Mino Maccari

The Touch - Original Woodcut by Mino Maccari - Mid-20th Century

Mid-20th Century

The River through Threes is a woodcut print on paper realized after a photograph by M. Renaud artist in the 20th century. Signed on the plate and Monogrammed. With another artwork ...

Greco ou le secret de Tolede is a woodcut print realized by Henri Louis Bracons Hand-signed on the lower right in pencil. Numbered on the lower left, the edition of 27/50 prints. Pa...

Retif de la Bretonne is an original woodcut print realized by Fernand Siméon. Hand signed, on the lower right margin. Included a Passepartout: cm 30 x 24 . Good conditions except f...

Petrarque is a woodcut print realized by Henri Louis Bracons Hand-signed on the lower right in pencil. Numbered on the lower left, the edition of 28/50 prints. Passpartout included...

Soldier is an Original woodcut print realized by Bernard Naudin (1876-1946). The artwork is in good condition on a brown paper, included a yellowed cardboard passpartout (56x35.5 c...

The Conversation is an original woodcut print on ivory-colored paper realized by Bernard Naudin (1876-1946). Signed in the plate. Good conditions with some folding along the margin...

Shift Change Mike Goscinsky, American (1933–2021) Woodblock on thin wove paper, signed, titled and numbered in pencil Edition of 15/75 Image Size: 14 x 19 inches Size: 22 x 26.5 in. ...

Semicircular Device. 1916. Wood engraving. Physick 77. 1 1/8 x 3 5/8 (sheet 1 13/16 x 4 5/16). Printed on Japanese mulberry laid paper mounted on a backing sheet. Initialed in pencil...

Animals All: WHO WERE THE FIRST TO CRY NOWELL ANIMALS ALL AS IT BEFELL. 1916. Woodcut. Physick 51. 14 7/8 x 16 3/8 (sheet 25 x 27 ). No published edition. Printed on simili-Japan pa...

Hooves. 1927. Woodcut. 7 1/2 x 12 (sheet 11 7/8 x 15 1/8). Printed on heavy Japanese mulberry paper. Signed, dated, and titled in pencil. An example of this work is in the collectio...

Avery, Milton. NIGHT NUDE. Woodcut, 1953. Edition of 25 in black and white (there were a further 25 printed in black and blue). Signed, dated and numbered "6/25" in pencil, and also ...

Eugene Larkin Quartet No. 1 Woodcut in two colors Signed and titled by hand Size: 20 x 29.5 inches COA provided Eugene Larkin (1921-2010) The late Eugene Larkin was an artist who worked in the Twin Cities area for many years and needs little introduction. His works have been shown, collected and appreciated by numerous galleries, museums and collectors throughout the United States. Larkin was influential both as an artist and as a teacher. He taught at the Minneapolis College of Art and Design between 1954 and 1969, where he was head of printmaking and Chairman of the Division of Fine Arts. From 1969-1991 he was a professor in the Design Department at the University of Minnesota. Eugene Larkin, a lithographer, teacher and artist who left behind scores of works, some of them in the permanent collections of the Library of Congress and the Museum of Modern Art. He was considered an early promoter of lithography education, Larkin introduced it into arts programs while teaching at the Minneapolis College of Art and Design and the University of Minnesota. He held a prominent place in the art world through decades of working and teaching in Minneapolis. His work depicted a wide range of subjects, from musicians to nature, including a series of woodcuts based on William Blake's ""Songs of Innocence and Experience." Larkin also wrote a textbook, ""Design: The Search for Unity."" It was his work with lithography, an 18th-century printmaking process, for which he was best known. His last local exhibit was a retrospective at The University of Minnesota Weisman Museum in 2005. ""Sometimes I start the artistic process from a literary source - Adam and Eve, the Egyptian nature gods, or classical Greek themes but sometimes I start from nature. Trees have always been a favorite subject. I see trees as people, as vertical objects...