1820s Figurative Prints
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Period: 1820s
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Located in Soquel, CA
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae.
The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs.
The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
Category
Edo 1820s Figurative Prints
Materials
Ink, Rice Paper, Woodcut
Arashi Rikan II in an Osaka Kabuki Scene
Located in Fairlawn, OH
Arashi Rikan II in an Osaka Kabuki Scene
Color woodcut, c. 1827
Signed middle left (see photo)
Titled upper left (see photo)
Format: oban
Publisher: Honsei
The actor, in character, d...
Category
Other Art Style 1820s Figurative Prints
Materials
Woodcut
Inari Kozo Tasaburo- Kabuki
Located in Fairlawn, OH
Inari Kozo Tasaburo- Kabuki
Color woodcut, c. 1820
Signed: ‘Toyokuni’
Publisher: ‘Yamamoto Heikichi’
Censor: Hama and Magome
Very good impression and color
Sheet/Image size: 15 1/2 x...
Category
Other Art Style 1820s Figurative Prints
Materials
Woodcut
Napoleon Standing
Located in Fairlawn, OH
Napoleon Standing
Lithograph, 1822
Signed in the stone lower left corner of image (see photo)
From: Arnault, A. V.
Vie Politique et Militaire de Napoleon (120 plates)
Published, Paris, Librairie Historiquem 1822
Printed by C. Motte, Paris
Considered to be the major pictorial treatise on Napoleon and his military conquests.
Image size: 14 x 9 3/4 inches
Sheet size: 23 5/8 x 17 3/4 inches
Condition: Very good
Horizontal prints...
Category
Romantic 1820s Figurative Prints
Materials
Lithograph
Napoleon a Batille de Dresde
Located in Fairlawn, OH
Batille de Dresde
Lithograph, 1822
From: Arnault, A. V.
Vie Politique et Militaire de Napoleon (120 plates)
Published, Paris, Librairie Historiquem 1822
Printed by C. Motte, Paris
Co...
Category
Romantic 1820s Figurative Prints
Materials
Lithograph
Napoleon a Bautzen
Located in Fairlawn, OH
Napoleon a Bautzen
Lithograph, 1822
Signed in the stone (see photo)
From: Arnault, A. V.
Vie Politique et Militaire de Napoleon (120 plates)
Published, Paris, Librairie Historiquem 1...
Category
Romantic 1820s Figurative Prints
Materials
Lithograph
Veduta degli Avanzi della Villa... - Etching by L. Rossini - 1825
Located in Roma, IT
Veduta degli Avanzi della Villa di Domiziano da altri chiamata le Terme di Pompeo Magno
Image dimensions: 46x60 cm.
From the collection “Le antichità de’ contorni di Roma (...)” an a...
Category
Old Masters 1820s Figurative Prints
Materials
Etching
Ruins of the Roman Baths of Belisarius: A 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...
Category
Old Masters 1820s Figurative Prints
Materials
Etching
Passage du Mont Saint-Bernard
Located in Fairlawn, OH
Theodore Gericault (1791-1824)
Passage du Mont Saint-Bernard
Lithograph, 1822
Signed and titled in the stone
As published in Arnault "Vie politique et militair...
Category
Romantic 1820s Figurative Prints
Materials
Lithograph
Interno del Pronao del Tempio ... - Etching by Luigi Rossini - 1825
Located in Roma, IT
Interno del Pronao del Tempio d'Ercole nella città di Cora is an original etching by Luigi Rossini.
From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, showing Cora’s Ruins.
Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1825”.
In very good condition.
Image Dimensions: 45 x 57 cm
Luigi Rossini (1790 – 1857)
Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
Category
Modern 1820s Figurative Prints
Materials
Etching
Fishermen - Lithograph - 1824
Located in Roma, IT
Fishermen is a lithograph on paper realized by an Anonymous artist in 1824.
Good conditions with slight foxing,
The artwork is realized through perfect hatching and deft strokes, c...
Category
Modern 1820s Figurative Prints
Materials
Lithograph
Avanzi della Biblioteca ... - Etching by Luigi Rossini - 1824
Located in Roma, IT
Avanzi della Biblioteca in Villa Adriana, di opera retticolata is an original etching realized by Luigi Rossini.
From the collection “Le antichità de’ c...
Category
Old Masters 1820s Figurative Prints
Materials
Etching
JOB SACRIFICED - And My Servant Job Shall Pray For You
Located in Santa Monica, CA
WILLIAM BLAKE (British 1757-1827)
JOB'S SACRIFICE - And my Servant Job Shall Pray For You, 1825 (Bindman 1978.643; Binyon 1926.123 iii; Russell 1912.33)
Engraving, First edition, one of 100 sets printed directly onto Whatman wove paper with a 1825 watermark. and the word “proof” removed. From "Illustrations of the Book of Job...
Category
English School 1820s Figurative Prints
Materials
Engraving
Antinoo, Testa Colossale - Etching by Giovanni Folo - 1821
Located in Roma, IT
“Antinoo, Testa Colossale” (Antinoo, Colossal Head) is a beautiful black and white burin and etching on paper, realized by the Italian artist Giovanni Folo, after Agostino Tofanelli, as the inscriptions on plates on lower margins report “Agostino Tofanelli delineò./ Giovanni Folo incise Roma”.
Image Dimensions: 48 x 33.3 cm
This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XV" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
This print shows a precious piece of the Borghese's collection, the marble bust of the legendary figure of Antinoo, a young Greek native of Bithynia, known for his sentimental and loving relationship with the Roman emperor Hadrian, who deified him after his premature death in rather mysterious circumstances. Today the name of Antinoo is associated with homosexuality and appeared in many literary and poetic works, including those by Oscar Wilde, Fernando Pessoa and Marguerite Yourcenar.
In excellent conditions with some light signs of the time, with some sporadic minor stains along the margins above all on the lower, this wonderful burin has preserved still today his fresh impression.
Illustrazioni de' Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David).
«Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate.
Giovanni Folo Veneto (Bassano, 1764– Rome1836)
The Italian engraver of the Neoclassic period, active in Italy, studied with Giulio Golini and G.B. Mengardi in Venice. In 1781 he moved to Rome to study with Giovanni Volpato, but later he followed the style of the Volpato's pupil, Raffaello Morghen...
Category
Modern 1820s Figurative Prints
Materials
Etching
Le maréchal flamand (The Flemish Blacksmith) — 19th Century French Romanticism
Located in Myrtle Beach, SC
Théodore Géricault 'Le maréchal flamand' (The Flemish Blacksmith) from the series ‘Etudes, de chevaux lithographiés,’ lithograph, 1822, 2nd state ...
Category
Romantic 1820s Figurative Prints
Materials
Lithograph
Veduta di un Tempio Antico... - Etching by Luigi Rossini - 1826
Located in Roma, IT
Veduta di un Tempio Antico, o Ninfeo, alle sponde del Lago di Castel Gandolfo (...)
Image Dimensions: 45.5 x 57.5 cm
From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, representing some an Antique Temple, near the lake in Castel Gandolfo.
Signed on plate “Rossini dis. e inc.” lower-left corner, with indication of date and place “Roma, 1826”.
In very good conditions with some light marks.
Luigi Rossini (1790 – 1857)
Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
Category
Modern 1820s Figurative Prints
Materials
Etching
Veduta Generale del Tempio della Sibilla... - by L. Rossini - 1824
Located in Roma, IT
Veduta Generale del Tempio della Sibilla, e Ponte della Cascata di Tivoli
Image dimensions: 61x45 cm.
From the series “Le antichità de’ contorni di Roma (...)” an artist's proof with...
Category
Old Masters 1820s Figurative Prints
Materials
Etching
'Horse Attacked by Tiger' — 19th-Century French Romanticism
Located in Myrtle Beach, SC
Théodore Géricault (after), 'Tigre dévorant un cheval' (Tiger Devouring a Horse), lithograph, 3rd state of 3, Clement 97, c. 1820. Lettered 'Volmar ...
Category
Romantic 1820s Figurative Prints
Materials
Lithograph
Two Actors in a Fight Scene with Lightning and... by Utagawa Kunisada - 1820s
Located in Roma, IT
Two actors in a fight scene with lightning and thunderbolt is an original artwork realized in the 1820s by Utagawa Kunisada (1786-1865).
Diptych. Two colors woodcut.
Format: 2 x ...
Category
Modern 1820s Figurative Prints
Materials
Woodcut
Veduta di Tivoli mista d'Antico, e moderno (...) - Etching by L. Rossini - 1824
Located in Roma, IT
Veduta di Tivoli mista d'Antico, e moderno (...)
From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano, Castel Gandolfo, Palest...
Category
Modern 1820s Figurative Prints
Materials
Etching
Roma, Busto quasi colossale - Etching by Alessandro Mochetti - 1821
Located in Roma, IT
“Roma, Busto quasi colossale” (Rome, near colossal bust) is a superb black and white burin and etching on paper, realized by the artist Alessandro Mochetti...
Category
Modern 1820s Figurative Prints
Materials
Etching
Roman Views - Original Etching by Agapito Franzetti - 1820s
Located in Roma, IT
Roman Views is an original etching realized by Agapito Franzetti in the 1820s.
Signed on the plate.
good conditions.
Included a. Passepartout: 35 x25 cm...
Category
Modern 1820s Figurative Prints
Materials
Etching
'Mazeppa' — 19th-Century French Romanticism
Located in Myrtle Beach, SC
Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...
Category
Romantic 1820s Figurative Prints
Materials
Lithograph
The Escape from Argyle Castle - lithograph by Richard Parks Bonington - 1826
Located in Roma, IT
The Escape from Argyle Castle is original lithograph on paper, realized by the artist Richard Parkes Bonington (1802- 1828)
Signed on the plate on the lower left and titled. Editor ...
Category
Modern 1820s Figurative Prints
Materials
Lithograph
The Military Portait - Original Lithographs by Denis Auguste Marie Raffet- 1829
Located in Roma, IT
The Military Portait - The Appearance of Our Lady- The Classroom is an original Lithograph realized by Denis Auguste Marie Raffet.
Signed on the center and numbered (9). Edition by...
Category
Modern 1820s Figurative Prints
Materials
Lithograph
The Column of Trajan in Rome, 19th Century Framed Etching by Luigi Rossini
Located in Alamo, CA
Early 19th century etching entitled "Veduta dello scavo del Foro Trajano" from Luigi Rossini's "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst broken ancient Roman columns that lie around it. The column in Trajan's Forum commemorates Roman emperor Trajan's victory in the Dacian Wars. Buildings in the background represent two libraries and the Basilica Ulpia. There are people in the foreground; some walking through the square, some standing observing the scene and others in discussion.
The etching is presented in a silver-colored wood frame with an off-white double mat with a black inner mat. It is in very good condition. See item # LU117324669702 for another Rossini etching...
Category
Old Masters 1820s Figurative Prints
Materials
Etching
The Military Portait - Original Lithograph by Denis Auguste Marie Raffet - 1829
Located in Roma, IT
The Military Portait - The Appearance of Our Lady - The Classroom is an original Lithograph realized by Denis Auguste Marie Raffet.
Signed on the center and numbered (9). Edition b...
Category
Modern 1820s Figurative Prints
Materials
Lithograph
I Moccoletti - Original Etching by C. G. Hyalmar Morner - 1820
Located in Roma, IT
I Moccoletti is a pleasant etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work is unsigned, but it is part of the 20 plates engraved in 18...
Category
Modern 1820s Figurative Prints
Materials
Etching, Gouache
Map of Germany - Original Etching - 1820
Located in Roma, IT
Map of Germany is an Original Etching realized by an unknown artist of 19th century in 1820.
Very good condition on two sheets of white paper joined at...
Category
Modern 1820s Figurative Prints
Materials
Etching
Map of the World - Original Etching - 1820
Located in Roma, IT
Map of the World is an Original Etching realized by an unknown artist of 19th century in 1820.
Very good condition on two sheets of white paper joine...
Category
Modern 1820s Figurative Prints
Materials
Etching
Sepolcro Regio o Consolare (...) - Etching by Luigi Rossini - 1825
Located in Roma, IT
Sepolcro Regio o Consolare inciso nella rupe del Monte Albano, or nel Convento di Fr. Frances. ni di Palazzuolo is an original etching realized by Luigi Rossini.
From the series “Le ...
Category
Modern 1820s Figurative Prints
Materials
Etching
Map of France - Etching - 1820
Located in Roma, IT
Map of France is an Original Etching realized by an unknown artist of 19th century in 1820.
Very good condition on two sheets of white paper joined at t...
Category
Modern 1820s Figurative Prints
Materials
Etching
The Morning vVsit - Original Lithograph by Charles Haslewood Shannon - 1906
By Charles Haslewood Shannon
Located in Roma, IT
The morning visit is an original artwork realized by English artist Charles Haslewood Shannon (1863-1937)
Lithograph print for the Burlington magazine. Monogrammed on plate on the lower right. Proof n. 45. Passepartout cm 42x27
Good conditions except for a sign of humidity that doesn't affect the image.
Charles Haslewood Shannon (1863-1937) was an English artist best known for his portraits. Painter and lithographer, born near Sleaford, Lincolnshire. Shannon studied at Lincoln School of Art and at Lambeth School of Art. During the early 20th century, his work was also featured in 'The Venture', an obscure short-lived art...
Category
Modern 1820s Figurative Prints
Materials
Lithograph
A Duel Between Frank and Rashleigh -Lithograph by Richard Parks Bonington - 1828
Located in Roma, IT
A Duel between Frank and Rashleigh is original lithograph on china glued, realized by the artist Richard Parkes Bonington (1802- 1828)
Signed on the plate on the lower left and titl...
Category
Modern 1820s Figurative Prints
Materials
Lithograph
Veduta interna delle Sostruzioni ... - Etching by Luigi Rossini - 1824
Located in Roma, IT
Veduta interna delle Sostruzioni dei Portici del tempio d'Ercole in Tivoli (...) is an original etching realized by Luigi Rossini.
From the series “Le antichità de’ contorni di Roma (...)” it is an artist's proof with real technical virtuosity, with sharp details, representing the walkways under the portici of Hercules Temple in Tivoli.
Signed on plate “Rossini dis. e inc.” lower-left corner, with indication of date and place “Roma, 1824”.
In very good conditions.
Luigi Rossini (1790 – 1857)
Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
Category
Modern 1820s Figurative Prints
Materials
Etching
"The Beggars Opera" and " A Just View of The British Stage" Original Etchings
Located in Houston, TX
The original design for the top half was formally attributed to William Hogarth, according to the Met Museum, and published by John Bowles in 1728. The edition here has a second half...
Category
Baroque 1820s Figurative Prints
Materials
Etching
Ara con Tripode - Etching by V. Feoli After B. Nocchi - 1821
Located in Roma, IT
Image dimensions: 33.7 x 48.6 cm.
“Ara con tripode” (Ara with tripod) is a beautiful black and white burin and etching on paper, realized by the artist Vincenzo Feoli, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Vincenzo Feoli incise in Roma”.
This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXVIII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
Original Title: Ara con Tripode di quindecemviri, e la corona...
Category
Old Masters 1820s Figurative Prints
Materials
Etching
Bust of Geta - by P. Fontana - 1821
Located in Roma, IT
Image dimensions: 48.4 x 33.2 cm
Busto di Geta (Bust of Geta) is a superb black and white burin and etching on paper, realized by the artist Pietro Fontana, after Agostino Tofanelli, as the inscriptions on plate on the lower margin report “Agostino Tofanelli delineò / Pietro Fontana incise Roma”.
This original print is numbered on plate in Roman numerals on the higher margin: “Tom II. / Tav. XXII" and is a plate from the series "Illustrazioni de' Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..) date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome in 1821.
This old master’s original print shows a beautiful piece of the Borghese's collection: a marble bust of Geta in a neoclassical style. Geta (full name Publius Septimius Geta) was the son of Septimius Severus and Julia Domna, and the brother of Caracalla. He was a Roman co-emperor from 209 to 212 AD, first with his father and then with his brother. His biography is very interesting: he was the younger son of Septimius Severus and his second wife; his face was obliterated because of the damnatio memoriae ordered by his brother Caracalla, who had him assassinated.
In excellent conditions, with some light signs of time, some sporadic minor stains along the lower margin, and a usual and imperceptible yellowing of the paper on the margins. This wonderful etching has preserved its charming and fresh impression.
Pietro Fontana (Bassano Romano, 1762 – Rome, 1837)
The Italian artist and engraver Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as student of Raffaello Morghen...
Category
Old Masters 1820s Figurative Prints
Materials
Etching
Illustrations to Punch and Judy - Rare Book Illustrated by G. Cruikshank - 1828
Located in Roma, IT
Illustrations to Punch and Judy is an original modern rare book illustrated by George Cruikshank (London, 1792 – London, 1878) in 1828.
Published by Septimus Prowett, London.
Original edition proofs on China paper.
Format: in 4°.
The book includes 24 etchings and loose leaves in publisher’s wrappers; there are additional sheet with four woodcuts.
Only Eleven copies were issued.
Mint conditions. Some foxing traces on the title page.
George Cruikshank (London, 1792 - London, 1878). He was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...
Category
Modern 1820s Figurative Prints
Materials
Paper, Etching
Interno della Basilica della Fortuna Prenestina - by L. Rossini - 1826
Located in Roma, IT
Interno della Basilica della Fortuna Prenestina
Image dimensions: 40x53 cm.
From the collection “Le antichità de’ contorni di Roma (...)”, published in Rome, 1826 an artist's proof w...
Category
Old Masters 1820s Figurative Prints
Materials
Etching
Villa di Domiziano - Original Etching by Luigi Rossini - 1826
Located in Roma, IT
Villa di Domiziano is an original etching, realized by Luigi Rossini in 1826.
Signed on the plate on the lower right.
In aged conditions with different folding and rips.
The artw...
Category
Modern 1820s Figurative Prints
Materials
Etching
Avanzi delle rovine della Villa... - Etching by L. Rossini - 1826
Located in Roma, IT
Avanzi delle Rovine della casa del console Ventidio Basso, non molto lungi da Quintigliolo nella Valle verso Tramontana in Tivoli.
Image dimensions: 36x46 cm.
From the collection “L...
Category
Old Masters 1820s Figurative Prints
Materials
Etching
Ristauro del Tempio della Fortuna Prenestina - Etching by L. Rossini - 1826
Located in Roma, IT
Ristauro del Tempio della Fortuna Prenestina.
From the collection “Le antichità de’ contorni di Roma (...)” a Virtuous proof concerning the restoration of the Fortuna Prenestina Temple, with artchitectural plan, sections and some notes.
Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1826”.
In Excellent condition with some light stains.
Image Dim: cm 67.5 x 51 , Dim: cm 70 x 53
Luigi Rossini (1790 – 1857)
Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
Category
Modern 1820s Figurative Prints
Materials
Etching
Altra Veduta presa sotto... - Etching by Luigi Rossini - 1825
Located in Roma, IT
Altra Veduta presa sotto il grand' Arco dell'interno dell'Emissario di Albano is an original etching belonging to the series "Le Antichità di contorni di Roma” (…)".
Beautiful proof...
Category
Modern 1820s Figurative Prints
Materials
Etching
The Basilica of St. Paul in Rome, Early 19th Century Etching by Luigi Rossini
Located in Alamo, CA
"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns.
The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...
Category
Old Masters 1820s Figurative Prints
Materials
Etching
Le Bonheur du Jour - Group of six Art Deco lithographs.
Located in London, GB
BARBIER, George
Le Bonheur du Jour ou les Graces à la Mode, texte et dessins par George Barbier.
Chez Meyniel, Paris, 1924.
Group of six lithographs, hand-...
Category
Art Deco 1820s Figurative Prints
Materials
Paper
Birth of Telefon, on a Bas-Relief - Original Etching by A. Campanella
By Angelo Campanella
Located in Roma, IT
“Nascita di Telefo, Bassorilievo” (Birth of Telefo, Bas-relief) is a beautiful black and white burin and etching on paper, realized by the artist Angelo Campanella, after Bernardino Nocchi, as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Angelo Campanella incise Roma”.
This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. IX" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
This old master’s original prints shows a beautiful piece of the Borghese's collection, a classical bas-rilief representing the birth of Telefo, a Greek hero and myth.
In excellent conditions with some light signs of the time with some sporadic minor stains along the higher margins,this wonderful etching has preserved still today his beauty and his fresh impression.
Illustrazioni de' Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David).
«Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate.
Angelo Campanella (Rome, 1748 – 1815)
Angelo Campanella was an Italian painter and engraver, learned his art under Giovanni Volpato. He engraved the statues of twelve apostles found in the church of St. John Lateran in Rome, and some of the plates for Gavin Hamilton's Schola Itálica including The Presentation in the Temple after Fra Bartolommeo...
Category
Modern 1820s Figurative Prints
Materials
Etching
Young Agrippina - Original Etching by Agostino Tofanelli - 1821
Located in Roma, IT
“Agrippina Giovane” (The young Agrippina) is an original etching realized by A. Tofanelli and A. Mochetti.
Image Dim: cm 48x33, Dim: cm 59x44; Passepartout Dim: cm 69 x 49.
Precious Etching on copper: Hand-colored subject on black ink bottom. Designed by Agostino Tofanelli and engraved by Alessandro...
Category
1820s Figurative Prints
Materials
Etching
Sarcofago rappresentante la Favola d'Atteone by Giovanni Battista Leonetti-1821
Located in Roma, IT
“Sarcofago rappresentante la Favola d'Atteone” (Sarcophagus representing the Fable of Atteone) is a beautiful black and white burin and etching on paper, realized by the Italian artist Giovanni Battista Leonetti, after Agostino Tofanelli (Lucca 1770 - Rome 1834), as the inscriptions on plates on lower margins report “Agostino Tofanelli delineò./ Gio. Batta Leonetti incise. Roma”.
Image Dimensions: 33.8 x 47.7 cm
This print is numbered on plate in Roman numerals on right margin: “Tom II. /Tav. II" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..) date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
The print shows a precious piece of the Borghese's collection, a wonderful antique sarcophagus with a very detailed scene representing the fable of Atteone.
In excellent conditions with a usual yellowing of the paper at the edges, this wonderful burin has preserved still today his lifetime impression and a wide gradient of greys and blacks.
Illustrazioni de' Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior...
Category
Modern 1820s Figurative Prints
Materials
Etching
Avanzi di una Sala Termane... - Original Etching by L. Rossini - 1824
Located in Roma, IT
Avanzi di una Sala Termale nella Villa d'Orazio a Tivoli, sotto il convento di S. Antonio
Image dimensions: 43.5 x 52 cm.
From the collection “Le antichità de’ contorni di Roma (...)...
Category
Old Masters 1820s Figurative Prints
Materials
Etching
Gran Cratere marmoreo, con baccanale - Etching by Agostino Tofanelli - 1821
Located in Roma, IT
A. Tofanelli, P. Fontana, “Gran Cratere marmoreo, con baccanale” (Big marble Crater, with Bacchanal).
Image Dim: cm 48x33, Dim: cm 59x44; Passepartout Dim: cm 69 x 49.
Precious Etching on copper: Hand-Watercolored subject on black ink bottom.
Designed by Agostino Tofanelli...
Category
1820s Figurative Prints
Materials
Etching
Pittaco Mitileneo - Original Etching by Agostino Tofanelli - 1821
Located in Roma, IT
A. Tofanelli, P. Fontana, “Pittaco Mitileneo”.
Image Dim: cm 48x33, Dim: cm 59x44; Passepartout Dim: cm 69 x 49.
Precious Etching on copper: Hand-Watercolored subject on black ink bottom.
Designed by Agostino Tofanelli...
Category
1820s Figurative Prints
Materials
Etching
Broadway from the Bowling Green, 1828 — early New York City, hand-coloring
Located in Myrtle Beach, SC
J. R. Hutchinson, 'Broadway from the Bowling Green, 1828', hand-colored etching, 1828. Signed and dated in the plate, beneath the image, lower right. Ann...
Category
Realist 1820s Figurative Prints
Materials
Etching
My Cousin in the Army - Rare Book Engraved by G. Cruikshank - 1822
Located in Roma, IT
My Cousin in the Army (original title "My cousin in the Army, or Johnny Newcome on the Peace Establishment") is an original modern rare book illustrated by George Cruikshank (London, 1792 - London, 1878) in 1822.
Published by Johnston, London.
Original First Edition.
Format: in 8°.
The book includes 316 pages with 16 full page hand colored aquatints.
Mint conditions.
George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...
Category
Modern 1820s Figurative Prints
Materials
Paper, Etching
Peter Schlemihl’s Wundersame G - Rare Book Illustrated by G. Cruikshank - 1827
Located in Roma, IT
Peter Schlemihl’s Wundersame Geschichte is an original modern rare book written by Adelbert von Chamisso (Châlons-en-Champagne,1781 – Berlin, 1838) and illustrated by George Cruikshank (London, 1792 - London, 1878) in 1827.
Published by Leonhard Schrag, Nürnberg.
Original First Edition.
Format: in 12°.
The book includes 213 pages with Six full page Etchings and one Frontispiece.
Mint conditions.
George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...
Category
Romantic 1820s Figurative Prints
Materials
Paper, Etching
Epinal Print Napoleonic Funeral Convoy - Lithograph - 1821
Located in Roma, IT
Epinal Print Napoleonic Funeral Convoy is an original Hand-colored lithograph realized in 1821 by an Anonymous french artist.
With the description on the lower.
Titled at the top. ...
Category
Modern 1820s Figurative Prints
Materials
Paper, Lithograph
Marius at Minturnae - Original Lithograph After J. G. Drouais- 1829
Located in Roma, IT
Marius at Minturnae is an original print artwork on paper, realized by Jean Germain Drouais in 1823, at the bottom of the image is written inscription. the name of the artist and dat...
Category
1820s Figurative Prints
Materials
Lithograph
Veduta della Gran Caduta dell' Aniene... - Etching by L. Rossini - 1825
Located in Roma, IT
Veduta della Gran Caduta dell'Aniene in Tivoli
Image dimensions: 63x46 cm.
From the series “Le antichità de’ contorni di Roma (...)” an artist's proof of technical virtuosity with sh...
Category
Old Masters 1820s Figurative Prints
Materials
Etching
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