La Danse a la Campagne (2nd Plate)
View Similar Items
Pierre-Auguste RenoirLa Danse a la Campagne (2nd Plate)1890
1890
About the Item
- Creator:Pierre-Auguste Renoir (1841-1919, French)
- Creation Year:1890
- Dimensions:Height: 23.5 in (59.69 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Washington, DC
- Reference Number:Seller: PARLDLC021stDibs: LU54438853202
Pierre-Auguste Renoir
Pierre-Auguste Renoir began his artistic career as a porcelain painter but began copying paintings at the Louvre in 1860 and eventually entered the studio of Charles Gleyre, where he met Claude Monet, Frédéric Bazille, and Alfred Sisley. The four friends began painting in the forest of Fontainebleau, although Renoir always remained dedicated to figure painting and portraits influenced by Gustave Courbet.
In the summer of 1869, Renoir painted for two months alongside Monet at La Grenouillère outside Paris. After several of his paintings were rejected by the Salon in the early 1870s, he decided to join Monet in establishing the Impressionists, who sought to capture modern life including everyday people, streets, and surroundings.
Renoir's penchant for portraiture attracted the attention of a range of patrons with avant-garde sensibilities and sustained him financially. His doubts about the spontaneity and impermanence of the Impressionist aesthetic led him to refuse to participate in the fourth Impressionist exhibition in 1878. Instead, he decided to look back to the Old Masters, leaving for Italy in 1881 to continue his self-education in the “grandeur and simplicity of the ancient painters.” He returned enamored of Raphael and Pompeii and his figures consequently became more crisply drawn and sculptural in character.
By the late 1880s and early 1890s, Renoir had shifted his investigation of the Old Masters from linear classicism to the colouristic traditions of Titian and Rubens as well as the unabashedly sensual beauty of eighteenth-century French art such as the nudes of Rubens and Fragonard. Renoir's most important series of the decade came from an invitation by the French government to execute a painting for the Musée du Luxembourg, a new museum devoted to the work of living artists. Renoir made five versions of Two Young Girls at the Piano for the Minister of Fine Arts to choose from; the version in the Robert Lehman Collection at the Metropolitan Museum of Art is one of the finest. The subject of Two Young Girls at the Piano recalls eighteenth-century French genre scenes, especially those of Fragonard.
In the early twentieth century, despite old age and declining health, Renoir persisted in artistic experimentation. He took up sculpture and continued to paint portraits attesting to his continued admiration of Renaissance art. Renoir was also drawn to an arcadian ideal of Mediterranean classicism in his art. This artistic preoccupation is nowhere more apparent than in his twentieth-century bathers. The Rubenesque nudes he had been painting reached a level of unprecedented exaggeration in the twentieth century, culminating in the massive Bathers at the Musée d'Orsay.
Find original Pierre-Auguste Renoir prints, paintings and other art on 1stDibs.
(Biography provided by Stern Pissarro Gallery)
- The Pass of Gadalore, from The Quest for the GrailBy Salvador DalíLocated in Washington, DCArtist: Salvador Dali Title: The Pass of Gadalore Portfolio: The Quest for the Grail Medium: Etching in color Year: 1975 Edition: 39/100 Frame Size: 27" x 22" Sheet Size: 17 3/4" x 1...Category
1970s Figurative Prints
MaterialsDrypoint, Etching
- Annette Facing FrontBy Alberto GiacomettiLocated in Washington, DCArtist: Alberto Giacometti Title: Annette Facing Front Portfolio: Derriere le Miroir Tenth Anniversary Edition Medium: Etching Date: 1956 Edition: 2000 Frame Size: 19 1/2" x 14 1/4" ...Category
1950s Figurative Prints
MaterialsEtching
- Square Head of a Woman PoutingBy Pablo PicassoLocated in Washington, DCArtist: Pablo Picasso Title: Square Head of a Woman Pouting Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 18" x 16" Sheet Size: 13" x 10...Category
1940s Portrait Prints
MaterialsEtching
- Désert fabuleux from dahlia, from Neuf PaysagesBy Salvador DalíLocated in Washington, DCArtist: Salvador Dali Title: Désert fabuleux from dahlia Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 63/80 Sheet Size: 19 7/8" x 19 1/2" Image Size: 15" x 15" Signat...Category
1980s Surrealist Figurative Prints
MaterialsEtching
- Fantasmes de la plaine d'Ampurdam from begonia, from Neuf PaysagesBy Salvador DalíLocated in Washington, DCArtist: Salvador Dali Title: Fantasmes de la plaine d'Ampurdam from begonia Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 62/80 Sheet Size: 19 7/8" x 19 1/2" Image Siz...Category
1980s Surrealist Figurative Prints
MaterialsEtching
Sold$2,465Free Shipping - Paysage avec figures-soleil from sun, from Neuf PaysagesBy Salvador DalíLocated in Washington, DCArtist: Salvador Dali Title: Paysage avec figures-soleil from sun Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 62/80 Sheet Size: 19 7/8" x 19 1/2" Image Size: 15" x 1...Category
1980s Surrealist Figurative Prints
MaterialsEtching
- "Study 2", Seated Figure LithographBy Jim SmythLocated in Soquel, CABeautiful nude figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "8/12", "Study 2", "Smyth 75” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian. In 2002 Jim was invited to study at the Academy of Art in St. Petersburg, Russia, where he worked in Life Drawing and Life Painting. Smyth is a popular lecturer, a sought after demonstrator and juror. He is the recipient of many awards for both his painting and his teaching. In 1988 and again in 2003, he received the Kenneth Washburn...Category
1970s American Impressionist Figurative Prints
MaterialsEtching, Paper
- The Church Across the WayBy Childe HassamLocated in Storrs, CTThe Church Across the Way. 1916. Etching. Cortissoz, Clayton 66. 8 1/4 x 4 3/8 (sheet 10 1/16 x 6 1/8). A fine impression with carefully-wiped plate tone printed on white laid paper ...Category
1910s American Impressionist Landscape Prints
MaterialsEtching
$3,500 Sale Price22% Off - Field Goal, Football Color Etching by LeRoy Neiman 1972By LeRoy NeimanLocated in Long Island City, NYArtist: LeRoy Neiman, American (1921 - 2012) Title: Field Goal Year: 1972 Medium: Etching, signed and numbered in pencil Edition: 54/150 Image Size: 7.5 x 8.4 inches Size: 9 x 9.25 i...Category
1970s American Impressionist Figurative Prints
MaterialsEtching
- Laguna Veneta.By Otto Henry BacherLocated in Storrs, CTLaguna Veneta. 1880. Etching. 5 x 7 1/4 (sheet 8 3/4 x 11 1/4). Venetian series, #22. A rich impression printed on chine collé mounted on white wove paper. Printing fold in the right-hand margin, well outside the image. Signed 'Otto' and dated 'August 23 80' in the plate; "Otto H. Bacher" in pencil. A similar impression is in the Hood Museum of Art, Dartmouth, New Hampshire. Housed in a 16 x 20-inch archival mat, suitable for framing. The view is looking towards the Salute. Laguna Veneta is the bathing ground where Whistler practiced diving. Otto Henry Bacher was a book illustrator and etcher. He joined a colony of American painters established by Frank Duveneck in Polling, Bavaria. In 1880 the 'Duveneck boys', a group that also included John White Alexander...Category
19th Century American Impressionist Landscape Prints
MaterialsEtching
- Automne (Autumn)By Georges RouaultLocated in Storrs, CTAutomne (Autumn). 1938. Aquatint print in colors. Chapon/Rouault 288C. 19 1/2 x 25 1/2 ( sheet 22 5/8 x 30 3/4). Edition 175, #44 Published by Vollard. A rich impression with bright...Category
Mid-20th Century Impressionist Figurative Prints
MaterialsAquatint, Color
$15,000 Sale Price46% Off - "Claude Renoir Fils de l'Artiste, de Profil”By Pierre Auguste RenoirLocated in Southampton, NYOriginal etching on archival laid paper of Claude Renoir the son of Pierre August Renoir. Pierre Auguste Renoir (French 1841-1919) "Claude Renoir Fils ...Category
Early 1900s Impressionist Figurative Prints
MaterialsEtching, Laid Paper
$1,280 Sale Price20% Off