws upon th...

The etching "Running the Rapids" was created by Frank Benson in 1927. Printed in an edition of 150, this impression is signed in pencil, lower left. The image size is 5 13/16 x 7 7/8" (14.8 x 20 cm) and sheet size 8 1/16 x 10 5/16" (20.3 x 26.2 cm). Frank Weston Benson (1862-1951), well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Serigraph on clayboard panel. Hand signed and numbered by the artist. Edition PA of 15. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offer...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Unsigned and unnumbered as ...

Anders Zorn (1860-1920), At the Piano, etching, 1900, signed in pencil lower right. Reference: Asplund 160, Hjert and Hjert 108, second state (of 2), from th...

This artwork is an original seriolithograph (serigraph with lithograph) by American artist Barbara A. wood, born 1926. It is hand signed and numbered 257/260 in pencil by the artist....

This artwork titled "The Old House" c.1980 is an original etching by noted California artist Arnold A. Grossman, 1923-2016. It is hand signed in pencil by th...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certifi...

"The Bridge" is a drypoint by Frank Benson created in 1923. Printed in an edition of 150 this impression is signed in pencil, lower left. The image size is 13 1/2 x 10 5/8" (34.2 x 26.8 cm) and sheet size 16 1/2 x 13 1/16" (41.8 x 33.3 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Artist: Jean-Louis Forain (French, 1852-1931) Title: lLe Basileus Chasse Year: 1918 Medium: Lithograph Edition: Numbered 266/300 in pencil Paper: Wove Size paper: 15 x 22.25 in...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Field Goal Year: 1972 Medium: Etching, signed and numbered in pencil Edition: 54/150 Image Size: 7.5 x 8.4 inches Size: 9 x 9.25 i...

Katie Edwards Freedom Limited Edition Silkscreen Print Edition of 50 Size: H 40.5cm x W 30.5cm x D 0.5cm Sold Unframed Please note that in situ images are purely an indication of ho...

Artist: Jean-Louis Forain (French, 1852-1931) Title: Devant la Mort Year: 1918 Medium: Lithograph Edition: Numbered 266/300 in pencil Paper: Wove Size paper: 15 x 22.25 inche...