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Rembrandt van Rijn
The Flight into Egypt, Crossing over a Creek

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  • Venus and the Rose (2nd State)
    By Giorgio Mantovano Ghisi
    Located in Chicago, IL
    Engraving after Luca Penni
    Category

    16th Century Old Masters Prints and Multiples

    Materials

    Engraving

  • Allegorical Figure, Holding a Ball
    By Giorgio Mantovano Ghisi
    Located in Chicago, IL
    Provenance: Edouard Schultze (Lugt 906) References: Bartsch 34 Boorsch & Lewis 38 Notes: A fine impression of this engraving. Boorsch and Lewis state that this work dates from “the mid-1560s” and suggest that it was after a work by Giulio Romano...
    Category

    16th Century Old Masters Figurative Prints

    Materials

    Engraving

  • The Hunchbacked Fiddler (3rd State)
    By Adriaen van Ostade
    Located in Chicago, IL
    The Hunchbacked Fiddler (3rd State), 1654 Etching 266 x 113 mm.; 6 1/2 x 4 7/16 inches Watermark: Fleur-de-lys in a Crowned Shield References: Godefroy 44 III/VI Hollstein 44 III/VI Pelletier, Adrian van Ostade...
    Category

    17th Century Old Masters Figurative Prints

    Materials

    Etching

  • The Large Village Fair
    By Cornelis Dusart
    Located in Chicago, IL
    The Large Village Fair, 1685 Etching 268 x 377 mm.; 10 1/2 x 13 1/4 inches Watermark: Arms of Amsterdam Provenance: H. Freiherr von und zu Aufsess (Lugt 2749) M. Menge (Lugt 1893a). References: Hollstein 16 Notes: A fine, early impression (before spots on the sky) of one of Dusart’s most powerful and fanciful works. Concerning the provenances of this etching: Hans von und zu Aufsess (1801-1872) was a great book lover and also a major collector of Old Master prints. He was one of the founders, in 1852, of the Germanisches Museum in Nürnberg and was that museum’s director until 1862. Mas Menge (died in 1945) was a famous violinist and also a major collector of Old Master prints and drawings.
    Category

    17th Century Old Masters Figurative Prints

    Materials

    Etching

  • Les Plaisirs du Bal [before 1st State] (The Pleasures of the Ball)
    By (After) Jean-Antoine Watteau
    Located in Chicago, IL
    Les Plaisirs du Bal (before 1st State), 1730 The Pleasures of the Ball Pure etching only by Gérard Jean-Baptiste Scotin II (born Paris 1698) 495 x 640 mm.; 19 3/8 x 25 1/8 inches ...
    Category

    18th Century Old Masters Figurative Prints

    Materials

    Etching

  • Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state)
    By Giovanni Benedetto Castiglione
    Located in Chicago, IL
    Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state), 1645-50 Etching on laid paper 152 x 184 mm.; 6 x 7 1/4 inches References: Bellini 45 Bartsch 52 Note...
    Category

    17th Century Old Masters Figurative Prints

    Materials

    Laid Paper, Etching

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  • Study of Five Heads - Original Etching by J.-J. Boissieu
    By Jean-Jacques de Boissieu
    Located in Roma, IT
    Study of Five Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810). Five study of heads of which two profiles (a female and a male) are lightly sketched with the drypoint technique, and we could appreciate the incredible draftsmanship. Instead, the bigger three portraits are very detailed and etched with a superb technique. Although the subjects are drawn in different scales and with different degrees of finish, each portrait has the dignity of a unique piece and the composition is very balanced. In particular on the lower margin at the center there is the portrait of "Le Père Cotrot, Garçon Teinturier à Lyon'", an elderly man, toothless and with a large-nosed, slightly turned to left, with a hat and unbuttoned jacket over waistcoat, shows all his wrinkles in a very realistic way. Signed on plate on lower right margin “De Boissieu”. This old master’s original print with fresh impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time and light foxing along the margins, do not affect the image. Jean-Jacques de Boissieu (Lyon,1736 –1810) Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught. His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...
    Category

    Late 18th Century Old Masters Animal Prints

    Materials

    Drypoint, Etching

  • The Spectacle Seller
    By Adriaen Jansz van Ostade
    Located in Middletown, NY
    Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...
    Category

    Mid-17th Century Old Masters Figurative Prints

    Materials

    Etching, Laid Paper, Drypoint

  • Street in Smyrna
    By Marius Bauer
    Located in Storrs, CT
    Street in Smyrna. 1889. Etching. Wisselingh 34. 7 x 5 1/4 (sheet 12 7/8 x 8 7/8).Edition 100, number 49. A rich, tonal impression printed on Strasbourg cream laid paper on the full s...
    Category

    Late 19th Century Old Masters Figurative Prints

    Materials

    Drypoint, Etching

  • Breaking up of the Agamemnon, No 1
    By Sir Francis Seymour Haden, R.A.
    Located in Storrs, CT
    Etching and drypoint. Schneiderman 133.v/xi. 7 3/4 x 16 3/8 (sheet 9 1/4 x 17 1/2). A rich impression with plate tone printed in black/brown in on antique cream wove paper. Signed in...
    Category

    Mid-19th Century Old Masters Landscape Prints

    Materials

    Drypoint, Etching

  • Descending from the Cross, by Torchlight
    By Rembrandt van Rijn
    Located in New York, NY
    Rembrandt Harmensz. van Rijn 1606 Leiden – Amsterdam 1669 The Descent from the Cross by Torchlight 1654 etching and drypoint; sheet 213 x 163 mm (8 3/8 x 6 7/16 inches) Bart...
    Category

    17th Century Old Masters Figurative Prints

    Materials

    Drypoint, Etching

  • Disparate Pobre (Two Heads are Better Than One) – Trial Proof
    By Francisco Goya
    Located in New York, NY
    Francisco de Goya y Lucientes (1746-1828), Disparate Pobre (Two Heads are Better Than One) – Trial Proof, with burnished aquatint, drypoint and engraving, c. 1812; plate 11 from Los...
    Category

    1810s Old Masters Figurative Prints

    Materials

    Engraving, Drypoint, Etching, Aquatint

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