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Pedro Friedeberg
Mexican Modernist Surrealist Ziggurat Hebrew Alphabet Judaica Silkscreen Print

US$2,000Asking Price

About

"Olfato y Alefato" (Smell and Alphabet) Mid Century Modern Art This is a signed, and numbered piece by Pedro Friedeberg. The piece is a gorgeous "pop art " style piece that has also has a Judaic undertone. Pedro Friedeberg was born in Florence, Italy, 1936, to German-Jewish parents, He arrived in Mexico at the age of three. Having shown an early inclination for drawing and and sculpture architecture Universidad Iberoamericana, where he was profoundly influenced by the teaching of Mathias Goeritz, a German-Mexican artist. Friedeberg became part of a group of surrealist artists in Mexico which included Leonora Carrington and Alice Rahon, who were irreverent, rejecting the social and political art which was dominant at the time His educational background ranged from medieval to Art Nouveau and his work anticipated postmodernism. He Created the famous Hand Chair He also liked the perspectives of the drawings of M. C. Escher In his autobiography, Friedeberg writes about experiences with his many friends in the art world, including Salvador Dalí, Leonora Carrington, Kati Horna, Tamara de Lempicka, Mathias Goeritz, Gunther Gerzso Gerszo, Edward James, Zachary Selig and Bridget Bate Tichenor. This artwork would look amazing in any type of mid century modern, vintage, retro, space age, Eames era environment. His works can be found in the permanent collections of the Museo de Arte Moderno, the José Luis Cuevas Museum, the Televisa Cultural Center, all in Mexico City, the Museum of Contemporary Art in Toluca, the Museum of Contemporary Art in Culiacán, the Museum of Contemporary Art in Pátzcuaro, the Museum of Modern Art in New York, the Museum of Contemporary Art in Chicago, the Museum of Contemporary Art in New Orleans, the Library of Congress in Washington DC, the Rose Art Museum of Brandeis University in Boston, the National Research Library in Ottawa, Musée du Louvre in Paris, the Israel Museum in Jerusalem, the National Museum of Modern Art in Baghdad, the Ponce Museum of Art in Puerto Rico, the Franklin Rawson Museum in Argentina, the Omar Rayo Museum in Colombia and the Smithsonian Institute in Washington, DC., The Museum of Arts and Design in New York In 1960, Friedeberg was invited to join a group based on Dada principles: the creation of anti-art for art's sake. Los Hartos (The Fed Up). Apart from Friedeberg’s non-fictional architectural fantasies, he began producing furniture that rejected the predominantly international style of architecture and design that was being taught in Mexico. After designing his first chair, Friedeberg went on to design tables, couches, and love seats. This body of work, along with Friedeberg's obsessively crowded and meticulously detailed canvases, often included references to Tantric scriptures, Aztec codices, Catholicism, Hinduism, and symbols of the Kabbalah and Judaism.

Details

  • Creator
    Pedro Friedeberg (1937, Mexican)
  • Dimensions
    Height: 23 in. (58.42 cm)Width: 26 in. (66.04 cm)
  • Medium
  • Movement & Style
  • Period
  • Condition
    minor wear mostly to back of piece. please see photos.
  • Gallery Location
    Bal Harbour, FL
  • Reference Number
    1stDibs: LU3827378172

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Bal Harbour, FL
  • Return Policy

    A return for this item may be initiated within 3 days of delivery.

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About the Artist

Pedro Friedeberg

The sculptor and painter Pedro Friedeberg works in a richly detailed, surreal and eccentric artistic style that blends influences from neoclassical art, M.C. Escher and native Mesoamerican symbolism. He is best known for his Hand chair — a functional sculpture that is an icon of design-as-art. Friedeberg was born in Florence to German parents and moved with his mother to Mexico at the outset of World War II. As a university student in Mexico City in the 1950s, he initially studied architecture, but his designs for fantastical buildings ran afoul of his rationalist, Bauhaus-oriented teachers. By chance, his drawings came to the attention of Mathias Goeritz, the German-born avant-garde painter and sculptor. He encouraged Friedeberg and made him a protégé. Friedeberg credits his mentor for instilling in him a fanatical attention to detail in his work. Friedeberg produced his first Hand chair in 1961, and has since created numerous iterations. He has also made several variants using other human limbs in different functional forms such as tables and clocks. While Friedeberg’s sculptural pieces have a gentle character that is sometimes described as spiritual, his paintings are something entirely different. He employs deep perspective to create hypnotic, painstakingly rendered canvases that suggest rooms and cityscapes. Whatever the medium, Friedeberg’s work is arresting and instantly recognizable. The Hand chair, though familiar, remains a captivating piece — both furniture and artwork — that stands apart in any interior. Examples are often priced between $20,000 and $30,000, depending on formal variations (such as a foot-shaped pedestal), material and condition. Smaller functional items such as tabletop clocks bring about $9,000. His paintings and drawings require space; they are meant to be contemplated. Prices on original examples start at about $30,000; prints generally sell in the region of $900. As you will see on these pages, the art and design of Pedro Friedeberg is singular and memorable.
About the Seller
4.9 / 5
Located in Bal Harbour, FL
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