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Pierre Thibault
Academie de l’Espee Tabula XXI by Girard Thibault 17thc fencing engraving

17thc

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  • Academie de l’Espee Tabula XXI by Girard Thibault 17thc fencing engraving
    By Pierre Thibault
    Located in Paonia, CO
    Hand colored original engraving from the Academie de l’Espee ( full title can be translated as Academy of the Sword: wherein is demonstrated by mathematical rules on the foundation of a mysterious circle the theory and practice of the true and heretofore unknown secrets of handling arms on foot and horseback ) by Girard Thibault...
    Category

    17th Century Other Art Style Figurative Prints

    Materials

    Engraving

  • Leon Bakst Three Costume designs from Le Dieu Bleu Ballet 1911
    By Leon Bakst
    Located in Paonia, CO
    Three iconic Leon Bakst costume designs for Le Dieu Bleu ( The Blue God ) a ballet choreographed by Michel Fokine and written by Cocteau. The ballet premiered in Paris in 1...
    Category

    20th Century Art Nouveau Figurative Prints

    Materials

    Color

  • Le Marriage de la Vierge by Salvador Dali Changes in Great Masterpieces Framed
    By Salvador Dalí­
    Located in Paonia, CO
    Le Marriage de la Vierge by Salvador Dali and interpreted from the original Raphael painting is one of six graphics from the series Changes in Great Masterpieces...
    Category

    1970s Surrealist Figurative Prints

    Materials

    Lithograph

  • Corrupt Petliura Ukraine Russian Propaganda Poster
    Located in Paonia, CO
    Vintage Soviet Government propaganda lithographic poster titled with Ukrainian text that reads “Corrupt Petliura has sold Ukraine to the Polish landowners. Landowners burned and plundered Ukraine. Death to landowners and Petlyurovites.” Originally issued April 1920 following the Treaty of Warsaw (also the Polish-Ukrainian Agreement). The agreement was a military-economical alliance between the Second Polish Republic, represented by Jozef Pilsudski, and the Ukrainian People’s Republic, represented by Symon Petliura, against Bolshevik Russia. The artwork features Jozef Pilsudski running away with a sack of goods. Good condition. Artist unknown. The Bolshevik Era (1917-1921) was a life and death struggle for the Bolsheviks and their ideology. The propaganda poster...
    Category

    Early 20th Century Expressionist More Prints

    Materials

    Lithograph

  • Alcyon Cycles-Moto Vintage Poster
    By Georges Favre
    Located in Paonia, CO
    Alcyon Cycles-Moto is an original lithographic poster by George Farve in very good condition and published Affiches Gaillard-Paris-Amiens. The type under the image reads Nos Bicyclet...
    Category

    20th Century Art Deco Figurative Prints

    Materials

    Lithograph

  • Four 1920's Russian Propaganda Posters by Alexander Apsit, Dmitri Moor & others
    Located in Paonia, CO
    The Bolshevik Era (1917-1921) was a life and death struggle for the Bolsheviks and their ideology. The propaganda poster was everywhere, as the Bolsheviks struggled to win the Civil War against the Whites and fought the Poles over control of the Ukraine and parts of modern day Belarus. The early Soviet poster - an incredible 3600 designs - was remarkable for its revolutionary fervor and biting wit. Powerful visual symbols were invented, like the red star and hammer and sickle. These four posters are as follows: 1." May 1st All Russian Subbotnik " is a Russian poster promoting the first all Russian Subbotnik held on May 1st, 1920 in which Vladimir Lenin was in attendance. "Subbotnik" were weekend days of unpaid, volunteer community service work following the October Revolution which eventually became obligatory. By Russian artist Dmitry Moor 2. " Anniversary of Vsevobuch--Develop and Learn to Defend Freedom"    celebrates the second anniversary of the implementation of universal military training and says ‘2nd Anniversary of Vsevobuch, Develop and Learn How To Defend Freedom. Artist unknown 3." Devil Doll "    The Devil Doll' (January 1920) shows a soldier pointing his bayonet at a looming monster in the first panel. However, in the second it turns out to be the weak and insignificant enemies of the state behind a pathetic mask and cloak.  Russian artist Dmitri Moor 4. " Forward to defend the Ural"    ’By Russian artist A. Petroff ( pseudonym for Alexander Aspit ) from the ´´Plakate der Russichen Revolution 1917 - 1929´´ Dmitry Moor was a Russian graphic artist, poster designer and cartoonist, also known as D. Moor ("Д. Моор"). During the 1900s and 1910s he was a comic pioneer, making satirical comics ridiculing the Czarist regime and censorship. Under the Soviet regime he became one of the most celebrated propaganda artists. Both during the First and the Second World War he ridiculed the German army. In his work Moor often made use of sequential illustrated narratives or comics. He was the house cartoonist of magazines like Budilnik and later Bezbozhnik. Alexander Petrovich Apsit was born in Riga on 25th March, 1880. He moved to Saint Petersburg in 1894 and attended art school and became a student of Lew Dmitriew-Kawkaski. Aspit worked for various Russian magazines and on the outbreak of the First World War was employed by the government to design war posters. After the Bolshevik Revolution Apsit was commissioned by the State Publishing House to design revolutionary posters.
    Category

    Early 20th Century Expressionist Figurative Prints

    Materials

    Screen

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  • The Bridge
    By Frank Benson
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    "The Bridge" is a drypoint by Frank Benson created in 1923. Printed in an edition of 150 this impression is signed in pencil, lower left. The image size is 13 1/2 x 10 5/8" (34.2 x 26.8 cm) and sheet size 16 1/2 x 13 1/16" (41.8 x 33.3 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
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  • Les Fleurs du Mal - Odilon Redon - Illustration - Modern
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  • Le Calvaire - Etching and Heliogravure by Félicien Rops - 1882
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  • Framed Rubbing of 1550 Brass Monument in Grote Kerk Church, Breda, Netherlands
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