Paul Iribe

Models at the Window - Original Stencil by Paul Iribe - 1908

1908

Pochoir. Signed on plate. One of the beautiful illustrations realized by Paul Iribe for "Les Robes de Paul Poiret" in 1908.

Three Models is an original lithograph realized by Paul Iribe, signed. Sheet dimension: 31,5 x 27,5 cm. With Passepartout dimension : 69 x 49 cm. In excellent condition. Here the...

Pochoir. Signed on plate. One of the beautiful illustrations realized by Paul Iribe for "Les Robes de Paul Poiret" in 1908.

Models with Toad is an original lithograph realized by Paul Iribe in 1908, signed. Sheet dimension: 31 x 27,5 cm. In excellent condition. Here the artwork is one of the illustrati...

Grace is an Original Etching and Drypoint realized by Willette (Adolphe Léon). Good condition included a white cardboard passpartout (49x32 cm). Titled "Grace!...Je suis une petite...

Fattoria Bolla is a beautiful and rare color lithograph printed by G. Ricordi and C. Milano, Milan, between 1895 and 1914. A vintage poster representing a farmer feeding her son wit...

Coleth The Lovers of Venice Carnival Original gouache and ink drawing (c. 1925) Signed bottom right On drawing paper 23 x 20 cm (c. 9 x 8 in) at view...

Genre: Realism Subject: Portrait Medium: Etching Surface: Paper Country: Israel Dimensions with Frame: 18" x 114" Jacob Eisenberg (1897–1965) (also Yaakov Eisenberg) was an Israeli ...

DUYCK, EDOUARD (1872 -1897) CRESPIN, ADOLPH (1859 –1944) "Hippodrome des Art" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #6, 1894. Plate #28 Unframed Size:11 3/8 x 15 3/4” The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "...Posters were created by the team of Duyck & Crespin, whose close collaborative efforts garnered them the nickname 'the Siamese twins.' Between their first joint attempt at poster-making in 1885-1886 and Duyck's death in 1897, the duo produced a large corpus of works... as well as set designs and costumes for the theatre " (Brussels p.76) This is a Belgian poster for the Ferme de Frahinfaz, on the Hippodrome des Art road near Spa. "Accommodations for riders and pedestrians. Fork and knife lunches, fresh milk, real "Faro" beer from Brussels and English beers"

DE MONVEL, BOUTET (1859 - 1927) "La Petite Poucette" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #27, 1898. Plate #106 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts. Boutet de Monvel...

Published by F. Champenois, Paris. "Bénédictine shows two girls pressing flowers amid book leaves, to remind us of the herbs that go into making the liqueur; the bottom part of the poster has a panorama of the Fecamp Abbey where the drink originated. Around 1510, one of the monks, Dom Bernardo Vincelli, prepared a liqueur using local wine and native herbs found in nearby woods, together with a few imported ingredients including muscat, ginger, clove and cardamom" (Wine Spectator, 70). As with all poster this size, the lithograph was made, in color, on two panels and joined at the center. Alphonse Mucha was a painter and decorative artist best known for the sensual Art...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...