Pippi Starace

Woman from Apulia with Trullo - Lithograph by Pippi Starace - 1960s

1960s

Devils is an original lithograph realized by Tono Zancanaro in 1981. Hand-signed. Artist's Proof.

Poppea is an original lithograph realized by Tono Zancanaro in 1981. Hand-signed.

Paolo e Francesca is an original lithograph realized by Tono Zancanaro in 1981. Hand-signed. Artist's Proof.

Poppea II is an original lithograph realized by Tono Zancanaro in 1981. Hand-signed. numbered. Edition 88/125.

Poppea is an original lithograph realized by Tono Zancanaro in 1981. Hand-signed. Artist's proof.

Poppea II is an original lithograph realized by Tono Zancanaro in 1981. Hand-signed. numbered. Edition IX/XXV.

Modern figurative abstract of a woman with fruit and wine on a table in front of her. The work is in brown and blue tones. Signed and editioned by the...

Chiho Aoshima Building Head - Chameleon 2006 Lithograph 24 1/4 x 29 in. Edition of 300 Signed and numbered in ink Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This ...

TECHNICAL INFORMATION: Chiho Aoshima Building Head - Palm Trees 2006 Lithograph 24 1/4 x 29 in. Edition of 300 Signed and numbered in ink Accompanied with COA by Gregg Shienbaum Fi...

R.C. Gorman (1932 - 2005, American) Title: "Morning Star" Edition: Artist Proof Year: 1991 Medium: Stone Lithograph Markings: Signed & Dated LL Watermark...

With Josh Crumpler on the design and layout, the team sought to give issue its own stamp – “to really give a sense of who the artist is,” says Milo. In this sense, they wanted to distinguish how Harland was “very carefree” and how he had a “slightly punk” attitude on life, but also how his was was notably concise. “It was about bringing together those elements,” continues Milo. “He is pleased with how it came out so that was a big plus.” Upon deciding on the aesthetic and feel of the magazine, Milo goes on to explain how they pulled many cues from postmodernism. Especially that of mixed-media, and how, with Harland producing his own self-portrait to be included in the issue, they wanted to juxtapose the photograph with a handwritten Q&A. “Harland’s work merges a love of pop culture, abstract expressionism and wordplay,” says Milo, “so the combination of these styles really fit the mould and influenced the design of Plaster.” This conception effortlessly rings out from the magazine, with what Milo describes as “clashing Herb Lubalin...

Artist: Yue Minjun Title: Untitled (Smile-ism No. 20) Year: 2006 Medium: Lithograph on Rives BFK paper Edition: 45; signed and numbered in pencil Sheet: 43.50 x 35.25 in. (110.5 x 8...